Annotation:Glasgow Ladys: Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Glasgow_Ladys > | |||
'''GLASGOW LADYS'''. AKA and see "[[Countess of Sutherland (1)]]," "[[Lady Hamilton (3)]]," "[[Lady Hamilton's Reel]]," "[[Lady Sutherland's Reel]]," "[[Ridge (The)]]." Scottish, Reel. B Flat Major. Standard tuning (fiddle). AAB. John Glen (1891) finds the earliest appearance of this tune in print in [[biography:Joshua Campbell]]'s 1778 collection (p. 3). Campbell also included a version of the same tune in his 1789 collection (as he did with several others from his first collection). | |f_annotation='''GLASGOW LADYS'''. AKA and see "[[Countess of Sutherland (1)]]," "[[Lady Hamilton (3)]]," "[[Lady Hamilton's Reel]]," "[[Lady Sutherland's Reel]]," "[[Ridge (The)]]." Scottish, Reel. B Flat Major. Standard tuning (fiddle). AAB. John Glen (1891) finds the earliest appearance of this tune in print in [[biography:Joshua Campbell]]'s 1778 collection (p. 3). Campbell also included a version of the same tune in his 1789 collection (as he did with several others from his first collection). | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Joshua Campbell ('''A Collection of New Reels & Highland Strathspeys'''), Glasgow, 1789; p. 4. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
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Latest revision as of 04:45, 8 September 2020
X:1 T:Glasgow Ladys M:C| L:1/8 R:Reel B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 4) Z:AK/Fiddler’s Companion K:Bb A|B2 (FB) (GB)(FB)|(EB)(DB) cCCf|dfBd ecAc|dBTF>E DB,B,:| (g|fd)Bd fbdf|BdTF>D E[Cc][Cc](g|Tfd)Bd fbag|f(eTd>c) dBB(g| fd)Bd fbdf|BdFB edcd|ecdB cABG|T(FE/D/) (ce) dBB||
GLASGOW LADYS. AKA and see "Countess of Sutherland (1)," "Lady Hamilton (3)," "Lady Hamilton's Reel," "Lady Sutherland's Reel," "Ridge (The)." Scottish, Reel. B Flat Major. Standard tuning (fiddle). AAB. John Glen (1891) finds the earliest appearance of this tune in print in biography:Joshua Campbell's 1778 collection (p. 3). Campbell also included a version of the same tune in his 1789 collection (as he did with several others from his first collection).
