Kiss the Lass Ye Like Best (2): Difference between revisions

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|f_theme_code_index=5362 5313H
|f_theme_code_index=5362 5313H
|f_score=1
|f_score=1
|f_player=Dan Rory MacDonald
|f_album=Early Morn - Clog/ American Rifle Team - Hornpipe // Miss Warrender of Lochend (Strathspey)/ Kiss the Lassie You Like the Best (Strathspey)/ Geordie MacLeish (Reel)
|f_label=Rodeo RO 155 (78 RPM)
|f_recording_date=1956
}}
}}
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|: (f/g/) | a>baf beef | abaf defd | (e/f/g) (f/g/a) eEEF | A/A/A T(f>e) dDD :|  
|: (f/g/) | a>baf beef | abaf defd | (e/f/g) (f/g/a) eEEF | A/A/A T(f>e) dDD :|  
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X:1
T:Kiss the Lass you like best [2]
M:C
L:1/8
R:Reel
B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 18)
N:Dedicated to the Dutchess [sic] of Manchester
N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and
N:composer active in Edinburgh at the end of the 18th century. Originally from
N:Tullymet, near Pitlochry, Perthshire.  He moved to London in the last decade
N:of his life.
Z:AK/Fiddler’s Companion
K:D
d|A2 (FA) BEEd|A2 (FA) defd|(e/f/g) (f/g/a) e(EEF)|A(gfe) dDD:|
|:f|abaf b(eef)|abaf defd|(e/f/g) (f/g/a) e(EEF)|A(gTfe) dDD:|]
<section end=X2 />
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X:1
X:1
T:Kiss the Lass ye like the best [2]
T:Kiss the Lass ye like the best [2]
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f|Ta>baf be-ef|Ta>baf defd|(e/f/g) (f/g/a) {f}eEEF|A/A/A T(f>e) dDDf|
f|Ta>baf be-ef|Ta>baf defd|(e/f/g) (f/g/a) {f}eEEF|A/A/A T(f>e) dDDf|
Ta>baf be-ef|Ta>baf defd|egfa {f}eEEF|A/A/A T(f>e d)DD||
Ta>baf be-ef|Ta>baf defd|egfa {f}eEEF|A/A/A T(f>e d)DD||
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Latest revision as of 03:53, 31 January 2021


Kiss the Lass Ye Like Best (2)  Click on the tune title to see or modify Kiss the Lass Ye Like Best (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Kiss the Lass Ye Like Best (2)
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 Theme code Index    5362 5313H
 Also known as    
 Composer/Core Source    
 Region    England, Scotland, Canada
 Genre/Style    Cape Breton/PEI, Northumbrian/Borders, Scottish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/2
 History    SCOTLAND(North East), ENGLAND(North East), CANADA(Maritimes/English)
 Structure    AABB
 Editor/Compiler    Robert Bremner
 Book/Manuscript title    Book:Scots Reels
 Tune and/or Page number    p. 54
 Year of publication/Date of MS    1757
 Artist    Biography:Dan Rory MacDonald
 Title of recording    Early Morn - Clog/ American Rifle Team - Hornpipe // Miss Warrender of Lochend (Strathspey)/ Kiss the Lassie You Like the Best (Strathspey)/ Geordie MacLeish (Reel)
 Record label/Catalogue nr.    Rodeo RO 155 (78 RPM)
 Year recorded    1956
 Media    
 Score   (1)   




X:1 T:Kiss the Lass ye like best [2] M:C| L:1/8 R:Reel S:Bremner - Scots Reels (1757) Z:AK/Fiddler's Companion K:D d | A/A/A TFA BEEd | A/A/A TFA Ddfd | (e/f/g) (f/g/a) eEEF | A/A/A T(B>B) ADD :| |: (f/g/) | a>baf beef | abaf defd | (e/f/g) (f/g/a) eEEF | A/A/A T(f>e) dDD :|


X:1 T:Kiss the Lass you like best [2] M:C L:1/8 R:Reel B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 18) N:Dedicated to the Dutchess [sic] of Manchester N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and N:composer active in Edinburgh at the end of the 18th century. Originally from N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade N:of his life. Z:AK/Fiddler’s Companion K:D d|A2 (FA) BEEd|A2 (FA) defd|(e/f/g) (f/g/a) e(EEF)|A(gfe) dDD:| |:f|abaf b(eef)|abaf defd|(e/f/g) (f/g/a) e(EEF)|A(gTfe) dDD:|]


X:1 T:Kiss the Lass ye like the best [2] N:William Christie (1778-1849) N:Christie was a dancing master, fiddler N:and composer from Cuminestown, Aberdeenshire. M:C| L:1/8 R:Reel B:Christie - Collection of Strathspeys, Reels, Hornpipes, B:Waltzes &c. (Edinburgh, 1820, p. 33) Z:AK/Fiddler’s Companion K:D d|A/A/A (.F.A) BEEd|A/A/A (.F.A) Ddfd|(e/f/g) (f/g/a) {F}eE-TE>.F|A/A/A T(f>e) dDD:| f|Ta>baf be-ef|Ta>baf defd|(e/f/g) (f/g/a) {f}eEEF|A/A/A T(f>e) dDDf| Ta>baf be-ef|Ta>baf defd|egfa {f}eEEF|A/A/A T(f>e d)DD||