Annotation:Sally Growler: Difference between revisions
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'''SALLY GROWLER.''' American, Hornpipe. G Major. Standard tuning (fiddle). AABB. A composition credited to Harry Carleton in '''Ryan’s Mammoth Collection''' (1883). Nothing is known of the elusive Harry Carleton, who contributed several tunes to Ryan’s, and the name may be a pseudonym. | '''SALLY GROWLER.''' American, Hornpipe (2/4 time). G Major. Standard tuning (fiddle). AABB. A composition credited to Harry Carleton in '''Ryan’s Mammoth Collection''' (1883). Nothing is known of the elusive Harry Carleton, who contributed several tunes to Ryan’s, and the name may be a pseudonym. A "Sally Growler" is a particularly unattractive Atlantic coast bottom-dwelling fish (also known as the Sea Raven, Toadfish, Oyster Cracker or Horsehead), so named "because of its habit of growling on occasion, like a puppy over a bone." (New York Zoological Society Bulletin, Volume 23. No. 6, 1919, p. 136). The title in Ryan's was in quotation marks, so it is possible the tune was really called after a boat or a seaport bar named for the fish. | ||
As with several tunes from the Ryan's/Cole's collections (for decades the only large source for fiddle tunes) the hornpipe was picked up by fiddlers around the United States, particularly in Texas where it was absorbed into 20th century Texas fiddling repertoire. It occasionally surfaces in American fiddle contests. | |||
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== Additional notes == | == Additional notes == | ||
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<font color=red>''Source for notated version''</font>: - Benny Thomasson (Texas) [Phillips]. | <font color=red>''Source for notated version''</font>: - Benny Thomasson (Texas) [Phillips]. | ||
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<font color=red>''Printed sources''</font> : - Cole ('''1000 Fiddle Tunes'''), 1940; p. 114. Phillips ('''Traditional American Fiddle Tunes, vol. 2'''), 1995; p. 223. '''Ryan’s Mammoth Collection''', 1883; p. 151. | <font color=red>''Printed sources''</font> : - Cole ('''1000 Fiddle Tunes'''), 1940; p. 114. Phillips ('''Traditional American Fiddle Tunes, vol. 2'''), 1995; p. 223. '''Ryan’s Mammoth Collection''', 1883; p. 151. | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - Rounder Records, Roger Cooper - "Essence of Old Kentucky. | <font color=red>''Recorded sources'': </font> <font color=teal> - Rounder Records 0533, Roger Cooper - "Essence of Old Kentucky" (2006, learned from a recording by Texas fiddler Lewis Solomon). Terry Morris - "Texas Fiddling Treasures". </font>\ | ||
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See also listing at:<br> | See also listing at:<br> | ||
See/hear fiddler Vi Wickham play the tune on youtube.com [https://www.youtube.com/watch?v=c6avW1S9Bso]<br> | See/hear fiddler Vi Wickham play the tune on youtube.com [https://www.youtube.com/watch?v=c6avW1S9Bso]<br> |
Latest revision as of 15:34, 9 June 2021
X:1 % T:Sally Growler M:2/4 L:1/8 R:Hornpipe S:Ryan’s Mammoth Collection (1883) Z:AK/Fiddler’s Companion K:G (3d/e/f/ | .g.f.e.d |{d}c/B/c/e/ d/B/G/D/ | E/G/c/e/ D/G/B/d/ | ^c/b/a/f/ d/^d/e/f/ | .g.f.e.d |{d}c/B/c/e/ d/B/G/D/ | E/G/c/e/ d/B/G/A/ ||1 B/d/c/A/ G :|2 B/d/c/A/ Gz || |: g/d/B/d/ G/B/d/g/ | b/g/d/g/ B/d/g/b/ | a/f/d/f/ A/d/f/a/ | c'/a/f/d/ c/A/F/D/ | g/d/B/d/ G/B/d/g/ | b/g/d/g/ B/d/g/b/ | c'/a/f/d/ ^c/d/e/f/ |1 gbg z :|2 gbg ||
SALLY GROWLER. American, Hornpipe (2/4 time). G Major. Standard tuning (fiddle). AABB. A composition credited to Harry Carleton in Ryan’s Mammoth Collection (1883). Nothing is known of the elusive Harry Carleton, who contributed several tunes to Ryan’s, and the name may be a pseudonym. A "Sally Growler" is a particularly unattractive Atlantic coast bottom-dwelling fish (also known as the Sea Raven, Toadfish, Oyster Cracker or Horsehead), so named "because of its habit of growling on occasion, like a puppy over a bone." (New York Zoological Society Bulletin, Volume 23. No. 6, 1919, p. 136). The title in Ryan's was in quotation marks, so it is possible the tune was really called after a boat or a seaport bar named for the fish.
As with several tunes from the Ryan's/Cole's collections (for decades the only large source for fiddle tunes) the hornpipe was picked up by fiddlers around the United States, particularly in Texas where it was absorbed into 20th century Texas fiddling repertoire. It occasionally surfaces in American fiddle contests.