Annotation:Jig (59): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''JIG [59].''' AKA - "For the Violin." Irish, Jig (6/8 time). A Minor. Standard tuning (fiddle). AB. Dublin dentist and collector [[biography:Henry Hudson]] (1798-1889) labelled this untitled jig "For the Violin", and, in his notes to the tune in '''The Dublin Magazine''' (Jan., 1841) took older Belfast collector Edward Bunting (still alive at the time) to task for neglecting violin repertory in his collecting of predominantly harp and vocal airs. | |f_annotation='''JIG [59].''' AKA - "For the Violin." Irish, Jig (6/8 time). A Minor. Standard tuning (fiddle). AB. Dublin dentist and collector [[biography:Henry Hudson]] (1798-1889) labelled this untitled jig "For the Violin", and, in his notes to the tune in '''The Dublin Magazine''' (Jan., 1841) took older Belfast collector Edward Bunting (still alive at the time) to task for neglecting violin repertory in his collecting of predominantly harp and vocal airs. Francis O'Neill printed a variant as the air "[[Swift from the covert]]." | ||
|f_printed_sources=Henry Hudson ('''The Dublin Magazine'''), January, 1841. | |f_printed_sources=Henry Hudson ('''The Dublin Magazine'''), January, 1841. | ||
}} | }} | ||
Latest revision as of 21:59, 5 January 2021
X:1 T:For the Violin T:Jig [59] M:6/8 L:1/8 R:Air or Jig Q:"Spirited" B:Henry Hudson - The Dublin Magazine, January 1841 Z:AK/Fiddler's Companion K:Amin E|{E}A2A A2c|{c}BAB {B}g2 e/^f/|g2e edB|{c}BAB {B}G2E| {E}A2A A2c|{c}BAB {B}g2 e/^f/|g2e edB|A3 A2|| ^g|ae^g aeg|ae^f =g2G|{G}g2 e edB|{c}BAB {B}G2E| {E}A2A A2c|{c}BAB {B}!fermata!g2 e/^f/|g2 e edB|A3 !fermata!A2||
JIG [59]. AKA - "For the Violin." Irish, Jig (6/8 time). A Minor. Standard tuning (fiddle). AB. Dublin dentist and collector biography:Henry Hudson (1798-1889) labelled this untitled jig "For the Violin", and, in his notes to the tune in The Dublin Magazine (Jan., 1841) took older Belfast collector Edward Bunting (still alive at the time) to task for neglecting violin repertory in his collecting of predominantly harp and vocal airs. Francis O'Neill printed a variant as the air "Swift from the covert."
