Annotation:Button Hole: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''BUTTON HOLE'''. AKA - "Buttonhole (2) (The)," "Button Hole March (The)." Irish, March (4/4 time). G Major. Standard tuning (fiddle). AB. The march was entered into several late 18th century and early 19th century fifers' and drummers' manuscript collections, | |||
|f_annotation='''BUTTON HOLE'''. AKA - "Buttonhole (2) (The)," "Button Hole March (The)." Irish, March (4/4 time). G Major. Standard tuning (fiddle). AB. | |f_source_for_notated_version=the manuscirpts of the 19th century Belfast collector Edward Bunting (1773–1843) [Heymann]. | ||
|f_source_for_notated_version=the manuscirpts of the 19th century Belfast collector Edward Bunting (1773–1843) [Heymann]. | |||
|f_printed_sources=Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 2'''), 1785; No. 102, p. 37. | |f_printed_sources=Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 2'''), 1785; No. 102, p. 37. | ||
Heymann ('''Secrets of the Gaelic Harp'''), 1988; pp. 114–115. | Heymann ('''Secrets of the Gaelic Harp'''), 1988; pp. 114–115. | ||
Howe ('''The Musician's Companion, vol. 2'''), Boston, 1850; p. 10. | Howe ('''The Musician's Companion, vol. 2'''), Boston, 1843/1850; p. 10. | ||
Elias Howe ('''Musician’s Omnibus Nos. 6 & 7'''), Boston, 1880-1882; p. 633. | Elias Howe ('''Musician’s Omnibus Nos. 6 & 7'''), Boston, 1880-1882; p. 633. Alvan Robinson ('''Massachusetts Collection of Martial Musick'''''''''), 1818; p. 43. | ||
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Latest revision as of 06:18, 19 February 2021
X: 1 T: Button Hole, The M:2/4 L:1/8 S:Aird, vol. II (1785) Z:AK/Fiddler's Companion K:G f/g/ | aAAd | BG Gf/g/ | aAAB/c/ | d/c/B/A/ Gf/g/ | aAaA | aA Af/g/ | a/g/f/e/ d/e/d/c/ | BGG || B/c/ | d/c/d/f/ ed | cAAc | G/B/d gd | BG GB/c/ | d/^c/e/=f/ ed | cAAf/g/ | a/g/f/e/ d/e/d/c/ | BGG ||
BUTTON HOLE. AKA - "Buttonhole (2) (The)," "Button Hole March (The)." Irish, March (4/4 time). G Major. Standard tuning (fiddle). AB. The march was entered into several late 18th century and early 19th century fifers' and drummers' manuscript collections,
