Petronella

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X:1 T:Petronella M:C| L:1/8 K:D F2AF E2AF|D2D2D2 FA|d2cd e2d2|cd Bc A2dA| F2AF E2AF|D2D2D2 FA|d2cd e2c2|d4 d2dA:| |:F2fd A2af|ga gf ed cB|A2ec A2ge|fa fd Ad AF| D2fd A2af|ga gf ed cB|A2ec Ag ec|d2f2d2 AG:|]

X: 1 T:Petronella M:2/4 L:1/16 S:Wm Irwin, Folio MS, WI.094, c. 1850. AGG's Transcription R:Country Dance O:England A:Lake District Z:vmp.Chris Partington.2005 F:http://www.village-music-project.org.uk/abc/IRWIN.ABC K:F fc|A2(dB) G2cA|F2F2F2 A,C|F2(EF) G2(GF)|EFGE C2fc|! A2(dB) G2cA|F2F2F2 A,C|F2EF G2E2|F4-F2||! |:ec|A2af c2gb|b2bg ecBG|E2ge c2bg|a2af cfcA|! F2af cfga|b2bg dBGD|E2ge dbge|1f2a2f2:|2fagf edcB|]

X:1 T:Persian Dance, for Petronella M:2/4 L:1/8 R:Country Dance B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 36) Z:AK/Fiddler’s Companion K:G d/c/|BB/c/ AA/B/|GGG (A/B/)|{d}c/B/c/d/ e/d/c/B/|AAA d/c/| BB/c/ AA/B/|GGG (A/B/)|c/B/A/G/ F/G/A/B/|GGG:| (B/c/)|d(g/f/) e/d/c/B/|d/c/B/c/ A(B/c/)|d(g/f/) e/d/c/B/|AAA (B/c/)| d(g/f/) e/d/c/B/|d/c/B/c/ Ac|B/d/c/B/ A/c/B/A/|GGG|| (B/c/)|dddg|ddd B/c/|dd e/d/c/B/|AAA (B/c/)| dddg|dddc|B/d/c/B/ A/c/B/A/|G/g/f/e/ d/c/B/A/||

X:2 T:Petronella M:2/4 L:1/8 R:Country Dances B:Stewart-Robertson – The Athole Collection (1884) K:F fc|Ac/A/ Gc/A/|FFF A,/C/|FB,/D/ GF|EG/E/ Cf/c/| Ac/A/ Gc/A/|FFF A,/C/|FB,/D/ GE|F2F:| |:fc|Aa/f/ ca/f/|bb/g/ e/c/B/G/|Eg/e/ cb/g/|aa/f/ c/f/c/A/| Fa/f/ ca/f/|bb/g/ e/c/B/G/|Eg/e/ c/b/g/e/|fff:|]

X:1 T:Dance M:C L:1/8 B:Galwey – Old Irish Croonauns (1910, No. 17, p. 6) N:Ulster compiler Honoria Galwey learned the unnamed tune from N:“an old lady who played it in the (eighteen)forties.” Z:AK/Fiddler’s Companion K:F cB|A2 BA G2 AG|F2F2F2 GA|BABc dcBA|G2G2G2 cB|] AcBA GBAG|F2F2F2 GA|BAGF ECDE|F6:| |:AB|c2c2c3f|c2c2 c3f|c2c2 dcBA|cBAB G2 AB| c2c2c3f|c2c2c2 fe|dcBA cBAG|F6:|]

X:1 T:Petronella M:2/4 L:1/8 R:Country Dance B:Robbins Collection of 200 Jigs, Reels & Country Dances (NY, 1933, No. 140, p. 45) Z:AK/Fiddler's Companion K:G g/d/|Bd'/b/ ad'/b/|.g.g g(B/d/)|.g(c/e/) (.a.g)|fa/f/ dg/d/| Bd'/b/ ad'/b/|.g.g .g(B/d/)|.g(c/e/) .a.f|.g.g .g:| |:g/d/|Bb/g/ dd'/b/|c'c'/a/ f/d'/c'/a/|.fa/f/ dc'/a/|bb/g/ d/g/d/b/| gb/g/ dd'/b/|c'c'/a/ f/d'/c'/a/|fa/f/ d/c'/a/f/|ggg:|]

X:3 T:untitled Donegal tune T:Petronella S:Maire/ead ni/ Mhaonaigh N:also played in key of G in octaves M:4/4 L:1/8 Z:Paul de Grae K:D F2 AF E2 FE|D2 D2 D2 FA|d2 cd e2 d2|cdec ABAG| F2 AF E2 FE|D2 D2 D2 FA|d2 cd e2 de|1f2 d2 d2 A2:|2f2 d2 d2 B2|| |:Adfd Adfd|g2 gf edcB|Acec Acec|f2 fe dcdB| Adfd Adfd|g2 gf edcB|Acec Aceg|f2 d2 d4:|]

X:1 T:Patternelly M:2/4 L:1/8 R:Country Dance N:Gilchrist ms. (late Georgian?) (from the North of Scotland) N:Notes with dots before them indicate the beat the feet are to N:be crossed and recrossed during the dance, not a staccato note. N:"A pretty country-dance, probably belonging like "The Triumph" to the N:Regency period, but apparently better known in Scotland than in England, N:appears in a Scots MS. as "Patternelly" [Petronella?] ("Patronello" in another MS). N:It was a longways dance, and began with a neat figure by the two top couples, N:in which the feet were crossed and recrossed in exact time to the notes N:I have marked in the first two bars. I do not think it has ever been revived, like the "Triumph"." S:Gilchrist "Old Fiddlers' Tune Books of the Georgian Period" (JEFDSS, vol. 4, No. 1, Dec. 1940, p. 20) K:F Of/c/|.Ad/B/ .Gc/A/|.F.F .FA,/C/|FB,/D/| |1 G>F|E/F/G/E/ CO:||2GF/E/|Fff||etc.