Annotation:Over the Hills and Far Away (2): Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Over_the_Hills_and_Far_Away_(2) > | |||
|f_annotation='''OVER THE HILLS AND FAR AWAY [2].''' AKA and see "[[Jack the Piper]]," "[[Wind has Blawn My Plaid away (The)]]." English, Scottish, American; March, Air and Country Dance Tune (2/4 time). England, Northumberland. USA, New England. G Major (Aird, Johnson): D Major (most versions). Standard tuning (fiddle). AB (Johnson, Plain Brown): AABB (most versions): AABBCCDD (Aird). The melody has recognizably been in use in the 20th century for the nursery rhyme "Tom, Tom, the Piper's Son," and was probably written in England around 1700 according to one source. It's appearance twice in Northumbrian musician Henry Atkinson's 1694 music manuscript collection [http://www.asaplive.com/archive/detail.asp?id=R0110201] argues for an older date. Frank Kidson (1922) identifies the tune as Scottish and says one early version is called "[[Wind has Blawn My Plaid away (The)]]" ([[Jockey's Lamentation]]). As a song air it was popular enough some twenty or thirty years later to have been parodied in air 16 of John Gay's '''Beggar's Opera''' (1729, where it appears under the title "[[Were I laid on Greenland's coast]]", Air XVI), and had been earlier included by Thomas D'Urfey in '''Pills to Purge Melacholy''' (1706) and in George Farquhar's play '''The Recruiting Officer''' (1706). In fact, it was included, sometimes under different titles, in several ballad operas in the 18th century (Pulver, 1923), as it later was in Andrew Barton's ballad opera '''The Disappointment''' (New York, 1767) as the melody for air 8. The melody was printed as a country dance in the ''''Second Volume of the Dancing Master,''' 2nd edition (London: Printed by W..., Church, 1714) and again in Walsh's '''Country Dancing Master, book II''' (1719). It was often played by the English during the French Wars of 1793-1815, "especially as loth-to-depart, one of the tunes traditionally used when a regiment left its cantonments" (Winstock, 1970; p. 38). The text in '''Pills to Purge Melancholy''' begins: | |||
'''OVER THE HILLS AND FAR AWAY [2].''' AKA and see "[[Wind has | |||
<blockquote> | <blockquote> | ||
''Jocky met with Jenny fair''<br> | ''Jocky met with Jenny fair''<br> | ||
| Line 18: | Line 17: | ||
''The wind has blown my plaid away''<br> | ''The wind has blown my plaid away''<br> | ||
</blockquote> | </blockquote> | ||
"Over the Hills and Far Away" enjoyed widespread popularity throughout Britain. It appears in many musicians' manuscripts, including those of J.S.J. Jackson (Wyresdale, Lancashire, 1823), Wolsnoume (Lancashire, 1798), John Moore (Tynesdale, 1841), and James Winder (Wyresdale, Lancashire, 1835). In Northumberland it is listed, although one of the "missing tunes," in William Vickers' 1770 large music manuscript collection. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published about 1800. | "Over the Hills and Far Away" in its various verse iterations enjoyed widespread popularity throughout Britain. It appears in many musicians' manuscripts, including those of J.S.J. Jackson (Wyresdale, Lancashire, 1823), Wolsnoume (Lancashire, 1798), John Moore (Tynesdale, 1841), and James Winder (Wyresdale, Lancashire, 1835). Fifer John Buttery of the 37th Regiment (North Hampshire) included it in his large early 19th century music manuscript. In Northumberland it is listed, although one of the "missing tunes," in William Vickers' 1770 large music manuscript collection. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published about 1800. | ||
<br> | <br> | ||
<br> | <br> | ||
As with many popular English airs, it was transported to Colonial America where it shows up in several musicians' copybooks. Clement Weeks' (Greenland, New Hampshire) copied it into his manuscript collection of country dances in 1783, the figures of which reappear in the English publication '''Twenty-Four Country Dances for the Year 1795''' (London, T. Dodd, 1795). American musician Henry Beck similarly included it in his German flute MS of 1786, and it appears in the music copybook of Henry Livingston, Jr. The latter purchased the estate of Locust Grove, Poughkeepsie, New York, in 1771 at the age of 23. In 1775 he was a Major in the 3rd New York Regiment, which participated in Montgomery's invasion of Canada in a failed attempt to wrest Montreal from British control. An important land-owner in the Hudson Valley, and a member of the powerful Livingston family, Henry was also a surveyor and real estate speculator, an illustrator and map-maker, and a Justice of the Peace for Dutchess County. He was also a poet and musician, and presumably a dancer, as he was elected a Manager for the New York Assembly's dancing season of 1774-1775, along with his 3rd cousin, John Jay, later U.S. Chief Justice of Governor of New York. O'Neill | As with many popular English airs, it was transported to Colonial America where it shows up in several musicians' copybooks. Clement Weeks' (Greenland, New Hampshire) copied it into his manuscript collection of country dances in 1783, the figures of which reappear in the English publication '''Twenty-Four Country Dances for the Year 1795''' (London, T. Dodd, 1795). American musician Henry Beck similarly included it in his German flute MS of 1786, and it appears in the music copybook of Henry Livingston, Jr. The latter purchased the estate of Locust Grove, Poughkeepsie, New York, in 1771 at the age of 23. In 1775 he was a Major in the 3rd New York Regiment, which participated in Montgomery's invasion of Canada in a failed attempt to wrest Montreal from British control. An important land-owner in the Hudson Valley, and a member of the powerful Livingston family, Henry was also a surveyor and real estate speculator, an illustrator and map-maker, and a Justice of the Peace for Dutchess County. He was also a poet and musician, and presumably a dancer, as he was elected a Manager for the New York Assembly's dancing season of 1774-1775, along with his 3rd cousin, John Jay, later U.S. Chief Justice of Governor of New York. American musician M.E. Eames entered it into his music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 178). | ||
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<br> | |||
Irish collector Francis O'Neill printed it in his '''Waifs and Strays of Gaelic Melody''' (1922), along with the words: | |||
<blockquote> | <blockquote> | ||
''Gay Robin was a piper young,''<br> | ''Gay Robin was a piper young,''<br> | ||
| Line 28: | Line 30: | ||
'' 'Over the hills and far away' ''<br> | '' 'Over the hills and far away' ''<br> | ||
</Blockquote> | </Blockquote> | ||
See also the version as "[[Jack the Piper]]" in New York music publisher Edward Riley's '''Flute Melodies vol. 2''' (1820), and the more distanced, but still cognate, "[[Jack the Rider]]" in Elias Howe's '''Musician's Omnibus Nos. 6 & 7''' (1880-1882). | |||
|f_source_for_notated_version= | |||
'' | |f_printed_sources=Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. II'''), 1785; No. 29, p. 11. Callaghan ('''Hardcore English'''), 2005; p. 45. Doyle ('''Plain Brown Tune Book'''), 1997; p. 33. William Gunn ('''The Caledonian Repository of Music Adapted for the Bagpipes'''), Glasgow, 1848; p. 97. Johnson ('''The Kitchen Musician No. 14: Songs, Airs and Dances of the 18th Century'''), 1997; p. 13. Kerr ('''Merry Melodies, vol. 1'''), c. 1880's; No. 9, p. 26. Kerr ('''Merry Melodies, vol. 3'''), c. 1880's; No. 420, p. 47. O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 55. Oswald ('''Caledonian Pocket Companion, Book 7'''), 1760; p. 23. Raven ('''English Country Dance Tunes'''), 1984; p. 55. | ||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
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Latest revision as of 19:44, 3 August 2020
X:1 T:Over the Hills and Far Away [2] M:C| L:1/8 R:Reel B:Oswald - Caledonian Pocket Companion, Book 7 (1760, p. 23) Z:AK/Fiddler's Companion K:Dmix A|defe defe}{e}d2B2 TB3A|defe defd|g2 (fe) e3f| defe defe|{e}d2 (cB) g3d|TB2 (AG) A2B2|g2 (fe) e3:| |:f|a3b (af)(ef)|{e}d2 (^cB) B2 (fg)|a3b (af)(ed)|{ef}g2 (fe) e2 (fg)| afab afef|{e}d2 (^cB) g4|TB2 (AG) A2B2|g2 (fe) e2:| |:f|(d/e/f) Af (d/e/f) Af|d2B2 TB3A|(d/e/f) Af dfad|b2e2 Te3f| (d/e/f) Af (d/e/f) Af|d2B2 g3d|cBAG ABba|f2e2 e3:| |:(fg)|(af)(ba) f3e|{e}d2 (BA) B2 (fg)|(af)(ba) Tf2 (ed)|(ba)(gf) e2 (fg)| (3aba (3gag (3fgf (3efe|(dB)(af) g3d|TB2 (AG)|(AB)(ba)|Tf2e2e2:|]
OVER THE HILLS AND FAR AWAY [2]. AKA and see "Jack the Piper," "Wind has Blawn My Plaid away (The)." English, Scottish, American; March, Air and Country Dance Tune (2/4 time). England, Northumberland. USA, New England. G Major (Aird, Johnson): D Major (most versions). Standard tuning (fiddle). AB (Johnson, Plain Brown): AABB (most versions): AABBCCDD (Aird). The melody has recognizably been in use in the 20th century for the nursery rhyme "Tom, Tom, the Piper's Son," and was probably written in England around 1700 according to one source. It's appearance twice in Northumbrian musician Henry Atkinson's 1694 music manuscript collection [1] argues for an older date. Frank Kidson (1922) identifies the tune as Scottish and says one early version is called "Wind has Blawn My Plaid away (The)" (Jockey's Lamentation). As a song air it was popular enough some twenty or thirty years later to have been parodied in air 16 of John Gay's Beggar's Opera (1729, where it appears under the title "Were I laid on Greenland's coast", Air XVI), and had been earlier included by Thomas D'Urfey in Pills to Purge Melacholy (1706) and in George Farquhar's play The Recruiting Officer (1706). In fact, it was included, sometimes under different titles, in several ballad operas in the 18th century (Pulver, 1923), as it later was in Andrew Barton's ballad opera The Disappointment (New York, 1767) as the melody for air 8. The melody was printed as a country dance in the 'Second Volume of the Dancing Master, 2nd edition (London: Printed by W..., Church, 1714) and again in Walsh's Country Dancing Master, book II (1719). It was often played by the English during the French Wars of 1793-1815, "especially as loth-to-depart, one of the tunes traditionally used when a regiment left its cantonments" (Winstock, 1970; p. 38). The text in Pills to Purge Melancholy begins:
Jocky met with Jenny fair
Aft by the dawning of the day;
But Jockey now is fu' of care
Since Jenny staw his heart away.
Altho' she promis'd to be true
She proven has, alake! unkind
Which gars poor Jockey aften rue
That e'er he loo'd a fickle mind.
Tis o'er the hills and far away
Tis o'er the hills and far away
Tis o'er the hills and far away
The wind has blown my plaid away
"Over the Hills and Far Away" in its various verse iterations enjoyed widespread popularity throughout Britain. It appears in many musicians' manuscripts, including those of J.S.J. Jackson (Wyresdale, Lancashire, 1823), Wolsnoume (Lancashire, 1798), John Moore (Tynesdale, 1841), and James Winder (Wyresdale, Lancashire, 1835). Fifer John Buttery of the 37th Regiment (North Hampshire) included it in his large early 19th century music manuscript. In Northumberland it is listed, although one of the "missing tunes," in William Vickers' 1770 large music manuscript collection. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published about 1800.
As with many popular English airs, it was transported to Colonial America where it shows up in several musicians' copybooks. Clement Weeks' (Greenland, New Hampshire) copied it into his manuscript collection of country dances in 1783, the figures of which reappear in the English publication Twenty-Four Country Dances for the Year 1795 (London, T. Dodd, 1795). American musician Henry Beck similarly included it in his German flute MS of 1786, and it appears in the music copybook of Henry Livingston, Jr. The latter purchased the estate of Locust Grove, Poughkeepsie, New York, in 1771 at the age of 23. In 1775 he was a Major in the 3rd New York Regiment, which participated in Montgomery's invasion of Canada in a failed attempt to wrest Montreal from British control. An important land-owner in the Hudson Valley, and a member of the powerful Livingston family, Henry was also a surveyor and real estate speculator, an illustrator and map-maker, and a Justice of the Peace for Dutchess County. He was also a poet and musician, and presumably a dancer, as he was elected a Manager for the New York Assembly's dancing season of 1774-1775, along with his 3rd cousin, John Jay, later U.S. Chief Justice of Governor of New York. American musician M.E. Eames entered it into his music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 178).
Irish collector Francis O'Neill printed it in his Waifs and Strays of Gaelic Melody (1922), along with the words:
Gay Robin was a piper young,
and many an air he played and sung
But sweetest far the love fraught lay
'Over the hills and far away'
See also the version as "Jack the Piper" in New York music publisher Edward Riley's Flute Melodies vol. 2 (1820), and the more distanced, but still cognate, "Jack the Rider" in Elias Howe's Musician's Omnibus Nos. 6 & 7 (1880-1882).
