Annotation:Mrs. Duncan's Reel: Difference between revisions
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'''MRS. DUNCAN'''. Scottish, Reel. C Minor. Standard tuning (fiddle). AAB. Composed by Nathaniel Gow (1763-1831), it appears in his '''Fourth Collection''' (1800) though the melody had previously been published by MacDonald in 1789. Malcolm MacDonald was the bass player in Gow's band at the time and probably heard him play it he may or may not have realized the composition was Nathaniel's own. Another early appearance of the melody was as "Mrs. Duncan's Reel," published by Alexander Leburn in his collection of 1793, who listed himself as the composer. John Glen (1895) is inclined to credit him with the composition of the tune, notwithstanding Nathaniel Gow's claim, apparently on the evidence of Leburn's word and the respective dates of publication. MacDonald included several tunes by other composers in his 2nd collection, and did not give composer credit to any. | ---- | ||
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'''MRS. DUNCAN'''. Scottish, Reel. C Minor (Gow, MacDonald, Stewart-Robertson): D Mixolydian (Anderson). Standard tuning (fiddle). AAB. Composed by Nathaniel Gow (1763-1831), it appears in his '''Fourth Collection''' (1800) though the melody had previously been published by MacDonald in 1789. Malcolm MacDonald was the bass player in Gow's band at the time and probably heard him play it he may or may not have realized the composition was Nathaniel's own. Another early appearance of the melody was as "Mrs. Duncan's Reel," published by Alexander Leburn in his collection of 1793, and who listed himself as the composer. John Glen (1895) is inclined to credit him with the composition of the tune, notwithstanding Nathaniel Gow's claim, apparently on the evidence of Leburn's word and the respective dates of publication. MacDonald included several tunes by other composers in his 2nd collection, and did not give composer credit to any. | |||
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Edinburgh-based musician John Anderson set the tune in D mixolydian in his c. 1820 volume, and the composition works quite well in that mode. | |||
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''Source for notated version'' | <p><font face="sans-serif" size="3"> '''Additional notes''' </font></p> | ||
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''Printed sources'': Carlin ('''The Gow Collection'''), 1986; No. 300. Gow ('''Fourth Collection of Neil Gow’s Reels'''), 2nd ed., originally 1800; p. 14. MacDonald ('''A Second Collection of Strathspey Reels'''), 1789; p. 10. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 269. | <font color=red>''Printed sources''</font> : - Anderson ('''Anderson's Budget of Strathspeys, Reels & Country Dances'''), c. 1820; p. 6. Carlin ('''The Gow Collection'''), 1986; No. 300. Gow ('''Fourth Collection of Neil Gow’s Reels'''), 2nd ed., originally 1800; p. 14. John Gow ('''A Favorite Collection of Slow Airs, Strathspeys and Reels'''), London, c. 1804; p. 21. | ||
MacDonald ('''A Second Collection of Strathspey Reels'''), 1789; p. 10. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 269. | |||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Latest revision as of 05:31, 4 August 2019
X:1 T:Mrs. Duncan’s Reel M:C| L:1/8 R:Reel B:MacDonald – 2nd Collection of Stathspey Reels (1789) Z:AK/Fiddler’s Companion K:Cmin g | c<cgc ecgc | e<cgc dBBd | c<cgc ecge | dbfg ecc :|| G | (cde)c GcEc | DBFB DB,B,G | cdec GcEc | DEFD ECCG | (cde)c GeFd | EcFB DB,FD | Ccec =Bdfa | gfed ecc ||
MRS. DUNCAN. Scottish, Reel. C Minor (Gow, MacDonald, Stewart-Robertson): D Mixolydian (Anderson). Standard tuning (fiddle). AAB. Composed by Nathaniel Gow (1763-1831), it appears in his Fourth Collection (1800) though the melody had previously been published by MacDonald in 1789. Malcolm MacDonald was the bass player in Gow's band at the time and probably heard him play it he may or may not have realized the composition was Nathaniel's own. Another early appearance of the melody was as "Mrs. Duncan's Reel," published by Alexander Leburn in his collection of 1793, and who listed himself as the composer. John Glen (1895) is inclined to credit him with the composition of the tune, notwithstanding Nathaniel Gow's claim, apparently on the evidence of Leburn's word and the respective dates of publication. MacDonald included several tunes by other composers in his 2nd collection, and did not give composer credit to any.
Edinburgh-based musician John Anderson set the tune in D mixolydian in his c. 1820 volume, and the composition works quite well in that mode.
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