Moll Roone: Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Moll Roone | |f_tune_title=Moll Roone | ||
|f_aka=Molly Roone, | |||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
Line 8: | Line 9: | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AAB | |f_structure=AB, AAB | ||
|f_book_title= | |f_book_title=Hannam's Irish Melodies No. 3 | ||
|f_collector= | |f_collector=H. Hannam | ||
|f_year= | |f_year=c. 1808-14 | ||
|f_page= | |f_page=p. 9 | ||
|f_theme_code_index=1341 1553 | |f_theme_code_index=1341 1553 | ||
|f_score=1 | |||
}} | }} | ||
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T:Moll Roone | T:Moll Roone | ||
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L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
B:Hannam's selection of celebrated Irish melodies (p. 9) | B:Hannam's selection of celebrated Irish melodies (c. 1808-14, p. 9) | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:G | K:G | ||
d|g2 (b>g) .c'(agf)|(gb)d'd' d'3b|(d'c') ( | d|g2 (b>g) .c'(agf)|(gb)d'd' d'3b|(d'c') (ac') (c'b) g2|.c'(agf) g2:| | ||
|:d|(d>c) (Bc) .d(gfe)|(d>c) (Bc) d3g|g2 (eg) (gf) zd|(fed^c) .d>(=c'ba)| | |:d|(d>c) (Bc) .d(gfe)|(d>c) (Bc) d3g|g2 (eg) (gf) zd|(fed^c) .d>(=c'ba)| | ||
g2 (b>g) c'(agf)|(gb)(bd') d'3b|(d'c') (ac') (c'b) g2|.c'(agf) g2:|| | g2 (b>g) c'(agf)|(gb)(bd') d'3b|(d'c') (ac') (c'b) g2|.c'(agf) g2:|| | ||
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X:1 | X:1 | ||
T:Moll Roone | T:Moll Roone | ||
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L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
B:Clinton | B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 51, p. 26) | ||
H:Irish-born Clinton was a flute teacher for the Royal Academy, London | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
D|G2 (B>G) (c>A) (G>F)|(GBd>).d d2 (B>d)|(dcA).c (cBG).B|(cA)(GF) G2 zD| | |||
G2 (B>G) (c<A) (G>F)|(GBd>).d .d2 (Bd)|(dcA).c (cBG).B|(c<A) (.G.F) G2z|| | |||
.d|(d>c).B.c (dgfe)|(d>c).B.c .d2 .g>.g|(g2 e).g (gf2) d|(fed^c) !fermata!d4 {ded^cd} {fed=cBdc>A}| | |||
G2 (B>G) (c>A) (GF)|(GBd>).d .d2 (B>d)|(dcA).c (dBG).B|(cAGF) G2z|| | |||
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X:1 | |||
T:Moll Roone | |||
M:C | |||
L:1/8 | |||
B:Thomas Moore - Irish Melodies, vol. 5 (1813) | |||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:G | K:G | ||
D|G2 | D|G2 B>G c<A GF|GB d>d d2 B>d|dcAc cBGB|cAGF G2 zD| | ||
G2 B>G cAGHF|GB d>d d2 Bd|dcAc cBGB|c<A GF G2z|| | |||
d|d>c Bc dgfe|d>c Bc d2 g>g|g2 eg gf2 d|fed^c d=cBA| | |||
G2 (B>G) ( | G2 B>G cAGF|GBd2 d2 B>d|dcAc cBGB|cAG F {F}G2|| | ||
</ | <section end=X5 /> | ||
< | <section begin=abc /> | ||
X:1 | |||
T:Moll Roone | |||
T:Farewell! but whenever you welcome the Hour | |||
M:C | |||
L:1/8 | |||
R:Air | |||
Q:"Andante con Expressivo" | |||
B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 217, p. 105) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
D|G2 (B>G) (c<A) GF|(GBd>e) d2 Bd|(dcAc) (cBGB)|(cAGF) G3D| | |||
[G,2G2] (B>G) (cAGF)|(GBd>e) d2 (Bd)|(dcAc) (cBGB)|(c<A) (GF) [B,3G3]|| | |||
d|(d>cBc) (dgfe)|(d>cBc) d2 g>g|g2 (eg) g f2d|(fed^c) (d=cBA)| | |||
[B2,G2] (B>G) (cAGF)|(GBd>e) d2 (B>d)|(dcAc) (cBGB)|(cAGF) [B,3G3]|| | |||
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X: 1 | X: 1 | ||
U: ~ = !turn! | U: ~ = !turn! | ||
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A | A>GFG AdcB | A>GFG A3 d | d2 Bd d(cc)A | cBA^G A=GFE | | A | A>GFG AdcB | A>GFG A3 d | d2 Bd d(cc)A | cBA^G A=GFE | | ||
D2 F>D GEDC | D>FAA A2 FA | AGEG GFDF | GEDC D3 |] | D2 F>D GEDC | D>FAA A2 FA | AGEG GFDF | GEDC D3 |] | ||
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__NOTITLE__ |
Latest revision as of 19:03, 3 February 2022
X:1 T:Moll Roone M:C L:1/8 R:Air B:Hannam's selection of celebrated Irish melodies (c. 1808-14, p. 9) Z:AK/Fiddler's Companion K:G d|g2 (b>g) .c'(agf)|(gb)d'd' d'3b|(d'c') (ac') (c'b) g2|.c'(agf) g2:| |:d|(d>c) (Bc) .d(gfe)|(d>c) (Bc) d3g|g2 (eg) (gf) zd|(fed^c) .d>(=c'ba)| g2 (b>g) c'(agf)|(gb)(bd') d'3b|(d'c') (ac') (c'b) g2|.c'(agf) g2:||
X:1
T:Moll Roone
M:C
L:1/8
R:Air
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 51, p. 26)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:G
D|G2 (B>G) (c>A) (G>F)|(GBd>).d d2 (B>d)|(dcA).c (cBG).B|(cA)(GF) G2 zD|
G2 (B>G) (c<A) (G>F)|(GBd>).d .d2 (Bd)|(dcA).c (cBG).B|(c<A) (.G.F) G2z||
.d|(d>c).B.c (dgfe)|(d>c).B.c .d2 .g>.g|(g2 e).g (gf2) d|(fed^c) !fermata!d4 {ded^cd} {fed=cBdc>A}|
G2 (B>G) (c>A) (GF)|(GBd>).d .d2 (B>d)|(dcA).c (dBG).B|(cAGF) G2z||
X:1
T:Moll Roone
M:C
L:1/8
B:Thomas Moore - Irish Melodies, vol. 5 (1813)
Z:AK/Fiddler's Companion
K:G
D|G2 B>G c<A GF|GB d>d d2 B>d|dcAc cBGB|cAGF G2 zD|
G2 B>G cAGHF|GB d>d d2 Bd|dcAc cBGB|c<A GF G2z||
d|d>c Bc dgfe|d>c Bc d2 g>g|g2 eg gf2 d|fed^c d=cBA|
G2 B>G cAGF|GBd2 d2 B>d|dcAc cBGB|cAG F {F}G2||
X:1
T:Moll Roone
T:Farewell! but whenever you welcome the Hour
M:C
L:1/8
R:Air
Q:"Andante con Expressivo"
B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 217, p. 105)
Z:AK/Fiddler’s Companion
K:G
D|G2 (B>G) (c<A) GF|(GBd>e) d2 Bd|(dcAc) (cBGB)|(cAGF) G3D|
[G,2G2] (B>G) (cAGF)|(GBd>e) d2 (Bd)|(dcAc) (cBGB)|(c<A) (GF) [B,3G3]||
d|(d>cBc) (dgfe)|(d>cBc) d2 g>g|g2 (eg) g f2d|(fed^c) (d=cBA)|
[B2,G2] (B>G) (cAGF)|(GBd>e) d2 (B>d)|(dcAc) (cBGB)|(cAGF) [B,3G3]||
X: 1
U: ~ = !turn!
%%topmargin 3cm
T:Moll Roone
B:Traditional Irish Fiddle Tunes. Randy Miller and Jack Perron.
Z:Transcribed by Ralph Palmer
S:Mary O'Hara
R:Reel
L:1/8
M:C|
F:http://jc.tzo.net/~jc/music/book/Perron-Miller/Moll_Roone_1.abc
K:D
A, | D2 F>D GEDC | D>FAA A2 FA | AGEG GFD>F | GEDC D3 ::
A | A>GFG AdcB | A>GFG A3 d | d2 Bd d(cc)A | cBA^G A=GFE |
D2 F>D GEDC | D>FAA A2 FA | AGEG GFDF | GEDC D3 |]