Annotation:O'Connell's Welcome to Clare (1): Difference between revisions
No edit summary |
No edit summary |
||
| (4 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
== | __NOABC__ | ||
<div class="noprint"> | |||
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | |||
</div> | |||
---- | ---- | ||
<p><font face=" | {{#lst:{{PAGENAME}}|abc}} | ||
'''O'CONNELL'S WELCOME TO CLARE.''' AKA and see "[[Teetotaler's Fancy (The)]]," "[[ | ---- | ||
[[File:conneely.jpg| | <div style="page-break-before:always"></div> | ||
<p><font face="Century Gothic" size="3"> | |||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | |||
<br> | |||
'''O'CONNELL'S WELCOME TO CLARE [1].''' AKA and see "[[Teetotaler's Fancy (The)]]," "[[Teetotaller's Reel]]." Irish, Jig (6/8 time). C Major. Standard tuning (fiddle). AABB. Composed (according to Francis O'Neill) in 1828 by the famous Galway piper [[biography:Paddy Conneely]] (d. 1850), who was the source of many of the tunes of the Irish collectors Joyce and Petrie. O'Neill gives a substantial biographical sketch of Conneely in his '''Irish Minstrels and Musicians''' (1913, pp. 212-215). | |||
[[File:conneely.jpg|400px|thumb|left|Paddy Conneely, from the '''Irish Penny Journal''', 1840]] | |||
Conneely was much admired as a convivial musical companion in his hey-day, although he died in reduced circumstances during the Great Famine years. O'Neill remarks: | Conneely was much admired as a convivial musical companion in his hey-day, although he died in reduced circumstances during the Great Famine years. O'Neill remarks: | ||
<blockquote> | <blockquote> | ||
| Line 10: | Line 18: | ||
''or a gallope such as he was called on to play by the ladies and gentlemen at the balls in Galway.'' | ''or a gallope such as he was called on to play by the ladies and gentlemen at the balls in Galway.'' | ||
</blockquote> | </blockquote> | ||
<br> | |||
<br> | |||
</div> | |||
</font></p> | </font></p> | ||
<p><font face=" | <div class="noprint"> | ||
''Source for notated version'': | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
<p><font face="Century Gothic" size="3"> | |||
<font color=red>''Source for notated version''</font>: - | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Printed sources'': O'Neill ('''Irish Minstrels and Musicians'''), 1913; p. 215. | <font color=red>''Printed sources''</font> : - O'Neill ('''Irish Minstrels and Musicians'''), 1913; p. 215. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
</font></p> | </font></p> | ||
<br> | <br> | ||
---- | ---- | ||
== | <p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | ||
</div> | |||
__NOEDITSECTION__ | |||
__NOTITLE__ | |||
Latest revision as of 04:54, 12 September 2019
X:1 T:O'Connell's Welcome to Clare [1] C:Paddy Conneely (d. 1850), "The Galway Piper" M:6/8 L:1/8 R:Jig B:O'Neill - Irish Minstrels and Musicians (1913, p. 215) K:C E/F/|GEG G<cE/F/|GEG G<cA|GcA Gfe|edd dE/F/| GEG G<cE/F/|GEG G<cd|efe dcd|ecc c2:| |:e/f|geg c'ba|g/>a/g/f/e/d/ ecA|GcA Gfe|edd d2 e/f/| geg c'ba|g/>a/g/f/e/d/ ecA|Gfe dcd|ecc c2:|]
O'CONNELL'S WELCOME TO CLARE [1]. AKA and see "Teetotaler's Fancy (The)," "Teetotaller's Reel." Irish, Jig (6/8 time). C Major. Standard tuning (fiddle). AABB. Composed (according to Francis O'Neill) in 1828 by the famous Galway piper biography:Paddy Conneely (d. 1850), who was the source of many of the tunes of the Irish collectors Joyce and Petrie. O'Neill gives a substantial biographical sketch of Conneely in his Irish Minstrels and Musicians (1913, pp. 212-215).
Conneely was much admired as a convivial musical companion in his hey-day, although he died in reduced circumstances during the Great Famine years. O'Neill remarks:
Although he had a wonderful repertory of Irish music, instead of firing away with some lively reel or still more animated Irish jig, he pestered [Irish collector George] Petrie, in spite of his intensely Irish nationality, with a set of quadrilles or a gallope such as he was called on to play by the ladies and gentlemen at the balls in Galway.