Annotation:Gage Fane: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
(6 intermediate revisions by 2 users not shown)
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
__NOABC__
<div class="noprint">
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
----
----
<p><font face="garamond, serif" size="4">
{{#lst:{{PAGENAME}}|abc}}
'''GAGE FANE.''' AKA - "[[Géanna Fiáine (Na)]]." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). One part. Thomas Moore set his song "The origin of the hart" to this air. Francis O'Neill ('''Irish Folk Music''', 1910, p. 195) explains that the title is a phoentic rendering of the Irish "[[Gaedhana Fiadhaine (An)]]" or "[[Wild Geese (The)]]."  
----
<div style="page-break-before:always"></div>
<p><font face="Century Gothic" size="3">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<br>
'''GAGE FANE.''' AKA - "[[Géanna Fiáine (Na)]]." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). One part. Thomas Moore set his song "The origin of the hart" to this air. Francis O'Neill ('''Irish Folk Music''', 1910, p. 195) explains that the title is a phoentic rendering of the Irish "[[Gaedhana Fiadhaine (An)]]", which itself is a Gaelicisation of the English "[[Wild Geese (1) (The)]]." It was said by Bunting to have been "sung by the women on the shore at the time of embarkation" of the Irish Generals following the capitulation of Limerick in 1691, who preferred exile to remaining in their country once their cause was lost. O'Neill says:
<blockquote>
<blockquote>
''Bunting says this fine melody was composed as a farewell to the gallant remnant of''
''The mystifying "Gage Fane" confronts''  
''the Irish army who upon the capitulation of Limerick, in 1691, preferred an honorable exile''
''to remaining in the country after their cause was lost. The mystifying "Gage Fane" confronts''  
''us in Smith's '''Irish Minstrel,''' Moore's '''Irish Melodies''', and''  
''us in Smith's '''Irish Minstrel,''' Moore's '''Irish Melodies''', and''  
''Moffat's '''Minstrelsy of Ireland''' and many less pretentious publications.''
''Moffat's '''Minstrelsy of Ireland''' and many less pretentious publications.''
Line 13: Line 19:
<br>
<br>
<br>
<br>
''Grattan Flook in '''A History of Irish Music''' tells us that Smollet Holden in''  
''Grattan Flood in '''A History of Irish Music''' tells us that Smollet Holden in''  
''his '''Collection of Irish Tunes''', published in 1804-6, was primarily responsible''  
''his '''Collection of Irish Tunes''', published in 1804-6, was primarily responsible''  
''for this ridiculous error, which has been copied for nearly a century without question''  
''for this ridiculous error, which has been copied for nearly a century without question''  
''or correction.''  
''or correction.''  
</blockquote>
</blockquote>
Alfred Moffat ('''Minstelsy of Ireland''', 1897, p. 344) notes that "this air is preserved in the '''Hibernian Muse''', c. 1780; it is there simply headed ;Irish Air.'" The song printed in his 1897 collection, "'Tis Believed that this Harp" employs the "Gage Fane" as the air for the lyric.
<br>
<br>
</div>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<div class="noprint">
''Source for notated version'':  
<p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p>
<p><font face="Century Gothic" size="3">
<font color=red>''Source for notated version''</font>: -
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="Century Gothic" size="3">
''Printed sources'': Clinton ('''Gems of Ireland:200 Airs'''), 1841; No. 80, p. 40.
<font color=red>''Printed sources''</font> : - Bunting ('''A General Collection of the Ancient Irish Music'''), 1840. Clinton ('''Gems of Ireland:200 Airs'''), 1841; No. 80, p. 40. Smollet Holden ('''Collection of favourite Irish Airs'''), London, c. 1841; p. 26.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="Century Gothic" size="3">
''Recorded sources'': <font color=teal></font>
<font color=red>''Recorded sources'': </font> <font color=teal> </font>
</font></p>
</font></p>
<br>
<br>
<br>
----
----
=='''Back to [[{{BASEPAGENAME}}]]'''==
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
__NOEDITSECTION__
__NOTITLE__

Latest revision as of 04:35, 27 November 2019

Back to Gage Fane


X:1 T:Gage Fane M:3/4 L:1/8 R:Air Q:"Slow" B:Smollet Holden - Collection of favourite Irish Airs (London, c. 1841; p. 26) Z:AK/Fiddler’s Companion K:G G>A|B2 AG B2|A2 G<E BA|G2 EDEF|G4 AB|C2 BA {AB}C2| B2AG B2|A2e2 dB|A4 AB|f2 BA (AB/c/)|B2 AG B2| A2 BAG>E|E4 GA|B2 AG B2|A2 GE BA|G2 ED (D/E/G/A/)|G4:|]



GAGE FANE. AKA - "Géanna Fiáine (Na)." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). One part. Thomas Moore set his song "The origin of the hart" to this air. Francis O'Neill (Irish Folk Music, 1910, p. 195) explains that the title is a phoentic rendering of the Irish "Gaedhana Fiadhaine (An)", which itself is a Gaelicisation of the English "Wild Geese (1) (The)." It was said by Bunting to have been "sung by the women on the shore at the time of embarkation" of the Irish Generals following the capitulation of Limerick in 1691, who preferred exile to remaining in their country once their cause was lost. O'Neill says:

The mystifying "Gage Fane" confronts us in Smith's Irish Minstrel, Moore's Irish Melodies, and Moffat's Minstrelsy of Ireland and many less pretentious publications. It was a relief to find that Perceval Graves in The Irish Song Book, issued in 1895, finally broke the monotony of error by printing the correct Irish name.

Grattan Flood in A History of Irish Music tells us that Smollet Holden in his Collection of Irish Tunes, published in 1804-6, was primarily responsible for this ridiculous error, which has been copied for nearly a century without question or correction.

Alfred Moffat (Minstelsy of Ireland, 1897, p. 344) notes that "this air is preserved in the Hibernian Muse, c. 1780; it is there simply headed ;Irish Air.'" The song printed in his 1897 collection, "'Tis Believed that this Harp" employs the "Gage Fane" as the air for the lyric.

Additional notes

Source for notated version: -

Printed sources : - Bunting (A General Collection of the Ancient Irish Music), 1840. Clinton (Gems of Ireland:200 Airs), 1841; No. 80, p. 40. Smollet Holden (Collection of favourite Irish Airs), London, c. 1841; p. 26.

Recorded sources: -



Back to Gage Fane