Annotation:Boscastle Breakdown: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''BOCASTLE BREAKDOWN.'''  English, England, Cornwall.  G Major. Standard tuning (fiddle). AABB. According to Merv Davey,Boscastle Breakdown is a form of Scoot Dancing characterised by heavy footwear.
|f_annotation='''BOCASTLE BREAKDOWN.'''  English, Hornpipe (whole time). England, Cornwall.  G Major. Standard tuning (fiddle). AABB. According to Merv Davey, Boscastle Breakdown is a form of Scoot Dancing (Cornish step dancing) characterized by heavy footwear. Importantly, the point of the dance and musical accompaniment is to play a series of variations as a conversation between dancer and musician. Thus, the chord structure is fairly simple, allowing for a variety of variations both spontaneous, and in the tradition.
 
 
The tune has similarities to "[[Banjo Breakdown]]."
|f_source_for_notated_version=Noted from the playing of pianist Beatrice Beer by Jon Mills, at the Cobweb Inn, Bocastle, in 1974 [Davey].
|f_source_for_notated_version=Noted from the playing of pianist Beatrice Beer by Jon Mills, at the Cobweb Inn, Bocastle, in 1974 [Davey].
|f_printed_sources=Merv Davey ('''Hengan'''), 1983; p. 56.
|f_printed_sources=Merv Davey ('''Hengan'''), 1983; p. 56.
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Bocastle_Breakdown >
}}
}}
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Latest revision as of 15:26, 19 March 2021



X: 1 T: Boscastle Breakdown N: page A38 N: heptatonic M:4/4 L:1/8 R:Reel Z:bil@blueskiesink.com K:G "G"G2 B>c d2 B2|"C"c>d e>f g4|"G"G2 B>c d2 B2|"D"A2 A2 A4| "G"G2 B>c d2 B2|"C"c>d e>f g4|"D"d>g f>e d>c B>A|"G"G2 G2 G4:: "G"g>d B>d g>d B>d|"C"g>e c>e g>e c>e|"G"g>d B>d g>d B>d|"D"B2 A2 A4| "G"g>d B>d g>d B>d|"C"g>e c>e g>e c>e|"D"a>g f>e d>c B>A|"G"G2 B2 G4:|



BOCASTLE BREAKDOWN. English, Hornpipe (whole time). England, Cornwall. G Major. Standard tuning (fiddle). AABB. According to Merv Davey, Boscastle Breakdown is a form of Scoot Dancing (Cornish step dancing) characterized by heavy footwear. Importantly, the point of the dance and musical accompaniment is to play a series of variations as a conversation between dancer and musician. Thus, the chord structure is fairly simple, allowing for a variety of variations both spontaneous, and in the tradition.


The tune has similarities to "Banjo Breakdown."


Additional notes
Source for notated version : - Noted from the playing of pianist Beatrice Beer by Jon Mills, at the Cobweb Inn, Bocastle, in 1974 [Davey].

Printed sources : - Merv Davey (Hengan), 1983; p. 56.






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