Waynesburgh: Difference between revisions

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|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=USA(Upland South)
|f_structure=AB, ABB, AABB
|f_structure=AB, ABB, AABB
|f_book_title=Traditional American Fiddle Tunes vol. 1
|f_book_title=Traditional American Fiddle Tunes vol. 1
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|f_page=p. 263
|f_page=p. 263
|f_theme_code_index=1136 1H1H1H5
|f_theme_code_index=1136 1H1H1H5
|f_player=Doc Roberts,
|f_player=Doc Roberts
|f_album=Waynesburgh,
|f_album=Waynesburgh
|f_label=Gennett 6257 (78 RPM),
|f_label=Gennett 6257 (78 RPM)
|f_recording_date=1927
|f_recording_date=1927
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
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K:G
K:G
GFGA Bdef | gfga gedB | e [A3a3] abag | (3efg ab aged | efga bgag |
GFGA Bdef | gfga gedB | e [A3a3] abag | (3efg ab aged | efga bgag |
fage dcBG | BGAG FGDG |1 E G2A G2 DF :|2 E G2A [D4G4] |:
fage dcBG | BGAG FGDG |1 E G2A G2 DF :|2 E G2A [D4G4] ||
(3DEF GA BGAB | GBeB dBAG | E [E3A3] ABAG | (3EFG AB AGEG |
|:(3DEF GA BGAB | GBeB dBAG | E [E3A3] ABAG | (3EFG AB AGEG |
G,B,DF GABd | gbge dBAG | BGAG FGDG |1 E G2A [D4G4] :|2 EG2A [D2G2] DF ||
G,B,DF GABd | gbge dBAG | BGAG FGDG |1 E G2A [D4G4] :|2 EG2A [D2G2] DF |]
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|: B3 B A2A2 | GAGE D2D2 | E A2 A ABAG | AGAB dBAD |  
|: B3 B A2A2 | GAGE D2D2 | E A2 A ABAG | AGAB dBAD |  
B3B A2A2 |GAGE D2D2 | EG2G GAGE |1 DB,A,B, G,2A2 :|2 DB,A,B, G,2 z2 ||
B3B A2A2 |GAGE D2D2 | EG2G GAGE |1 DB,A,B, G,2A2 :|2 DB,A,B, G,2 z2 ||
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X:1
 
T:Waynesboro
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M:C
L:1/4
R:Reel
K:G
N:From the playing of Bruce Molsky,
N:Mark Simos and the
N:Berklee Old-Time Ensemble
N:on YouTube 2014
N:Bruce Molsky explains why he plays a third part:-
N:”Years ago I met Mairéad Ní Mhaonaigh for the first time at a
N:party in Minneapolis when she was on a tour with Altan.
N:She coaxed me into the session (I don’t really play Irish music),
N:and she pulled out Over the Moor to Maggie, 2/3 of which I recognized.
N:Learned the third part there, and I’ve been playing it ever since.”
D:https://www.youtube.com/watch?v=
Z: Transcribed by Jan Howard 2021
z2zG/E/|:"G"D/E/G/A/ B/c/d | e/d/g/d/ e/d/B/G/ |"Am" (A2 A/)B/A/G/ |E/AB/ AG/E/ |
"G" D/E/G/A/ B/d/e/^f/ | "C" g g e/d/B/G/ |"D7" D/^F/G/A/ B/G/A/G/ |"G" [1 E/GG/ G/z/G/E/ :|"G" [2E/GG/ G/z/g/a/ ||
|: "G" bb aa | "G" g/a/g/e/ dB | "Am" a3/a/ a/b/a/g/ | e/ab/ ag/a/ |
"G" bb aa | "C" g/a/g/e/ d/B/A/G/| "D7" D/^F/G/A/ B/G/A/G/ | "G" [1 E/GG/ G/z/g/a/ :|"G" [2 E/GG/ G/z/c/d/ ||
|:"C" e2 d2 | c/d/c/A/ B/G/A/G/ |"Am" E/AG/ A/B/A/G/ | E/G/A/B/ A/B/c/d/ | "C" ee dd |
c/d/c/A/ B/G/A/G/| "C"E/^F/G/A/ "D7" B/G/A/G/ |"G" [1 E/GG/ G/z/c/d/ :|"G" [2 E/G^F/ G2 ||
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__NOTITLE__

Latest revision as of 18:40, 28 February 2022


Waynesburgh  Click on the tune title to see or modify Waynesburgh's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Waynesburgh
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 Theme code Index    1136 1H1H1H5
 Also known as    Waynesboro, Willow Tree (5) (The), Green Meadow (1), Over the Moor to Maggie (2), Andrew Jackson
 Composer/Core Source    
 Region    United States
 Genre/Style    Old-Time
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/2
 History    USA(Upland South)
 Structure    AB, ABB, AABB
 Editor/Compiler    Biography:Stacy Phillips
 Book/Manuscript title    Book:Traditional American Fiddle Tunes vol. 1
 Tune and/or Page number    p. 263
 Year of publication/Date of MS    1994
 Artist    Doc Roberts
 Title of recording    Waynesburgh
 Record label/Catalogue nr.    Gennett 6257 (78 RPM)
 Year recorded    1927
 Media    
 Score   ()   



Waynesburgh: Annotations

X:1 T:Waynesboro M:C| L:1/8 R:Breakdown K:G GFGA Bdef | gfga gedB | e [A3a3] abag | (3efg ab aged | efga bgag | fage dcBG | BGAG FGDG |1 E G2A G2 DF :|2 E G2A [D4G4] || |:(3DEF GA BGAB | GBeB dBAG | E [E3A3] ABAG | (3EFG AB AGEG | G,B,DF GABd | gbge dBAG | BGAG FGDG |1 E G2A [D4G4] :|2 EG2A [D2G2] DF |]


X:2 T:Waynesboro M:C| L:1/8 R:Reel S:Simon Mayor N:From a transcription by John Lamancusa, by permission. See http://www.mne.psu.edu/lamancusa/tunes.htm K:G d2 |: GFGA BABc | d g2e dBAG | E A2 A ABAG | AGAB dBAD | GFGA BABc |dg2e dBAG | E G2 G GAGE |1 DB,A,B, G,2D2 :|2 DB,A,B, G,2A2 || |: B3 B A2A2 | GAGE D2D2 | E A2 A ABAG | AGAB dBAD | B3B A2A2 |GAGE D2D2 | EG2G GAGE |1 DB,A,B, G,2A2 :|2 DB,A,B, G,2 z2 ||


X:1 T:Waynesboro M:C L:1/4 R:Reel K:G N:From the playing of Bruce Molsky, N:Mark Simos and the N:Berklee Old-Time Ensemble N:on YouTube 2014 N:Bruce Molsky explains why he plays a third part:- N:”Years ago I met Mairéad Ní Mhaonaigh for the first time at a N:party in Minneapolis when she was on a tour with Altan. N:She coaxed me into the session (I don’t really play Irish music), N:and she pulled out Over the Moor to Maggie, 2/3 of which I recognized. N:Learned the third part there, and I’ve been playing it ever since.” D:https://www.youtube.com/watch?v= Z: Transcribed by Jan Howard 2021 z2zG/E/|:"G"D/E/G/A/ B/c/d | e/d/g/d/ e/d/B/G/ |"Am" (A2 A/)B/A/G/ |E/AB/ AG/E/ | "G" D/E/G/A/ B/d/e/^f/ | "C" g g e/d/B/G/ |"D7" D/^F/G/A/ B/G/A/G/ |"G" [1 E/GG/ G/z/G/E/ :|"G" [2E/GG/ G/z/g/a/ || |: "G" bb aa | "G" g/a/g/e/ dB | "Am" a3/a/ a/b/a/g/ | e/ab/ ag/a/ | "G" bb aa | "C" g/a/g/e/ d/B/A/G/| "D7" D/^F/G/A/ B/G/A/G/ | "G" [1 E/GG/ G/z/g/a/ :|"G" [2 E/GG/ G/z/c/d/ || |:"C" e2 d2 | c/d/c/A/ B/G/A/G/ |"Am" E/AG/ A/B/A/G/ | E/G/A/B/ A/B/c/d/ | "C" ee dd | c/d/c/A/ B/G/A/G/| "C"E/^F/G/A/ "D7" B/G/A/G/ |"G" [1 E/GG/ G/z/c/d/ :|"G" [2 E/G^F/ G2 ||


Waynesburgh: Annotations

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