Cold Frosty Morning (2): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Cold Frosty Morning (2)
|f_tune_title=Cold Frosty Morning (2)
|f_aka=Chami Ma Chattle, Cold Frostie Morning, I Am Asleep and Don't Waken Me (2), Past One O'clock
|f_aka=Chami Ma Chattle, Cold Frostie Morning, I Am Asleep and Don't Waken Me (2), Jeanie's Black E'e, Past One O'Clock,
|f_country=Scotland
|f_country=Scotland
|f_genre=Scottish
|f_genre=Scottish
Line 10: Line 10:
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AAB
|f_structure=AAB
|f_book_title=Complete Repository Part 2
|f_book_title=Caledonian Pocket Companion Book 4
|f_collector=Niel & Nathaniel Gow,
|f_collector=James Oswald
|f_year=1802
|f_year=1760
|f_page=p. 4
|f_page=p. 16
|f_theme_code_index=5L11 111
|f_theme_code_index=5L11 111
|f_score=1
}}
}}
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'''COLD FROSTY MORNING [2], A'''. AKA and see "I am asleep and don't waken me [2]," "Past one o'clock." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s '''Apollo’s Banquet''', 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera Flora (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's '''Caledonian Pocket Companion''', vol. 4 (1760, p. 16) and Francis Peacock's '''Fifty Scotch Airs''' (Aberdeen, 1762). An American musician, Andrew Wilson, included it in his 1782 commonplace book entitled "Brose and Butter" [Library of Congress].
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
''Printed sources:'' Carlin ('''The Gow Collection'''), 1986; No. 588. Gow ('''Complete Repository'''), Part 2, 1802; p. 4.
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image=TUC-160x120.png
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<pre>
X:1
T:Cold frostie morning [2]
M:3/4
L:1/8
R:Air
B:James Oswald – Caledonian Pocket Companion, vol. 4 (1760, p. 16)
Z:AK/Fiddler’s Companion
K:G
D2|(DE) G2G2|G3A G2|A2 (cB)(AG)|TE4 D2|(DE)G2A2|
B2d2 (e/f/g)|TA3G (AB)|G4 (AB)|c2 (dc)(BA)|B2 (cB)(AG)|
(AB) (dB) (AG)|TE4 D2|E2G2A2|B2d2 (e/f/g)|TA3G (AB)|G4:|
|:de|=f3a Tg>f|{f}Te4 d2|d2e2ga|Tg2e2d2|(=fe)fagf|
(ed)(Bd)(eg)|deBdAB|GAGE D2|(DE)G2A2|B2 (ge) (dB)|
TA3G (AB)|G4:||:D2|(DE) G2 (AB)|(AG) G2 (AB)|(d<B) (A<G) (A<B)|
TE4 D2|DE G2AB|(g<e)(d<B) (A<G)|D2 (d<B) (A>B)|G4 (AB)|
c2 (d/c/d/e/) (ge/d/)|Bg (d<B) T(A>G)|(A/G/A/B/) dB (A/G/A/B/)|
TE4 D2|DE G2A2|(B/d/e/f/) gdBG|D3B (A/G/A/B/) G4:|
|:(de)|=fF f a2 (g/f/)|Te3 (d/e/) (g/e/d/B/)|d2 b2 a/(g/a/b/)|Tg2 T(e/d/e/g/) d2|
T(=f/e/f/g/ Tf/e/f/g/ Tf/a/g/f)|T(e/d/e/g/ Te/d/e/g/ Te/d/e/g/)|(d/e/g/e/) (d/e/d/B/) (d/B/A/B/)|
L:1/16
G4 T(E3D/E/) D4|\
L:1/8
=f2 (a/g/f) (a/g/f)|(g<e) e2 (a/g/e)|(d>e) (g/e/d/B/) (d/B/A/B/)|
G2TE2D2|(DE) G2A2|(B/d/e/f/) (g/f/e/d/) (c/B/A/G/)|TA3G (AB)|G4:|]
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X:1
X:1
T:A Cold Frosty Morning [2]
T:A Cold Frosty Morning [2]
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(F2D2) C2|(_ed)egfe|(dc)(Ac)(df)|~c>d cAGA|(
(F2D2) C2|(_ed)egfe|(dc)(Ac)(df)|~c>d cAGA|(
F2D2)C2|C>D F2~F2|A>Bc2f2|F2 FGA|F4||
F2D2)C2|C>D F2~F2|A>Bc2f2|F2 FGA|F4||
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Latest revision as of 17:54, 17 August 2021


Cold Frosty Morning (2)  Click on the tune title to see or modify Cold Frosty Morning (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cold Frosty Morning (2)
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 Theme code Index    5L11 111
 Also known as    Chami Ma Chattle, Cold Frostie Morning, I Am Asleep and Don't Waken Me (2), Jeanie's Black E'e, Past One O'Clock
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Waltz/Valse/Vals
 Key/Tonic of    F
 Accidental    1 flat
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AAB
 Editor/Compiler    Biography:James Oswald
 Book/Manuscript title    Book:Caledonian Pocket Companion Book 4
 Tune and/or Page number    p. 16
 Year of publication/Date of MS    1760
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Cold Frosty Morning (2): Annotations

X:1 T:Cold frostie morning [2] M:3/4 L:1/8 R:Air B:James Oswald – Caledonian Pocket Companion, vol. 4 (1760, p. 16) Z:AK/Fiddler’s Companion K:G D2|(DE) G2G2|G3A G2|A2 (cB)(AG)|TE4 D2|(DE)G2A2| B2d2 (e/f/g)|TA3G (AB)|G4 (AB)|c2 (dc)(BA)|B2 (cB)(AG)| (AB) (dB) (AG)|TE4 D2|E2G2A2|B2d2 (e/f/g)|TA3G (AB)|G4:| |:de|=f3a Tg>f|{f}Te4 d2|d2e2ga|Tg2e2d2|(=fe)fagf| (ed)(Bd)(eg)|deBdAB|GAGE D2|(DE)G2A2|B2 (ge) (dB)| TA3G (AB)|G4:||:D2|(DE) G2 (AB)|(AG) G2 (AB)|(d<B) (A<G) (A<B)| TE4 D2|DE G2AB|(g<e)(d<B) (A<G)|D2 (d<B) (A>B)|G4 (AB)| c2 (d/c/d/e/) (ge/d/)|Bg (d<B) T(A>G)|(A/G/A/B/) dB (A/G/A/B/)| TE4 D2|DE G2A2|(B/d/e/f/) gdBG|D3B (A/G/A/B/) G4:| |:(de)|=fF f a2 (g/f/)|Te3 (d/e/) (g/e/d/B/)|d2 b2 a/(g/a/b/)|Tg2 T(e/d/e/g/) d2| T(=f/e/f/g/ Tf/e/f/g/ Tf/a/g/f)|T(e/d/e/g/ Te/d/e/g/ Te/d/e/g/)|(d/e/g/e/) (d/e/d/B/) (d/B/A/B/)| L:1/16 G4 T(E3D/E/) D4|\ L:1/8 =f2 (a/g/f) (a/g/f)|(g<e) e2 (a/g/e)|(d>e) (g/e/d/B/) (d/B/A/B/)| G2TE2D2|(DE) G2A2|(B/d/e/f/) (g/f/e/d/) (c/B/A/G/)|TA3G (AB)|G4:|]


X:1 T:A Cold Frosty Morning [2] M:3/4 L:1/8 R:Air S:Gow - 2nd Repository (1802) Z:AK/Fiddler's Companion K:F C2|C>D F2F2|~F4 F2|(GA)(BA)(GF)|{E}D4 C2| ~C>D F2~F2|AB c2f2|{A}G3 FGA|F4:| cd|~_e3 gfe|{e}d4c2|c2d2 fg|(f2d2) c>d| (_ed)(eg)(fe)|d4 (d=e/f/)|c>dcA (GA)| (F2D2) C2|(_ed)egfe|(dc)(Ac)(df)|~c>d cAGA|( F2D2)C2|C>D F2~F2|A>Bc2f2|F2 FGA|F4||


Cold Frosty Morning (2): Annotations

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