Annotation:Tuar Mór Polka (1) (The): Difference between revisions
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|f_annotation='''TUAR MÓR POLKA [1], THE.''' AKA and see “[[Gullane Polka (3)]], “[[Tony Lowe's Polka (2)]],” “[[Toormore Polka (2)]],” “[[Tournmore Polka]],” “[[Wallace's Cross]].” Irish, Polka (2/4 time). Ireland, Sliabh Luachra region of the Cork-Kerry border. D Major. Standard tuning (fiddle). AABB. This polka, along with | |f_annotation='''TUAR MÓR POLKA [1], THE.''' AKA and see “[[Gullane Polka (3)]], “[[Tony Lowe's Polka (2)]],” “[[Toormore Polka (2)]],” “[[Tournmore Polka]],” “[[Wallace's Cross]].” Irish, Polka (2/4 time). Ireland, Sliabh Luachra region of the Cork-Kerry border. D Major. Standard tuning (fiddle). AABB. This polka, along with "[[Tuar Mór Polka (2) (The)]]," was collectively known as the “Tuar Mór Polkas” by [[wikipedia:Johnny O'Leary]], an accordion player from Sliabh Luachra, who learned them from his contemporary, Jack Sweeney. Tuar Mór (pronounced 'Toormore') is a village in west County Kerry, not far from Killarney. An 'A' Mixolydian tonality is suggested in the first part up until the cadence on D Major, while the ‘B’ part is solidly in D. “[[Wallace's Cross]]” is a related tune, as is an untitled polka in Breathnach's '''Ceol Rince na hÉirreann vol. II '''(1976; No. 123). | ||
|f_source_for_notated_version=accordion player Johnny O’Leary (Sliabh Luachra region), recorded in recital at Na Píobairí Uilleann, February, 1981 [Moylan]. | |f_source_for_notated_version=accordion player Johnny O’Leary (Sliabh Luachra region), recorded in recital at Na Píobairí Uilleann, February, 1981 [Moylan]. | ||
|f_printed_sources=Bulmer & Sharpley ('''Music from Ireland, vol. 4'''), 1976; 72. '''Ceol''', vol. 5, No. 1 (appears as “Back of the Haggard”). Mallinson ('''100 Polkas'''), 1997; No. 73, p. 28. Moylan ('''Johnny O'Leary of Sliabh Luachra'''), 1994; No. 87, p. 49. | |f_printed_sources=Bulmer & Sharpley ('''Music from Ireland, vol. 4'''), 1976; 72. '''Ceol''', vol. 5, No. 1 (appears as “Back of the Haggard”). Mallinson ('''100 Polkas'''), 1997; No. 73, p. 28. Moylan ('''Johnny O'Leary of Sliabh Luachra'''), 1994; No. 87, p. 49. |
Latest revision as of 02:57, 12 November 2021
X: 1 T:Tuar Mor #1, The T:Gullane Polka, The T:Wallace's Cross R:polka Z:id:hn-polka-71 M:2/4 L:1/8 F:http://sessionite.com/docs/5574.abc K:D ef/e/ dB|BA B/c/d|ef/e/ dB|BA A2| ef/e/ dB|BA B/c/d|af/a/ gc|1 ed d2:|2 ed de|| |:f>e fA|B/c/d ef|g>f ga|ba f/g/a| f>e fA|B/c/d ef|af/a/ gc|1 ed de:|2 ed d2||
TUAR MÓR POLKA [1], THE. AKA and see “Gullane Polka (3), “Tony Lowe's Polka (2),” “Toormore Polka (2),” “Tournmore Polka,” “Wallace's Cross.” Irish, Polka (2/4 time). Ireland, Sliabh Luachra region of the Cork-Kerry border. D Major. Standard tuning (fiddle). AABB. This polka, along with "Tuar Mór Polka (2) (The)," was collectively known as the “Tuar Mór Polkas” by wikipedia:Johnny O'Leary, an accordion player from Sliabh Luachra, who learned them from his contemporary, Jack Sweeney. Tuar Mór (pronounced 'Toormore') is a village in west County Kerry, not far from Killarney. An 'A' Mixolydian tonality is suggested in the first part up until the cadence on D Major, while the ‘B’ part is solidly in D. “Wallace's Cross” is a related tune, as is an untitled polka in Breathnach's Ceol Rince na hÉirreann vol. II (1976; No. 123).