Annotation:Lost Girl (3): Difference between revisions
No edit summary |
No edit summary |
||
| (One intermediate revision by the same user not shown) | |||
| Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''LOST GIRL [3].''' American, Reel (cut or whole time). G Major. Standard tuning (fiddle). "Lost Girl [3]", from western North Carolina blacksmith, farmer and fiddler [[biography:Marion Reece]] (1874-1939), is musically different than the "[[Lost Girl (1)]]" associated with Kentucky fiddlers, and with "[[Lost Girl (2)]]", a cross-tuned reel with pizzicato notes played in Texas. Reece was recorded by John Lomax in 1936 for the Library of Congress, playing a number of fiddler tunes but also some tunes on the fife, an instrument played by previous members of his large extended family. | |f_annotation='''LOST GIRL [3].''' American, Reel (cut or whole time). G Major. Standard tuning (fiddle). "Lost Girl [3]", from western North Carolina blacksmith, farmer and fiddler William [[biography:Marion Reece]] (1874-1939), is musically different than the "[[Lost Girl (1)]]" associated with Kentucky fiddlers, and with "[[Lost Girl (2)]]", a cross-tuned reel with pizzicato notes played in Texas. Reece was recorded by John Lomax in 1936 for the Library of Congress, playing a number of fiddler tunes but also some tunes on the fife, an instrument played by previous members of his large extended family. | ||
|f_source_for_notated_version=Marion Reece (1874-1939, Zionville, western N.C.) [Beisswenger et al]. | |f_source_for_notated_version=Marion Reece (1874-1939, Zionville, western N.C.) [Beisswenger et al]. | ||
|f_printed_sources=Beisswenger, Andrade & Prouty ('''Appalachian Fiddle Music'''), 2021; p. 93. | |f_printed_sources=Beisswenger, Andrade & Prouty ('''Appalachian Fiddle Music'''), 2021; p. 93. | ||
Latest revision as of 02:14, 31 December 2021
X:1 T:Lost Girl [3] N:From the playing of blacksmith and fiddler William Marion Reece (1874-1939, Zionville, Watauga County, N:western N.C.) , recorded in 1936 by John Lomax for the Library of Congress. M:C| L:1/8 R:Reel Q:"Quick, but not fast" D:Library of Congress AFS 00837 A04, Marion Rees [sic] (1936). D:https://www.slippery-hill.com/content/lost-girl-3 Z:Transcribed by Andrew Kuntz K:G P:A (Bc|d2)dd d2g2| e-gd2 ((3=fge) d2|Bd-dd d2GB|A2G2G2GB| P:B |:[DA]-[DB]-[DB]B {c}B-AGB| AGEE D2[DB]B|[D3d3]d d2 GB|A2G2G2 [DA]F| G2GG AGEE|G2 GG AGEE |[M:2/4]D2 [D2B2]S||1[M:C|] [D3d3]d [D2d2] [DB]B |((3ABA)G2 G2 GB:| P:A' S[D3d3]d [D2d2]g2|egg2 ((3ege) d2|B-ddd edBB|A-BB2d3d| edg2 efgf |e2d2 B-ddd |edBB ((3ABA)G2||
LOST GIRL [3]. American, Reel (cut or whole time). G Major. Standard tuning (fiddle). "Lost Girl [3]", from western North Carolina blacksmith, farmer and fiddler William biography:Marion Reece (1874-1939), is musically different than the "Lost Girl (1)" associated with Kentucky fiddlers, and with "Lost Girl (2)", a cross-tuned reel with pizzicato notes played in Texas. Reece was recorded by John Lomax in 1936 for the Library of Congress, playing a number of fiddler tunes but also some tunes on the fife, an instrument played by previous members of his large extended family.
