Waynesburgh: Difference between revisions
No edit summary |
No edit summary |
||
(7 intermediate revisions by 3 users not shown) | |||
Line 1: | Line 1: | ||
{{Abctune | {{Abctune | ||
|f_tune_title=Waynesburgh | |f_tune_title=Waynesburgh | ||
|f_aka=Waynesboro, Willow Tree (5) (The), Green Meadow (1), Over the Moor to Maggie (2), | |f_aka=Waynesboro, Willow Tree (5) (The), Green Meadow (1), Over the Moor to Maggie (2), Andrew Jackson | ||
|f_country=United States | |f_country=United States | ||
|f_genre=Old-Time | |f_genre=Old-Time | ||
Line 9: | Line 9: | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_history=USA(Upland South) | |||
|f_structure=AB, ABB, AABB | |f_structure=AB, ABB, AABB | ||
|f_book_title=Traditional American Fiddle Tunes vol. 1 | |f_book_title=Traditional American Fiddle Tunes vol. 1 | ||
Line 15: | Line 16: | ||
|f_page=p. 263 | |f_page=p. 263 | ||
|f_theme_code_index=1136 1H1H1H5 | |f_theme_code_index=1136 1H1H1H5 | ||
|f_player=Doc Roberts | |f_player=Doc Roberts | ||
|f_album=Waynesburgh | |f_album=Waynesburgh | ||
|f_label=Gennett 6257 (78 RPM) | |f_label=Gennett 6257 (78 RPM) | ||
|f_recording_date=1927 | |f_recording_date=1927 | ||
}} | }} | ||
<!-- THIS IS FOR SEARCH ENGINE OPTIMIZATION --> | |||
<!-- | <!-- ************ DON'T TOUCH ************* --> | ||
< | {{#seo: | ||
|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music | |||
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations | |||
|image=TUC-160x120.png | |||
|image_alt=Traditional universal music | |||
}} | |||
<!-- ************ PLEASE!!!!! ************* --> | |||
<font face="sans-serif" size="4"> | |||
<div class="noprint"> | |||
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) --> | |||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
</div> | |||
</font> | |||
<font face="sans-serif" size="2"> | |||
---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:Waynesboro | T:Waynesboro | ||
Line 33: | Line 47: | ||
K:G | K:G | ||
GFGA Bdef | gfga gedB | e [A3a3] abag | (3efg ab aged | efga bgag | | GFGA Bdef | gfga gedB | e [A3a3] abag | (3efg ab aged | efga bgag | | ||
fage dcBG | BGAG FGDG |1 E G2A G2 DF :|2 E G2A [D4G4] |: | fage dcBG | BGAG FGDG |1 E G2A G2 DF :|2 E G2A [D4G4] || | ||
(3DEF GA BGAB | GBeB dBAG | E [E3A3] ABAG | (3EFG AB AGEG | | |:(3DEF GA BGAB | GBeB dBAG | E [E3A3] ABAG | (3EFG AB AGEG | | ||
G,B,DF GABd | gbge dBAG | BGAG FGDG |1 E G2A [D4G4] :|2 EG2A [D2G2] DF | | G,B,DF GABd | gbge dBAG | BGAG FGDG |1 E G2A [D4G4] :|2 EG2A [D2G2] DF |] | ||
</ | <section end=abc /> | ||
< | <section begin=X3 /> | ||
X:2 | X:2 | ||
T:Waynesboro | T:Waynesboro | ||
M:C| | M:C| | ||
Line 51: | Line 64: | ||
|: B3 B A2A2 | GAGE D2D2 | E A2 A ABAG | AGAB dBAD | | |: B3 B A2A2 | GAGE D2D2 | E A2 A ABAG | AGAB dBAD | | ||
B3B A2A2 |GAGE D2D2 | EG2G GAGE |1 DB,A,B, G,2A2 :|2 DB,A,B, G,2 z2 || | B3B A2A2 |GAGE D2D2 | EG2G GAGE |1 DB,A,B, G,2A2 :|2 DB,A,B, G,2 z2 || | ||
</ | <section end=X3 /> | ||
---- | <section begin=X6 /> | ||
=[[ANNOTATION:{{PAGENAME}}| | X:1 | ||
T:Waynesboro | |||
< | M:C | ||
L:1/4 | |||
R:Reel | |||
K:G | |||
N:From the playing of Bruce Molsky, | |||
N:Mark Simos and the | |||
N:Berklee Old-Time Ensemble | |||
N:on YouTube 2014 | |||
N:Bruce Molsky explains why he plays a third part:- | |||
N:”Years ago I met Mairéad Ní Mhaonaigh for the first time at a | |||
N:party in Minneapolis when she was on a tour with Altan. | |||
N:She coaxed me into the session (I don’t really play Irish music), | |||
N:and she pulled out Over the Moor to Maggie, 2/3 of which I recognized. | |||
N:Learned the third part there, and I’ve been playing it ever since.” | |||
D:https://www.youtube.com/watch?v= | |||
Z: Transcribed by Jan Howard 2021 | |||
z2zG/E/|:"G"D/E/G/A/ B/c/d | e/d/g/d/ e/d/B/G/ |"Am" (A2 A/)B/A/G/ |E/AB/ AG/E/ | | |||
"G" D/E/G/A/ B/d/e/^f/ | "C" g g e/d/B/G/ |"D7" D/^F/G/A/ B/G/A/G/ |"G" [1 E/GG/ G/z/G/E/ :|"G" [2E/GG/ G/z/g/a/ || | |||
|: "G" bb aa | "G" g/a/g/e/ dB | "Am" a3/a/ a/b/a/g/ | e/ab/ ag/a/ | | |||
"G" bb aa | "C" g/a/g/e/ d/B/A/G/| "D7" D/^F/G/A/ B/G/A/G/ | "G" [1 E/GG/ G/z/g/a/ :|"G" [2 E/GG/ G/z/c/d/ || | |||
|:"C" e2 d2 | c/d/c/A/ B/G/A/G/ |"Am" E/AG/ A/B/A/G/ | E/G/A/B/ A/B/c/d/ | "C" ee dd | | |||
c/d/c/A/ B/G/A/G/| "C"E/^F/G/A/ "D7" B/G/A/G/ |"G" [1 E/GG/ G/z/c/d/ :|"G" [2 E/G^F/ G2 || | |||
<section end=X6 /> | |||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | |||
<section begin=X1 /> | |||
<section end=X1 /> | |||
</font> | |||
<font face="sans-serif" size="4"> | |||
<div class="noprint"> | |||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
</div> | |||
</font> | |||
__NOTITLE__ |
Latest revision as of 18:40, 28 February 2022
X:1 T:Waynesboro M:C| L:1/8 R:Breakdown K:G GFGA Bdef | gfga gedB | e [A3a3] abag | (3efg ab aged | efga bgag | fage dcBG | BGAG FGDG |1 E G2A G2 DF :|2 E G2A [D4G4] || |:(3DEF GA BGAB | GBeB dBAG | E [E3A3] ABAG | (3EFG AB AGEG | G,B,DF GABd | gbge dBAG | BGAG FGDG |1 E G2A [D4G4] :|2 EG2A [D2G2] DF |]
X:2
T:Waynesboro
M:C|
L:1/8
R:Reel
S:Simon Mayor
N:From a transcription by John Lamancusa, by permission. See http://www.mne.psu.edu/lamancusa/tunes.htm
K:G
d2 |: GFGA BABc | d g2e dBAG | E A2 A ABAG | AGAB dBAD |
GFGA BABc |dg2e dBAG | E G2 G GAGE |1 DB,A,B, G,2D2 :|2 DB,A,B, G,2A2 ||
|: B3 B A2A2 | GAGE D2D2 | E A2 A ABAG | AGAB dBAD |
B3B A2A2 |GAGE D2D2 | EG2G GAGE |1 DB,A,B, G,2A2 :|2 DB,A,B, G,2 z2 ||
X:1
T:Waynesboro
M:C
L:1/4
R:Reel
K:G
N:From the playing of Bruce Molsky,
N:Mark Simos and the
N:Berklee Old-Time Ensemble
N:on YouTube 2014
N:Bruce Molsky explains why he plays a third part:-
N:”Years ago I met Mairéad Ní Mhaonaigh for the first time at a
N:party in Minneapolis when she was on a tour with Altan.
N:She coaxed me into the session (I don’t really play Irish music),
N:and she pulled out Over the Moor to Maggie, 2/3 of which I recognized.
N:Learned the third part there, and I’ve been playing it ever since.”
D:https://www.youtube.com/watch?v=
Z: Transcribed by Jan Howard 2021
z2zG/E/|:"G"D/E/G/A/ B/c/d | e/d/g/d/ e/d/B/G/ |"Am" (A2 A/)B/A/G/ |E/AB/ AG/E/ |
"G" D/E/G/A/ B/d/e/^f/ | "C" g g e/d/B/G/ |"D7" D/^F/G/A/ B/G/A/G/ |"G" [1 E/GG/ G/z/G/E/ :|"G" [2E/GG/ G/z/g/a/ ||
|: "G" bb aa | "G" g/a/g/e/ dB | "Am" a3/a/ a/b/a/g/ | e/ab/ ag/a/ |
"G" bb aa | "C" g/a/g/e/ d/B/A/G/| "D7" D/^F/G/A/ B/G/A/G/ | "G" [1 E/GG/ G/z/g/a/ :|"G" [2 E/GG/ G/z/c/d/ ||
|:"C" e2 d2 | c/d/c/A/ B/G/A/G/ |"Am" E/AG/ A/B/A/G/ | E/G/A/B/ A/B/c/d/ | "C" ee dd |
c/d/c/A/ B/G/A/G/| "C"E/^F/G/A/ "D7" B/G/A/G/ |"G" [1 E/GG/ G/z/c/d/ :|"G" [2 E/G^F/ G2 ||