Kettle Bender: Difference between revisions

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dd cc|BB AG|Faag|f/d/g/e/ d/c/d:|]
dd cc|BB AG|Faag|f/d/g/e/ d/c/d:|]
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X:9
T:Kettle Bender. JJo4.009
B:J.Johnson Choice Collection Vol 4, 1748
Z:vmp.Robert Watkins 2014 www.village-music-project.org.uk
M:2/4
L:1/8
Q:1/4=104
N:Bar 12 (first time) & 20 (repeat) - both full bars, no account taken of up beat at start of tune. A plausible solution is to make the final note of these bars and the up beat a semi quaver.
K:D
a|f>e dd|ceeg|f>e dd|dd f/g/a|
aa/a/ bb|gga2|ff/f/ gg|ee fg/a/|
dd cc|BBAG|Faag|f/d/g/e/ d/c/d:|
|:aa b/g/d/B/|Gb a/f/d/A/|Fa g/e/B/G/|Eg f/g/a|
dd cc|BB AG|Faag|f/d/g/e/ d/c/d:|
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Latest revision as of 04:31, 30 July 2017


Kettle Bender  Click on the tune title to see or modify Kettle Bender's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Kettle Bender
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 Theme code Index    3H1H72H 3H1H1H3H
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Country Dance
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/2
 History    ENGLAND(London and South East)
 Structure    AABB
 Editor/Compiler    Biography:John Walsh
 Book/Manuscript title    Book:Caledonian Country Dances vol. 2
 Tune and/or Page number    No. 316, p. 56
 Year of publication/Date of MS    1737
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



X:1 % T:Kettle Bender M:2/4 L:1/8 R:Country Dance Tune B:John Walsh – Caledonian Country Dances vol. II (1737, No. 316, p. 56) Z:AK/Fiddler’s Companion K:D a|f>e dd|ceeg|f>e dd|dd f/g/a|aa/a/ bb|gg a2| ff/f/ gg|ee fg/a/|dd cc|BBAG|Faag|f/d/g/e/ d/c/d:| |:aa b/g/d/B/|Gb a/f/d/A/|Fa g/e/B/G/|Eg f/g/a| dd cc|BB AG|Faag|f/d/g/e/ d/c/d:|]


X:9 T:Kettle Bender. JJo4.009 B:J.Johnson Choice Collection Vol 4, 1748 Z:vmp.Robert Watkins 2014 www.village-music-project.org.uk M:2/4 L:1/8 Q:1/4=104 N:Bar 12 (first time) & 20 (repeat) - both full bars, no account taken of up beat at start of tune. A plausible solution is to make the final note of these bars and the up beat a semi quaver. K:D a|f>e dd|ceeg|f>e dd|dd f/g/a| aa/a/ bb|gga2|ff/f/ gg|ee fg/a/| dd cc|BBAG|Faag|f/d/g/e/ d/c/d:| |:aa b/g/d/B/|Gb a/f/d/A/|Fa g/e/B/G/|Eg f/g/a| dd cc|BB AG|Faag|f/d/g/e/ d/c/d:|