Annotation:Tipperary Hills: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''TIPPERARY HILLS''' (Cnuic Tiobraid-Arainn). AKA and see "[[Andrew Carey (1)]]," "[[Andrew Carr]]," "[[Over the Hill to Tipperary]]," “[[Michael Gorman's]].” Irish, Slip Jig (9/8 time). D Major. Standard tuning (fiddle). AABB. "Tipperary Hills" is a version of the Scottish reel "[[Andrew | |f_annotation='''TIPPERARY HILLS''' (Cnuic Tiobraid-Arainn). AKA and see "[[Andrew Carey (1)]]," "[[Andrew Carr]]," "[[Over the Hill to Tipperary]]," “[[Michael Gorman's]].” Irish, Slip Jig (9/8 time). D Major. Standard tuning (fiddle). AABB. "Tipperary Hills" is a version of the Scottish reel "[[Andrew Carey (1)]]" with parts reversed. See note for "[[annotation:Andrew Cary (1)]]" for more information. | ||
|f_source_for_notated_version=John Carey [O'Neill]. | |f_source_for_notated_version="John Carey" [O'Neill]. John Carey was a native of Limerick who contributed tunes to the O'Neill collections at the start of the 20th century (see "[[Pipe on the Hob (1)]]", for example). He is not mentioned in O'Neill's '''Irish Minstrels and Musicians''' (1913), but receives recognition in '''Irish Folk Music, a Fascinating Hobby''' (1910), where O'Neill notes he was a fiddler, "long a resident of Chicago." | ||
<blockquote> | |||
''Born and grown to manhood in County Limerick and brought up in the midst of a community'' | |||
''where old ideas and customs prevailed, his memory was stored with traditional music.'' | |||
''He numbered among his relatives many pipers and fiddlers, and being quite an expert on'' | |||
''the violin himslef in his younger days before that arch-enemy of musicians--rheumatism--'' | |||
''stiffened his fingers, his settings were ideal. Gradually, from week to week, and'' | |||
''extending into years, his slumbering memory surrendered gems of melody unknown to this'' | |||
''generation, and not until within a few months of death did his contributions entirely'' | |||
''cease. Even Mrs. Carey's memory yielded up a fine reel, the "Absent-minded Woman," which'' | |||
''her husband did not play." | |||
</blockquote> | |||
|f_printed_sources=Breathnach ('''Ceol Rince na hÉireann, vol. II'''), 1976; No. 103 (appears as untitled slip jig). Bulmer & Sharpley ('''Music from Ireland, vol. 4'''); No. 88 (appears as untitled slip jig). O'Neill (Krassen), 1976; p. 83. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1148, p. 216. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 430, p. 84. '''Ryan’s Mammoth Collection''', 1883; p. 109. | |f_printed_sources=Breathnach ('''Ceol Rince na hÉireann, vol. II'''), 1976; No. 103 (appears as untitled slip jig). Bulmer & Sharpley ('''Music from Ireland, vol. 4'''); No. 88 (appears as untitled slip jig). O'Neill (Krassen), 1976; p. 83. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1148, p. 216. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 430, p. 84. '''Ryan’s Mammoth Collection''', 1883; p. 109. | ||
|f_recorded_sources=Folkways FW 6819, Michael Gorman - “Irish Jigs, Reels & Hornpipes” (1956). | |f_recorded_sources=Folkways FW 6819, Michael Gorman - “Irish Jigs, Reels & Hornpipes” (1956). | ||
|f_see_also_listing=s | |f_see_also_listing=s | ||
}} | }} | ||
Latest revision as of 01:31, 23 January 2022
X:1 T:Tipperary Hills M:9/8 L:1/8 R:Slip Jig S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 430 Z:AK/Fiddler’s Companion K:D F2A AFA AFA|G2B BGB BGB|F2A AFA ABc|d2B AFD E2D:| |:d2B AFD DFA|Bcd efg f2e|d2B AFD DFA|Bcd AFD E2D:|
TIPPERARY HILLS (Cnuic Tiobraid-Arainn). AKA and see "Andrew Carey (1)," "Andrew Carr," "Over the Hill to Tipperary," “Michael Gorman's.” Irish, Slip Jig (9/8 time). D Major. Standard tuning (fiddle). AABB. "Tipperary Hills" is a version of the Scottish reel "Andrew Carey (1)" with parts reversed. See note for "annotation:Andrew Cary (1)" for more information.
