Dear Black Maid (The): Difference between revisions

Latest revision as of 03:09, 23 February 2022

Dear Black Maid (The) Click on the tune title to see or modify Dear Black Maid (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Dear Black Maid (The) Query the Archive
Theme code Index	355 551
Also known as	Banshee's Cry (The), How oft has the benshee cried
Composer/Core Source
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	B
Accidental	2 flats
Mode	Ionian (Major)
Time signature	3/4
History
Structure	One part
Editor/Compiler	Biography:Edward Bunting
Book/Manuscript title	Book:General Collection of the Ancient Irish Music
Tune and/or Page number	No. 40, p. 22
Year of publication/Date of MS	1796
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score (1)

Dear Black Maid (The): Annotations

X:1 T:Dear Black Maid, The M:3/4 L:1/8 R:Air Q:"Andante affetuoso" B:Bunting - Ancient Irish Music (1796, No. 40, p. 22) Z:AK/Fiddler's Companion K:G G|B2d2 de|d2 (B/A/G) G2|B2d2 d/e/=f|(e>d B2) d/e/f| g3a g2|=f2 e2 ed|B2 BA G2|A2 {A}G/E/D !fermata!DD/E/| G2 GABG|{B}AGABcA|{A}TG>FGABG|(cA)(BG)(AE)| G2 GA~BG|~B2 d2 !fermata!g>f|ed~cB~AG|{B}TA2 G2 !fermata![B,DG]:|]

X:1 T:Dear Black Maid, The M:3/4 L:1/8 R:Air Q:"Slow & with solemnity" B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 71, p. 36) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:Bb .B|(d2f2) (f{a}g)|(f3d) .B2|(d2f2) (f/g/_a)|(g3f d2)| (b2c'2b2)|(a3g) (gf)|(d3c).B2|(c3A).F2| .B2 (B>c) (dB)|(c>B c).c(ec)|(B>A) (Bc).d.B|(ec)(dB)(cG)| .B2 (BcdB)|d2f2 {gf=ef} !fermata!(b>a)|(gf)(ed)(cB)|(d3c) !fermata!B||

X:1 T:Dear Black Maid, The M:3/4 L:1/8 R:Air Q:"Andante Affetuoso" B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 171, p. 78) Z:AK/Fiddler’s Companion K:G G|B2d2 de|d2 (B/A/G) G2|B2d2 d/e/=f|(e>d B2) d/e/f| g3a g2|=f2 [c2e2] ed|B2 BA G2|A2 {A}G/E/D !fermata!DD/E/|G2 GABG| {B}AGABcA|{A}TG>FGABG|(cG)(BG)(AE)|G2 G~ABG| ~B2 d2 !fermata!g>f|ed~cB~AG|{B}TA2G2!fermata![B,G]:|]

Dear Black Maid (The): Annotations

@@ Line 1: / Line 1: @@
 {{Abctune
 |f_tune_title=Dear Black Maid (The)
-|f_aka=How oft has the benshee cried,
+|f_aka=Banshee's Cry (The), How oft has the benshee cried,
 |f_country=Ireland
 |f_genre=Irish
@@ Line 10: / Line 10: @@
 |f_mode=Ionian (Major)
 |f_structure=One part
-|f_book_title=Ancient Irish Music
+|f_book_title=General Collection of the Ancient Irish Music
 |f_collector=Edward Bunting
 |f_year=1796
+|f_page=No. 40, p. 22
 |f_theme_code_index=355 551
+|f_score=1
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+T:Dear Black Maid, The
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+L:1/8
+R:Air
+Q:"Andante affetuoso"
+B:Bunting - Ancient Irish Music (1796, No. 40, p. 22)
+Z:AK/Fiddler's Companion
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+g3a g2|=f2 e2 ed|B2 BA G2|A2 {A}G/E/D !fermata!DD/E/|
+G2 GABG|{B}AGABcA|{A}TG>FGABG|(cA)(BG)(AE)|
+G2 GA~BG|~B2 d2 !fermata!g>f|ed~cB~AG|{B}TA2 G2 !fermata![B,DG]:|]
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 X:1
 T:How oft has the benshee cried
@@ Line 24: / Line 56: @@
 L:1/8
 R:Air
-N:”Larghetto”
+Q:"Larghetto"
 B:Thomas Moore - Irish Melodies (1807)
 N:From the 1897 edition, edited by Charles Villiers Stanford
@@ Line 33: / Line 65: @@
 F2 (FG) (AF)|G>F GA BG|(F>E) (FG)(AF)|BG AF GD|
 F2 (FG) (AF)|A2c2 !fermata!(f>e)|(dc)(BA) (GF)|G3F F2:|]
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 X:1
 T:Dear Black Maid, The
@@ Line 40: / Line 72: @@
 L:1/8
 R:Air
-N:”Slow & with solemnity”
+Q:"Slow & with solemnity"
 B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 71, p. 36)
 H:Irish-born Clinton was a flute teacher for the Royal Academy, London
@@ Line 49: / Line 81: @@
 .B2 (B>c) (dB)|(c>B c).c(ec)|(B>A) (Bc).d.B|(ec)(dB)(cG)|
 .B2 (BcdB)|d2f2 {gf=ef} !fermata!(b>a)|(gf)(ed)(cB)|(d3c) !fermata!B||
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+T:Dear Black Maid, The
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+M:3/4
+L:1/8
+R:Air
+Q:"Andante Affetuoso"
+B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 171, p. 78)
+Z:AK/Fiddler’s Companion
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+{B}AGABcA|{A}TG>FGABG|(cG)(BG)(AE)|G2 G~ABG|
+~B2 d2 !fermata!g>f|ed~cB~AG|{B}TA2G2!fermata![B,G]:|]
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