Annotation:Ryan's Hornpipe (1): Difference between revisions
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'''RYAN'S HORNPIPE [1].''' Irish, Hornpipe (2/4 time). D Major. Standard tuning (fiddle). AABB. | '''RYAN'S HORNPIPE [1].''' Irish, Hornpipe (2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. The tune is one of the very few that uilleann piper O'Farrell claims as a composition in his series of volumes, published in London in the first decade of the 19th century. O'Niell's printing (1915) is almost note for note the same as O'Farrell's (save for the ending measure of each part), indicating O'Farrell's volume was his source for the tune. | ||
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== Additional notes == | == Additional notes == | ||
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<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
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<font color=red>''Printed sources''</font> : - O'Neill ('''O’Neill’s Irish Music'''), 1915; No. 375, p. 180. | <font color=red>''Printed sources''</font> : - O'Farrell ('''Pocket Companion for the Irish or Union Pipes, vol. 3'''), c. 1810; No. 94. O'Neill ('''O’Neill’s Irish Music'''), 1915; No. 375, p. 180. | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Latest revision as of 21:38, 3 October 2019
X:1 T:Ryan's Hornpipe [1] M:2/4 L:1/8 R:Hornpipe B:O'Farrell - Pocket Companion for the Union or B:Irish Pipes, vol. 3 Z:AK/Fiddler’s Companion K:D (3A/B/c/|dc/d/ e/d/c/B/|A/G/F/E/ Dc/d/|ee/f/ ea|f/d/c/A/ B/A/G/F/| dc/d/ e/d/c/B/|A/G/F/E/ F/A/D/F/|a/f/b/g/ f/d/e/c/|dd/c/ d:| |:c/d/|ff/g/ ff/g/|f/e/d/c/ B/c/d/B/|ee/f/ ea|e/d/c/B/ AF/A/| B>c B/A/B/F/|G/A/B/c/ d/e/f/g/|a/f/b/g/ f/d/e/c/|dd/c/ d:|]
RYAN'S HORNPIPE [1]. Irish, Hornpipe (2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. The tune is one of the very few that uilleann piper O'Farrell claims as a composition in his series of volumes, published in London in the first decade of the 19th century. O'Niell's printing (1915) is almost note for note the same as O'Farrell's (save for the ending measure of each part), indicating O'Farrell's volume was his source for the tune.