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|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AB
|f_structure=AB
|f_book_title=Gems of Ireland: 200 Airs
|f_book_title=A General Collection of the Ancient Music of Ireland
|f_collector=John Clinton
|f_collector=Edward Bunting
|f_year=1841
|f_year=1796
|f_page=No. 65, p. 33
|f_page=No. 4, p. 2
|f_theme_code_index=536 1H56
|f_theme_code_index=536 1H56
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
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<font face="sans-serif" size="4">
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<section begin=abc />
X:1
T:Brown Thorn [1], The
M:3/4
L:1/16
R:Air
Q:"Largo"
B:Bunting - A General Collection of the Ancient Music of Ireland (1796, No. 4)
Z:AK/Fiddler’s Companion
K:Eb
|:(AG3A2|B4)-G2.B2.c2.d2|Te4 {de}.B2.B2 (cB3)A2|(G4 E3)G2T(F2{EF}E2)|(E4E2):||
(AG3A2|B4)-G2.B2.c2.d2|(e4g4) {g}(fed>).B|T[E8=A8c4]{Bc}B3B|{=ABc}B6 AG3A2|
(B4 G2).B2.c2.d2|(e4B2).B2 (cB3).A2|(G4 E3)GTF4{EF}E2|E4-E2||
<section end=abc />
<section begin=X2 />
X:1
T:Brown Thorn, The
T:Oh haste and leave this sacred Isle
M:3/4
L:1/8
R:Air
Q:”Andante”
B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 2, No. 5)
B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs
N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork
Z:AK/Fiddler’s Companion
K:F
(BAB)|c2 Acde|f2-c z/c/ (Bc/B/)|A2 FAG>F|F3||
(BAB)|c2-A Acde|f3 a g/g/f/e/d/|c3 e{e}d>c|c3 (_BAB)|
(c2 A)(cde)|f2-c z/c/ (dc/B/)|A2 FAG>F|F3||
<section end=X2 />
<section begin=X3 />
X:1
X:1
T:Brown Thorn [1], The
T:Brown Thorn [1], The
Line 25: Line 73:
L:1/8
L:1/8
R:Air
R:Air
N:”Largo”
Q:"Largo"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 65, p. 33)
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 65, p. 33)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
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(cBc)|(e2B).d.e.f|(g2b) z{b}(a/g/f/>).d/|T(e4 {de}d>)d|
(cBc)|(e2B).d.e.f|(g2b) z{b}(a/g/f/>).d/|T(e4 {de}d>)d|
{^cde}d3 (c/Bc)|(d2B) .d.e.f|(g2d).d (e/<d/).c|(B2G>)(BA{GA}G)|(G2G)||
{^cde}d3 (c/Bc)|(d2B) .d.e.f|(g2d).d (e/<d/).c|(B2G>)(BA{GA}G)|(G2G)||
</pre>
<section end=X3 />
<pre>
<section begin=X5 />
X:1
X:1
T:Brown Thorn, The
T:Brown Thorn [1], The
M:3/4
M:3/4
L:1/8
L:1/8
R:Air
R:Air
N:”Moderate time
Q:"Moderate time"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 68, p. 34)
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 68, p. 34)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
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K:C
K:C
(fef)|.(g2 e).g.a.b|(c'2 g)(g{ag^fg}ag/=f/)|(e2 c).e-{e}(d>c)|
(fef)|.(g2 e).g.a.b|(c'2 g)(g{ag^fg}ag/=f/)|(e2 c).e-{e}(d>c)|
c3 (fef)|(g2 e).g.a.b|(c'2 e') (d'/c'/b/a/)|g4 {b}T(a>g)|(g3 fef)|
c3 (fef)|(g2 e).g.a.b|(c'3 e') (d'/c'/b/a/)|g4 {b}T(a>g)|(g3 fef)|
(g2 e).g.a.b|(c'2 g)(g/^g/ b/a/=g/f/)|(e2 c)(.e{e}c>)c|(c2c)||
(g2 e).g.a.b|(c'2 g)(g/^g/ b/a/=g/f/)|(e2 c)(.e{e}c>)c|(c2c)||
</pre>
<section end=X5 />
<pre>
<section begin=X6 />
X:1
T:Brown Thorn [1], The
M:3/4
L:1/8
R:Air
Q:"Largo"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 57, p. 24)
Z:AK/Fiddler’s Companion
K:Eb
(AG3A2)|(B4 G2).B2.c2.d2|T(e4 {de}B4) cB3.A2|(G4 E3)GT(F2{EF}E2)|(E4E2)||
(AG3A2)|(B4 G2).B2.c2.d2|(e4 g2) {g}(fed3B)|Tc8 {Bc}B3B|{=ABc}B6 AG3A2|
(B4 G2).B2.c2.d2|(e2B).B2 (cB3.A2)|(G4 E3).G TF2{EF}E2|(E4 E2)||
<section end=X6 />
<section begin=X8 />
X:1
X:1
T:Brown Thorn [1], The
T:Brown Thorn [1], The
Line 56: Line 118:
L:1/8
L:1/8
R:Air
R:Air
N:"Slow"
Q:"Slow"
S:O'Neill - Music of Ireland (1903), No. 31
S:O'Neill - Music of Ireland (1903), No. 31
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
Line 64: Line 126:
c B>c | d2 Bd ef | g2 b2 {b}a/g/ f/e/ | e4 z>d | d3c B>c |   
c B>c | d2 Bd ef | g2 b2 {b}a/g/ f/e/ | e4 z>d | d3c B>c |   
d2 Bd ef | g2 dd ed/c/ | B2 GB A>G | G3 ||
d2 Bd ef | g2 dd ed/c/ | B2 GB A>G | G3 ||
</pre>
<section end=X8 />
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Latest revision as of 14:57, 18 September 2020


Brown Thorn (1) (The)  Click on the tune title to see or modify Brown Thorn (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Brown Thorn (1) (The)
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 Theme code Index    536 1H56
 Also known as    Draoignean Donn, St. Senanus and the Lady, Why do Lovely Virgins Mourn?, Bark is on the Swelling Wave (The), Sloe Tree (The)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AB
 Editor/Compiler    Biography:Edward Bunting
 Book/Manuscript title    Book:A General Collection of the Ancient Music of Ireland
 Tune and/or Page number    No. 4, p. 2
 Year of publication/Date of MS    1796
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Brown Thorn [1], The M:3/4 L:1/16 R:Air Q:"Largo" B:Bunting - A General Collection of the Ancient Music of Ireland (1796, No. 4) Z:AK/Fiddler’s Companion K:Eb |:(AG3A2|B4)-G2.B2.c2.d2|Te4 {de}.B2.B2 (cB3)A2|(G4 E3)G2T(F2{EF}E2)|(E4E2):|| (AG3A2|B4)-G2.B2.c2.d2|(e4g4) {g}(fed>).B|T[E8=A8c4]{Bc}B3B|{=ABc}B6 AG3A2| (B4 G2).B2.c2.d2|(e4B2).B2 (cB3).A2|(G4 E3)GTF4{EF}E2|E4-E2||


X:1 T:Brown Thorn, The T:Oh haste and leave this sacred Isle M:3/4 L:1/8 R:Air Q:”Andante” B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 2, No. 5) B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork Z:AK/Fiddler’s Companion K:F (BAB)|c2 Acde|f2-c z/c/ (Bc/B/)|A2 FAG>F|F3|| (BAB)|c2-A Acde|f3 a g/g/f/e/d/|c3 e{e}d>c|c3 (_BAB)| (c2 A)(cde)|f2-c z/c/ (dc/B/)|A2 FAG>F|F3||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Largo" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 65, p. 33) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:G (c<Bc|d2 B).d.e.f|T(g2{fg}d).d (e/<d/.c)|(B2 G>B) T(AG)| G2-G> (c/Bc)|(d2 B).d.e.f|T(g2{fg}d).d (e/<d)c|(B2G>B)(AG)|(G2G)|| (cBc)|(e2B).d.e.f|(g2b) z{b}(a/g/f/>).d/|T(e4 {de}d>)d| {^cde}d3 (c/Bc)|(d2B) .d.e.f|(g2d).d (e/<d/).c|(B2G>)(BA{GA}G)|(G2G)||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Moderate time" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 68, p. 34) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:C (fef)|.(g2 e).g.a.b|(c'2 g)(g{ag^fg}ag/=f/)|(e2 c).e-{e}(d>c)| c3 (fef)|(g2 e).g.a.b|(c'3 e') (d'/c'/b/a/)|g4 {b}T(a>g)|(g3 fef)| (g2 e).g.a.b|(c'2 g)(g/^g/ b/a/=g/f/)|(e2 c)(.e{e}c>)c|(c2c)||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Largo" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 57, p. 24) Z:AK/Fiddler’s Companion K:Eb (AG3A2)|(B4 G2).B2.c2.d2|T(e4 {de}B4) cB3.A2|(G4 E3)GT(F2{EF}E2)|(E4E2)|| (AG3A2)|(B4 G2).B2.c2.d2|(e4 g2) {g}(fed3B)|Tc8 {Bc}B3B|{=ABc}B6 AG3A2| (B4 G2).B2.c2.d2|(e2B).B2 (cB3.A2)|(G4 E3).G TF2{EF}E2|(E4 E2)||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Slow" S:O'Neill - Music of Ireland (1903), No. 31 Z:AK/Fiddler's Companion K:G c B>c | d2 Bd ef | gf/g/ dd ed/c/ | B2 GB A>G | G2 Gc Bc | d2 Bd ef | gf/g/ dd ed/c/ | B2 GB A>G | G3 || c B>c | d2 Bd ef | g2 b2 {b}a/g/ f/e/ | e4 z>d | d3c B>c | d2 Bd ef | g2 dd ed/c/ | B2 GB A>G | G3 ||