Braes of Auchtertyre (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Braes of Auchtertyre (1)
|f_tune_title=Braes of Auchtertyre (1)
|f_aka=Braes of Auchentyre, Belles of Tipperary (1), Beaus of Albany (1), Music Club (The), New Policeman (The)
|f_aka=Braes of Auchentyre, Braes of Auchintyre, Belles of Tipperary (1), Beaus of Albany (1), Music Club (The), New Policeman (The)
|f_country=Scotland, Canada
|f_country=Scotland, Canada
|f_genre=Cape Breton/PEI, Scottish
|f_genre=Cape Breton/PEI, Scottish
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|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=<b>Canada</b>/Maritimes (English)
|f_history=CANADA(Maritimes/English)
|f_structure=AABB
|f_structure=AABB, ABCD,
|f_book_title=Selections of Scotch English Irish and Foreign Airs vol. 2
|f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 2
|f_collector=James Aird,
|f_collector=James Aird,
|f_year=1785
|f_year=1785
|f_page=No. 146, p. 54
|f_page=No. 146, p. 54
|f_theme_code_index=1135 1H3H1H5
|f_theme_code_index=1135 1H3H1H5
|f_player=Angus Chisholm,
|f_score=1
|f_player=Angus Chisholm
|f_album=Early Recordings of Angus Chisholm (The)
|f_album=Early Recordings of Angus Chisholm (The)
|f_label=Shanachie 14001
|f_label=Shanachie 14001
|f_media=[[File:Rotherauchtertyre.mp3|thumb|Angus Chisholm.  Rothermurche's Rant / Braes of Auchertyre / Argyll Bowing Green (aka The Braes of Glencoe)]]
}}
}}
<p><font face="garamond, serif" size="4">
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'''BRAES OF AUCHTERTYRE [1]'''. AKA and see "Braes of Auchentyre," "Belles of Tipperary [1]," "Beaus of Albany [1]," "The Music Club," "The New Policeman." See "Billy/Billie in the Low Ground [1]." Scotland; Reel, Strathspey. C Major (most versions): D Major (Aird, Kennedy). Standard tuning (fiddle). AB (Alburger, Cole, Gow, Kennedy, Kerr, Skye, Athole): AABB (Aird, Cranford, Perlman). Auchtertyre lies midway between Dornie and Kyle on the northern shore of Loch Alsh, Scotland. This popular tune was first published by Neil Stewart (‘’’Collection of the Newest and Best Reels and Country Dances’’’, c. 1761, p. 45) and later transposed to the key of 'A' and played as a strathspey. Glen (1891) finds it printed about the same time in Joshua Campbell's 1778 collection (p. 4). The melody is sometimes credited to James Crocket, but evidence for this ascription is wanting according to some reviewers. The tune appears to have developed from a slow 3/4 time Lowland Scots song tune called "O Dear Minnie/Mother (What Shall I Do)?"  Toward the end of the 18th century "Braes of Auchtertyre" was composed from it, and it in turn became the direct ancestor of the American 'old-time' tune "Billy in the Lowground/Low Lands." Jack Campin opines that at the time "Braes" was fashioned from the "Minnie" song (although Gow thought it the other-way-round), the laird of Auchtertyre was wealthy and well-connected; the kind of influential personage and estate that attracted labeling and re-labeling of music.
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Ken Perlman's Prince Edward Island-collected version is somewhat distanced from the usual printed versions. The tune is popular on Cape Breton Island, where it was recorded by Scotty Fitzgerald in the 1930's. Many Cape Breton fiddlers follow the lead of Angus Chisholm and precede "Braes of Auchtertyre" with the strathspey "Rothiemurchus Rant." Irish derivatives of the melody are, among others, the "Belles of Tipperary [1]," "Connaught Lasses" and "Miss Monaghan."
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''Source for notated version'': George MacPhee (b. 1941, Monticello, North-East Kings County, Prince Edward Island) [Perlman].
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''Printed sources:'' Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), vol. II, 1785; No. 146, p. 54 (appears as "The Braes of Aughtertyre"). Alburger ('''Scottish Fiddlers and Their Music'''), 1983; Ex. 37, p. 60. Cole ('''1000 Fiddle Tunes'''), 1940; p. 42 (version, somewhat altered, appears as "Braes of Auchentyre"). Cranford ('''Jerry Holland's Collection, vol. 1'''), 1995; No. 74, p. 22. Gow ('''Complete Repository'''), Part 1, 1799; pg. 20. Kennedy ('''Traditional Dance Music of Britain and Ireland, vol. 2: Reels and Rants'''), 1997; No. 12, p. 5. Kerr ('''Merry Melodies'''), vol. 1; Set 23, No. 1, p. 14 (strathspey). Lowe ('''A Collection of Reels and Strathspeys'''), 1844. MacDonald ('''The Skye Collection'''), 1887; p. 106. Middleton's Collection. Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 119. '''Ryan's Mammoth Collection''', 1883; p. 68. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 62. Vallely ('''Play 50 Reels with the Armagh Pipers Club'''), 1982; 40.
 
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''Recorded sources:'' James F. Dickie's Delights (1976). Shanachie 14001, "The Early Recordings of Angus Chisholm." WMT002, Wendy MacIsaac - "That's What You Get" (1998?). See also listings at: Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t1234.html], Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/b14.htm#Braofau].
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<section begin=abc />
X:1
X:1
T:Braes of Auchtertyre
T:Braes of Aughtertyre (sic)
L:1/8
M:C|
M:C|
L:1/8
R:Reel
R:Reel
B:Stewart-Robertson - The Athole Collection  (1884)
B:Aird - Selection of Scotch, English, Irish and Foreign Airs vol. II (1785)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:D
D3E FAAB | defe dBAd | B/B/B BA B2b2 | fdaf e2d2 |
D3E FAAB | defe dBAd | BdAd GdFd | (f/e/)(d/c/) dF TE2D2 :|
|: fgab afda | bgeg fedA | B/B/B ba b2 {b/c'/}d'2 | fdaf Te2d2 |
fgab afda | bgeb fedA | BdAd GdFd | f/e/d/c/ dF TE2 D2 :||
<section end=abc />
<section begin=X2 />
X:1
T:Braes of Auchtertyre, The
M:C
L:1/8
R:Strathspey
B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 36)
Z:AK/Fiddler’s Companion
K:C
K:C
G,|C2CF EGGA|cded cAGc|A/A/A AG A2a2|gcfe d2c2|C2CF EGGA|
G,|C2 (C>F) E<GG>A|c>d{cd}e>d T(c/B/c/A/) Gc|A<A c>G Aagc'|
cded cAGc|AcGc FcEc|dBcE D2C||f|efga gecg|afeg edcG|A/A/A ag a2 c'2|
E<cg>e {e}Td2 {cd}c2|T(c>B,C)F E<GG>A|T(c/B/c/d/) {cd}e>d Tc>AGc|
ecfe d2 cf|efga gecg|afdg edcA|AcGc FcEc|dBcE D2C||
(A>c)(G>c) (F>c) (E>C)|(D/g/)(f/a/) (g/e/d/c/) Td2{cd}C||f|e<gg>a Tg>ecg|
<br>
T(a/g/)f/e/ T(g/f/)e/d/ Te>dcG|A<A Ta>g T(a/g/a/b/) {b}c'2|T(ed/c/) (g>ee) Td2 {cd}c>f|
<br>
e<gg>a T(g/f/g/e/) cg|(a>e)(g>d) T(e/d/c/B/) T(c/B/c/G/)|A/c/Tc {Bc}G/c/Tc {Bc}EcTc{Bc}|
X:3
(d/c/B/A/) T(c/B/c/E) TD2C||G,|(C>B,) T(C/B,/C/D/) E<GG>A|T(c/B/c/d/) {cd}e>d T(c/B/c/A/) (T/c/E/G/)|
A,Acc Aagc'|T(e/c/B/c/) T(g/f/g/e) Td2 {cd}cG,|(C/G,/A,/B,/) (C/B,/C/D/) T(E/D/E/F/) G>A|
T(c/B/c/d/) (e/f/g/a/) (g/f/e/d/) (c/A/G/c/)|(A/c/B/c/) (g/c/B/c/) (a/c/B/c/) (c'/a/g/f/)|T(e/d/c/B/) (c/A/G/E/) TD2C||
f|e<gg>a T(g/e/g/a/) (g/c'/e/g/)|(a/g/a/e/) (g/f/e/d/) T(e/d/c/B/) T(c/B/c/G/)|(A/B/c/d/) T(e/d/e/g/) Ta/g/a/b/ {b}c'2|
(e/c/e/g/) (c'/g/e/c/) Td2 {cd}(c>f)|T(e/c/e/f) (g/e/g/c'/) (a/f/e/d/) .c.g|(a/g/f/e/) (g/f/e/d/) T(e/d/c/B/) T(c/B/c/G/)|
(A/c/B/c/) (G/c/B/c/) (F/c/B/c/) (E/G/c/e/)|(d/c/B/d/) (c/A/G/E/) TD2 {CD} C|]
<section end=X2 />
<section begin=X3 />
X:2
T:The Braes of Auchtertyre
T:The Braes of Auchtertyre
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c.
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c.
Line 62: Line 90:
C3D (EGGA)|cded cAGc|A/A/A (AG) A2a2 | gcfe Td2c2 |
C3D (EGGA)|cded cAGc|A/A/A (AG) A2a2 | gcfe Td2c2 |
C2 (CD) (EGGA)|cded cAGc|AcGc FcEc | d/c/B/A/ cE D2C2 ||
C2 (CD) (EGGA)|cded cAGc|AcGc FcEc | d/c/B/A/ cE D2C2 ||
efga gecg |afdg edcG|A/A/A ag a2({ab}c'2)| ecfe Td2c2 |
efga gecg |afdg edcG|A/A/A ag a2{ab}c'2| ecfe Td2c2 |
efga gecg |(a/g/f/e/ d)g edcG|AcGc FcEc |(d/c/B/A/) cE TD2 C2|]
efga gecg |(a/g/f/e/ d)g edcG|AcGc FcEc |(d/c/B/A/) cE TD2 C2|]
 
<section end=X3 />
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<section begin=X4 />
 
X:3
----
T:Braes of Auchintyre (Old Scotch)
 
M:C
<pre>
L:1/8
X:2
Q:"Allegro"
T:Braes of Aughtertyre (sic)
R:Reel
B:Thomas Wilson - Companion to the Ball Room (1816, p. 49)
Z:AK/Fiddler's Companion
K:C
C3D EGGA|c>ded cAGc|A/A/A AG A2a2|ecge d2c2|
C3D EGGA|c>ded cBAG|AcGA FGEG|A/G/A/B/ cE D2C2||
efga gecg|afdf edcG|A/A/A AG A2a2|ecge d2c2|
e>fga gecg|afdf e>dcG|AcGA FGEG|A/G/A/B/ cE D2 C2|]
<section end=X4 />
<section begin=X5 />
X:4
T:Braes of Auchtertyre [1] (The)
M:C|
L:1/8
S:Mackie Collection (Aberdeen, early 19th cent.)
Z:AK/Fiddler’s Companion
K:D
D3F A/A/A AB|d>efe dBAd|B/B/B BA B2b2|a>da>f !trill!e2d2|
D3F A/A/A AB|d>efe dBAd|B>d A>d GdFd|(f/e/)(d/c/) dF !trill!E2D:|
|:g|f>ga>b a>fd>a|b>ge>g fed A|B/B/B b>a b2d'2|a>da>f !trill!e3d|
f>ga>b a>fd>a|b>ge>g f>ed>A|B>d A>d G>d F>d|(f/e/)(d/c/) dF E2 D:||
<section end=X5 />
<section begin=X7 />
X:1
T:Braes of Auchtertyre [1], The
M:C
L:1/8
B: Joseph Lowe - Lowe's Collection of Reels, Strathspeys and Jigs,
B:book 3 (1844–1845, p. 11)
Z:AK/Fiddler’s Companion
K:C
E|C2- CF EGGA|(cd).e.d (CA).G.c|A/A/A (AG) A2a2|gcfe {e}d2c2|
C2-CF EGGA|cded cAGc|AcGc FcEc|(d/c/B/A/) c[CE] [B,2D2] C||
f|(ef)ga (ge)cg|afdg edcG|A/A/A (ag) a2 {ab}c'2|ecfe d2 cf|
efga gecg|(a/g/f/e/) dg edcG|AcGc FcEc|(d/c/B/A/) cE [B,2D2]C||
<section end=X7 />
<section begin=X8 />
X:1
T:Braes o' Auchtertyre [1], The
M:C
L:1/8
L:1/8
R:Strathspey
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 1)
Z:AK/Fiddler’s Companion
K:C
E|C2 (C>F) E<GG>A|c>d(e>d) (c>A)G<c|A/A/A (A>G) A2a2|g<c{g}f>e {e}d2c2|
C2 (C>F) (E<G)(G>A)|c>d(e>d) (c>A)Gc|A<c(G>c) (F>c)(E<c)|d/c/B/A/ c<E {E}(D2C)||
f|e>f(g>a) (g>e)c>g|A/g/f/e/ (d>f) (e>d)cG|A/A/A (a>g) a2c'2|e<c{g}f>e {e}d2 (c>f)|
e>f(g>a) (g>e)c>g|a/g/f/e/ (d<f) e>dcG|(A>c)(G>c) (F>c)(E>c)|d/c/B/A/ c<E {E}(D2C)|]
<section end=X8 />
<section begin=X10 />
X:5
T:Braes of Auchtertyre [1]
M:C|
M:C|
L:1/8
R:Reel
R:Reel
B:Aird, vol. II (1785)
B:Stewart-Robertson - The Athole Collection  (1884)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:D
K:C
D3E FAAB | defe dBAd | B/B/B BA B2b2 | fdaf e2d2 |  
G,|C2CF EGGA|cded cAGc|A/A/A AG A2a2|gcfe d2c2|
D3E FAAB | defe dBAd | BdAd GdFd | (f/e/)(d/c/) dF !trill!F2D2 :|
C2CF EGGA|cded cAGc|AcGc FcEc|dBcE D2C||
|: fgab afda | bgeg fedA | B/B/B ba b2 {b/c'/}d'2 | fdaf !trill!e2d2 |  
f|efga gecg|afeg edcG|A/A/A ag a2 c'2|ecfe d2 cf|
fgab afda | bgeb fedA | BdAd GdFd | f/e/d/c/ dF !trill!E2 D2 :||
efga gecg|afdg edcA|AcGc FcEc|dBcE D2C|]
 
<section end=X10 />
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'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
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Engraver Valerio M. Pelliccioni
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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Latest revision as of 04:21, 1 July 2021


Braes of Auchtertyre (1)  Click on the tune title to see or modify Braes of Auchtertyre (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Braes of Auchtertyre (1)
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 Theme code Index    1135 1H3H1H5
 Also known as    Braes of Auchentyre, Braes of Auchintyre, Belles of Tipperary (1), Beaus of Albany (1), Music Club (The), New Policeman (The)
 Composer/Core Source    
 Region    Scotland, Canada
 Genre/Style    Cape Breton/PEI, Scottish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    CANADA(Maritimes/English)
 Structure    AABB, ABCD
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 2
 Tune and/or Page number    No. 146, p. 54
 Year of publication/Date of MS    1785
 Artist    Biography:Angus Chisholm
 Title of recording    Early Recordings of Angus Chisholm (The)
 Record label/Catalogue nr.    Shanachie 14001
 Year recorded    
 Media    
Angus Chisholm. Rothermurche's Rant / Braes of Auchertyre / Argyll Bowing Green (aka The Braes of Glencoe)
 Score   (1)   



Braes of Auchtertyre (1): Annotations

X:1 T:Braes of Aughtertyre (sic) L:1/8 M:C| R:Reel B:Aird - Selection of Scotch, English, Irish and Foreign Airs vol. II (1785) Z:AK/Fiddler's Companion K:D D3E FAAB | defe dBAd | B/B/B BA B2b2 | fdaf e2d2 | D3E FAAB | defe dBAd | BdAd GdFd | (f/e/)(d/c/) dF TE2D2 :| |: fgab afda | bgeg fedA | B/B/B ba b2 {b/c'/}d'2 | fdaf Te2d2 | fgab afda | bgeb fedA | BdAd GdFd | f/e/d/c/ dF TE2 D2 :||


X:1 T:Braes of Auchtertyre, The M:C L:1/8 R:Strathspey B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 36) Z:AK/Fiddler’s Companion K:C G,|C2 (C>F) E<GG>A|c>d{cd}e>d T(c/B/c/A/) Gc|A<A c>G Aagc'| E<cg>e {e}Td2 {cd}c2|T(c>B,C)F E<GG>A|T(c/B/c/d/) {cd}e>d Tc>AGc| (A>c)(G>c) (F>c) (E>C)|(D/g/)(f/a/) (g/e/d/c/) Td2{cd}C||f|e<gg>a Tg>ecg| T(a/g/)f/e/ T(g/f/)e/d/ Te>dcG|A<A Ta>g T(a/g/a/b/) {b}c'2|T(ed/c/) (g>ee) Td2 {cd}c>f| e<gg>a T(g/f/g/e/) cg|(a>e)(g>d) T(e/d/c/B/) T(c/B/c/G/)|A/c/Tc {Bc}G/c/Tc {Bc}EcTc{Bc}| (d/c/B/A/) T(c/B/c/E) TD2C||G,|(C>B,) T(C/B,/C/D/) E<GG>A|T(c/B/c/d/) {cd}e>d T(c/B/c/A/) (T/c/E/G/)| A,Acc Aagc'|T(e/c/B/c/) T(g/f/g/e) Td2 {cd}cG,|(C/G,/A,/B,/) (C/B,/C/D/) T(E/D/E/F/) G>A| T(c/B/c/d/) (e/f/g/a/) (g/f/e/d/) (c/A/G/c/)|(A/c/B/c/) (g/c/B/c/) (a/c/B/c/) (c'/a/g/f/)|T(e/d/c/B/) (c/A/G/E/) TD2C|| f|e<gg>a T(g/e/g/a/) (g/c'/e/g/)|(a/g/a/e/) (g/f/e/d/) T(e/d/c/B/) T(c/B/c/G/)|(A/B/c/d/) T(e/d/e/g/) Ta/g/a/b/ {b}c'2| (e/c/e/g/) (c'/g/e/c/) Td2 {cd}(c>f)|T(e/c/e/f) (g/e/g/c'/) (a/f/e/d/) .c.g|(a/g/f/e/) (g/f/e/d/) T(e/d/c/B/) T(c/B/c/G/)| (A/c/B/c/) (G/c/B/c/) (F/c/B/c/) (E/G/c/e/)|(d/c/B/d/) (c/A/G/E/) TD2 {CD} C|]


X:2 T:The Braes of Auchtertyre S:Petrie's Second Collection of Strathspey Reels and Country Dances &c. Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/11/04 N:Petrie's Second Collection, page 24 % Gore's Index gives earliest publication as Joshua Campbell's % "Coll. Of Newest & Best Reels & Minuets..." Glasgow 1788 L:1/8 M:C R:Reel K:C C3D (EGGA)|cded cAGc|A/A/A (AG) A2a2 | gcfe Td2c2 | C2 (CD) (EGGA)|cded cAGc|AcGc FcEc | d/c/B/A/ cE D2C2 || efga gecg |afdg edcG|A/A/A ag a2{ab}c'2| ecfe Td2c2 | efga gecg |(a/g/f/e/ d)g edcG|AcGc FcEc |(d/c/B/A/) cE TD2 C2|]


X:3 T:Braes of Auchintyre (Old Scotch) M:C L:1/8 Q:"Allegro" R:Reel B:Thomas Wilson - Companion to the Ball Room (1816, p. 49) Z:AK/Fiddler's Companion K:C C3D EGGA|c>ded cAGc|A/A/A AG A2a2|ecge d2c2| C3D EGGA|c>ded cBAG|AcGA FGEG|A/G/A/B/ cE D2C2|| efga gecg|afdf edcG|A/A/A AG A2a2|ecge d2c2| e>fga gecg|afdf e>dcG|AcGA FGEG|A/G/A/B/ cE D2 C2|]


X:4 T:Braes of Auchtertyre [1] (The) M:C| L:1/8 S:Mackie Collection (Aberdeen, early 19th cent.) Z:AK/Fiddler’s Companion K:D D3F A/A/A AB|d>efe dBAd|B/B/B BA B2b2|a>da>f !trill!e2d2| D3F A/A/A AB|d>efe dBAd|B>d A>d GdFd|(f/e/)(d/c/) dF !trill!E2D:| |:g|f>ga>b a>fd>a|b>ge>g fed A|B/B/B b>a b2d'2|a>da>f !trill!e3d| f>ga>b a>fd>a|b>ge>g f>ed>A|B>d A>d G>d F>d|(f/e/)(d/c/) dF E2 D:||


X:1 T:Braes of Auchtertyre [1], The M:C L:1/8 B: Joseph Lowe - Lowe's Collection of Reels, Strathspeys and Jigs, B:book 3 (1844–1845, p. 11) Z:AK/Fiddler’s Companion K:C E|C2- CF EGGA|(cd).e.d (CA).G.c|A/A/A (AG) A2a2|gcfe {e}d2c2| C2-CF EGGA|cded cAGc|AcGc FcEc|(d/c/B/A/) c[CE] [B,2D2] C|| f|(ef)ga (ge)cg|afdg edcG|A/A/A (ag) a2 {ab}c'2|ecfe d2 cf| efga gecg|(a/g/f/e/) dg edcG|AcGc FcEc|(d/c/B/A/) cE [B,2D2]C||


X:1 T:Braes o' Auchtertyre [1], The M:C L:1/8 R:Strathspey B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 1) Z:AK/Fiddler’s Companion K:C E|C2 (C>F) E<GG>A|c>d(e>d) (c>A)G<c|A/A/A (A>G) A2a2|g<c{g}f>e {e}d2c2| C2 (C>F) (E<G)(G>A)|c>d(e>d) (c>A)Gc|A<c(G>c) (F>c)(E<c)|d/c/B/A/ c<E {E}(D2C)|| f|e>f(g>a) (g>e)c>g|A/g/f/e/ (d>f) (e>d)cG|A/A/A (a>g) a2c'2|e<c{g}f>e {e}d2 (c>f)| e>f(g>a) (g>e)c>g|a/g/f/e/ (d<f) e>dcG|(A>c)(G>c) (F>c)(E>c)|d/c/B/A/ c<E {E}(D2C)|]


X:5 T:Braes of Auchtertyre [1] M:C| L:1/8 R:Reel B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:C G,|C2CF EGGA|cded cAGc|A/A/A AG A2a2|gcfe d2c2| C2CF EGGA|cded cAGc|AcGc FcEc|dBcE D2C|| f|efga gecg|afeg edcG|A/A/A ag a2 c'2|ecfe d2 cf| efga gecg|afdg edcA|AcGc FcEc|dBcE D2C|]


Braes of Auchtertyre (1): Annotations

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