Annotation:Pike County Breakdown: Difference between revisions
No edit summary |
No edit summary |
||
| (2 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
== | __NOABC__ | ||
<div class="noprint"> | |||
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | |||
</div> | |||
---- | ---- | ||
<p><font face=" | {{#lst:{{PAGENAME}}|abc}} | ||
---- | |||
<div style="page-break-before:always"></div> | |||
<p><font face="Century Gothic" size="3"> | |||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | |||
<br> | <br> | ||
'''PIKE COUNTY BREAKDOWN.''' American, Reel (cut time). A Major. Standard tuning (fiddle): gDGBD (banjo). The title refers to a county in the state of Kentucky. The tune is credited to Rupert Jones, although it is sometimes credited to Bill Monroe or Jones & Monroe. Writers Charles Wolfe and Neil Rosenberg, in their book "In Bluegrass 1950-1955" quote Bill Monroe: "I wanted to write something and title it after something up in the eastern part of Kentucky. You remember Sweet Betsy from the Pike? I listened to that and wrote the Pike County Breakdown." Monroe sometimes seems to have taken credit for tunes that were not strictly his own compositions, although he may have had a hand in adapting and popularizing them. "Pike County Breakdown" was recorded twice in 1952 and issued on single records; once by Bill Monroe, and again, in May of that year, by Lester Flatt, Earl Scruggs & the Foggy Mountain Boys (Mercury Records 6396). The original may have sounded more like Sam Dyer's (Macon County, north-central Tenn.) version, before Monroe gave it a bluegrass treatment. | |||
<br> | <br> | ||
<br> | |||
</div> | |||
</font></p> | </font></p> | ||
<p><font face=" | <div class="noprint"> | ||
''Source for notated version'': | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
<p><font face="Century Gothic" size="3"> | |||
<font color=red>''Source for notated version''</font>: - | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Printed sources'': | <font color=red>''Printed sources''</font> : - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Recorded sources'': <font color=teal>Bear Family Records, Bill Monroe - "Bluegrass 1950-1958" (1990). County 2730, Rafe Stefanini – “Glory on the Big String.” Doxy Records, "The Complete Early Recordings Lester Flatt, Earl Scruggs" (2015).</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Bear Family Records, Bill Monroe - "Bluegrass 1950-1958" (1990). County 2730, Rafe Stefanini – “Glory on the Big String.” Doxy Records, "The Complete Early Recordings Lester Flatt, Earl Scruggs" (2015).</font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="3"> | ||
See also listing at:<br> | See also listing at:<br> | ||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/p04.htm#Pikcobr]<br> | Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/p04.htm#Pikcobr]<br> | ||
See Alan Munde's banjo tab [http://www.markwardle.net/banjo_workshop/tab/pike_county_breakdown_%281st_banj.pdf]<br> | See Alan Munde's banjo tab [http://www.markwardle.net/banjo_workshop/tab/pike_county_breakdown_%281st_banj.pdf]<br> | ||
Hear the tune played on mandolin/guitar by Jim and Bill Fuller (Buncombe County, N.C.) in 1965 at Berea | Hear the tune played on mandolin/guitar by Jim and Bill Fuller (Buncombe County, N.C.) in 1965 at Berea Sound Archives [https://soundarchives.berea.edu/items/show/779]<br> | ||
Hear the tune played by Sam Dyer (born c. 1897, Macon County, north-central Tennessee) at Berea Sound Archives [https://soundarchives.berea.edu/items/show/1162]<br> | |||
</font></p> | </font></p> | ||
<br> | <br> | ||
---- | ---- | ||
== | <p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | ||
</div> | |||
__NOEDITSECTION__ | |||
__NOTITLE__ | |||
Latest revision as of 16:43, 21 October 2019
X:1 T:Pike County Breakdown C:Bill Monroe (?) M:4/4 L:1/8 R:Reel K:A A,B,CD EFAB|cdef =gbge|cBAc BAGB|c=c ^c4e2|...
PIKE COUNTY BREAKDOWN. American, Reel (cut time). A Major. Standard tuning (fiddle): gDGBD (banjo). The title refers to a county in the state of Kentucky. The tune is credited to Rupert Jones, although it is sometimes credited to Bill Monroe or Jones & Monroe. Writers Charles Wolfe and Neil Rosenberg, in their book "In Bluegrass 1950-1955" quote Bill Monroe: "I wanted to write something and title it after something up in the eastern part of Kentucky. You remember Sweet Betsy from the Pike? I listened to that and wrote the Pike County Breakdown." Monroe sometimes seems to have taken credit for tunes that were not strictly his own compositions, although he may have had a hand in adapting and popularizing them. "Pike County Breakdown" was recorded twice in 1952 and issued on single records; once by Bill Monroe, and again, in May of that year, by Lester Flatt, Earl Scruggs & the Foggy Mountain Boys (Mercury Records 6396). The original may have sounded more like Sam Dyer's (Macon County, north-central Tenn.) version, before Monroe gave it a bluegrass treatment.