Annotation:Daphne and Corydon: Difference between revisions

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[[{{BASEPAGENAME}}|Tune properties and standard notation]]
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Daphne_and_Corydon >
'''DAPHNE AND CORYDON'''. AKA and see "Tell me, Daphne," "Go no more a-rushing." English, Air (4/4 time). D Dorian. Standard tuning (fiddle). ABCD. The air appears in '''Jane Pickering's Lute Book''', the '''Fitzwilliam Virginal Book''' and a MS of virginal music that once belonged to Dr. Rimbault. The words to the air have been lost, but Chappell (1859) believes the tune "obviously intended for a dialogue."  
|f_annotation='''DAPHNE AND CORYDON'''. AKA and see "[[Tell Me Daphne]]," "Go no more a-rushing." English, Air (4/4 time). D Dorian. Standard tuning (fiddle). ABCD. The air appears in '''Jane Pickering's Lute Book''', the '''Fitzwilliam Virginal Book''' (as "[[Tell Me Daphne]]") and a MS of virginal music that once belonged to Dr. Rimbault. The words to the air have been lost, but Chappell (1859) believes the tune "obviously intended for a dialogue."  
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|f_source_for_notated_version=
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|f_printed_sources=Chappell ('''Popular Music of the Olden Times, vol. 1'''), 1859; p. 157.
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''Source for notated version'':
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''Printed sources'': Chappell ('''Popular Music of the Olden Times'''), vol. 1, 1859; p. 157.
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''Recorded sources'': <font color=teal></font>
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[[{{BASEPAGENAME}}|Tune properties and standard notation]]

Latest revision as of 22:25, 18 June 2021




X:1 T:Daphne and Corydon M:C L:1/8 S:Jane Pickering's Lute Book K:Ddor D3EF2G2|A4A4|F4E4|D8|F3G A2_B2|c4A4|G4G4|F8|| F3G A2_B2|c4A4|G4F4|E8|D3E F2G2|A4D4|F4E4|D8|| A6A2|A4=B2c2|d4c4|B8|G6G2|G4A2B2|c4B4|A8|| E4E4|E4E4|D4D4|A8|D3E F2G2|A4 D2E2|F4E4|D8||



DAPHNE AND CORYDON. AKA and see "Tell Me Daphne," "Go no more a-rushing." English, Air (4/4 time). D Dorian. Standard tuning (fiddle). ABCD. The air appears in Jane Pickering's Lute Book, the Fitzwilliam Virginal Book (as "Tell Me Daphne") and a MS of virginal music that once belonged to Dr. Rimbault. The words to the air have been lost, but Chappell (1859) believes the tune "obviously intended for a dialogue."


Additional notes



Printed sources : - Chappell (Popular Music of the Olden Times, vol. 1), 1859; p. 157.






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