View source for Annotation:Lament for Owen Roe O'Neill

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'''LAMENT FOR OWEN ROE O'NEILL.''' AKA - "Uaill Cuma Eogan Ruaid Ua Niall." Irish, Slow Air (4/4 time). G Dorian. Standard tuning (fiddle). AB. Composed by blind Irish harper Turlough O'Carolan (1670-1738), or at least attributed to him by several authorities,
[[File:carolan.jpg|200px|thumb|left|Turlough O'Carolan]]
including Hardiman ('''Irish Minstrelsy,''' London, 1831), Bunting (in '''General Collection of the Ancient Irish Music''', Dublin, 1796), Clinton ('''Gems of Ireland,''' London, 1841) and Francis O'Neill ('''Waifs and Strays of Gaelic Melody'''), on stylistic terms. Gratten Flood, however, in his '''History of Irish Music''' (Dublin, 1905), says that the Owen Roe's "glorious" lament was composed soon after his death, in 1649, predating O'Carolan's birth by a score of years. Owen Roe O'Neill (1582-1649), or, in Irish, Eoghan Rua Ó Neill, was a member of the noble O'Neill family of County Tyrone who as a youth left Ireland for military service on the Continent.  He fought in Netherlands and distinguished himself as an officer in service with the Spanish, but in 1642 at the age of 60 he returned to Ireland and helped to mastermind the rebellion against the Stuart regime called the Confederation of Kilkenny. O'Neill won an important victory at Benburb in 1646, but died three years later of an illness at Cloughouter, County Cavan, just before he was to campaign against Oliver Cromwell's Roundheads. It has long been maintained in tradition that O'Neill was in fact poisoned at the hands of a woman who placed the toxin in his shoes before a banquet. O'Neill danced vigourously at the affair for several hours, causing the substance to be absorbed into his skin, leading to his death several days later. 
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The caoine, or lament, was obtained by collector George Petrie from the playing of fiddler Frank Keane (Co. Clare, then living in Dublin), who learned it from the singing of the women in Co. Clare but could not remember the words. Hoffman (1877) included a version of it under the title "[[Arranmore Tune (An)]]" (No. 115) in his collection of arrangements from Petrie's collection. The melody has become a fiddler's showpiece.  
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''Source for notated version'': 
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''Printed sources'': '''Complete Collection of Carolan's Irish Tunes''', 1984; No. 211, pp. 144-145. O'Neill (Krassen), 1976; p. 245 (appears as "The Lamentation of Owen Roe O'Neill"). O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 626, p. 111. O'Neill (1913), p. 118. O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922. O'Sullivan ('''Carolan: The Life, Times and Music of an Irish Harper'''), 1958; No. 211. Petrie, 1855 (appears as "Lament for Eoghan Rua"). 
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''Recorded sources'': <font color=teal>Green Linnet SIF 091, Paddy O'Brien - "Stranger at the Gate." Shanachie 79008, Clannad - "Dúlamán" (appears as "Cumha Eoghain Rua Uí Néill".  Paddy O'Brien (et al) - "The Big Squeeze" (appears as "Lament for Eoin Rhua"). </font>
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See also listing at:<br>
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/5517/]<br>
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/l02.htm#Lamfoowr1]<br>
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