Red Joak (The): Difference between revisions

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|f_country=England
|f_country=England
|f_genre=English
|f_genre=English
|f_rhythm=Country Rag
|f_rhythm=Country Dance
|f_time_signature=4/4
|f_time_signature=4/4, 2/2
|f_key=G
|f_key=G
|f_accidental=1 sharp
|f_accidental=1 sharp
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|f_book_title=Third Collection of Lancashire Jigs Hornpipes Joaks etc.
|f_book_title=Third Collection of Lancashire Jigs Hornpipes Joaks etc.
|f_collector=John Walsh
|f_collector=John Walsh
|f_year=1730
|f_year=1731
|f_page=No. 14
|f_theme_code_index=1H1H1H3 5553H
|f_theme_code_index=1H1H1H3 5553H
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
}}
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<pre>
<section begin=abc />
 
X:14
X:1
T:Red Joak
T:Red Joak  
A:England;London
B:Walsh
M:4/4
M:4/4  
L:1/4
L:1/8
Q:1/2=100
K:G  
S:J.Walsh,Third Book of the most celebrated jiggs,etc 1731
ba| g3a g2 B2| dBde d2 ba| g3 a g2 B2|A4 A2 ba|  
Z:Pete Stewart, 2004 <www.hornpipemusic.co.uk> with vmp revisions
g3 a g2 B2| dBde d2 ba|g2 e2 d2 B2| G4 G4:|
K:G
|: e2| d2 F2 BcdB| d2 G2 g3 e| d2 G2 BcdB| A4 A2 e2|
b/a/|g>agB|d/B/d/e/db/a/|g>agB|A2Ab/a/|\
d2 G2 BcdB| d2 G2 g3 a| bage gedB|G4 G2:|
g>agB|d/B/d/e/ db/a/|gedB|G2G||
|: D2| GABG BcdB| GABG Bcde| d2 B2 cBAG| A4 A2 D2|  
e|dGB/c/d/B/|dBg>e|dGB/c/d/B/|A2Ae|\
GABG BcdB| GABG Bcde| d2 B2 dBAG G4 G2:|]
dGB/c/d/B/|dGg>a|b/a/g/e/ g/e/d/B/|G2G||
</pre>
D|G/A/B/G/ B/c/d/B/|G/A/B/G/ B/c/d/e/|dBc/B/A/G/|A2AD|
<pre>
G/A/B/G/ B/c/d/B/|G/A/B/G/ B/c/d/e/|dB d/B/A/G/|G2G|]
X: 12
<section end=abc />
T: Red Joak
<section begin=X2 />
T: Longways for as many as will.
X:2
%R: reel
T:Red Joak
B: Daniel Wright "Wright's Compleat Collection of Celebrated Country Dances" 1740 p.6
T:Longways for as many as will.
R:reel
B:Daniel Wright "Wright's Compleat Collection of Celebrated Country Dances" 1740 p.6
S: http://library.efdss.org/cgi-bin/dancebooks.cgi
S: http://library.efdss.org/cgi-bin/dancebooks.cgi
Z: 2014 John Chambers <jc:trillian.mit.edu>
Z: 2014 John Chambers <jc:trillian.mit.edu>
N:The 1st & 2d Cu. go Arms quite round & the 1st Cu. cast off the 1st Cu.
N:being in the 2d Cu. Place, lead down, & the 2d up. then the 1st Cu.
N:lead thro' the 2d Cu. & cast off into the 2d Cu. Place. 2d Cu. go right
N:& left with the 1st Cu. half round, which brings the 1st Cu. in their own
N:Places: 1st Man change Places with the 2d Wo. the 1st Wo. with the 2d Man.
N:then 1st Cu. being in 2d Cu. Place, slip up and down & up again, and cast
N:off and turn, the 2d Cu. change Places at the same Time, and so to the End.
M: C|
M: C|
L: 1/8
L: 1/8
Line 47: Line 72:
g/f/ |\
g/f/ |\
g3a g2B2 | (dB)(de) d2ba | g3a g2A2 | A6 ba |  
g3a g2B2 | (dB)(de) d2ba | g3a g2A2 | A6 ba |  
g3a g2B2 | (dB)(de) d2ba |g2e2 d2B2 | G4 G2 |]
g3a g2B2 | (dB)(de) d2ba |g2e2 d2B2 | G4 G2 ||
d2 | d2G2 (Bc)(dB) | d2G2 g3e | d2G2 (Bc)(dB) | A4 A2e2 |  
d2 | d2G2 (Bc)(dB) | d2G2 g3e | d2G2 (Bc)(dB) | A4 A2e2 |  
d2G2 (Bc)(dB) |d2G2 g3a | (ba)(ge) (ge)(dB) | G4 G2 |]
d2G2 (Bc)(dB) |d2G2 g3a | (ba)(ge) (ge)(dB) | G4 G2 ||
D2 | (GA)(BG) (Bc)(dB) | (GA)(BG) (Bc)(de) | d2B2 A2G2 |A4 A2D2 |  
D2 | (GA)(BG) (Bc)(dB) | (GA)(BG) (Bc)(de) | d2B2 A2G2 |A4 A2D2 |  
(GA)(BG) (Bc)(dB) | (GA)(BG) (Bc)(de) | d2B2 (dB)(AG) | G4 G2 |]
(GA)(BG) (Bc)(dB) | (GA)(BG) (Bc)(de) | d2B2 (dB)(AG) | G4 G2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - -
<section end=X2 />
%%begintext align
<section begin=X3 />
%% The 1st & 2d Cu. go Arms quite round & the 1st Cu. cast off
X:1
%% the 1st Cu. being in the 2d Cu. Place, lead down, & the 2d up.
T:Red Joak
%% then the 1st Cu. lead thro' the 2d Cu. & cast off into the 2d Cu. Place .|
M:C|
%% 2d Cu. go right & left with the 1st Cu. half round, which brings the 1st
L:1/8
%% Cu. in their own Places: 1st Man change Places with the 2d Wo. the
N:”Longways for as many as will.
%% 1st Wo. with the 2d Man. then 1st Cu. being in 2d Cu. Place, slip up and
B:John Walsh – Complete Country Dancing-Master, Volume the Fourth
%% down & up again, and cast off and turn, the 2d Cu. change Places
B: (London, 1740, No. 115)
%% at the same Time, and so to the End.
Z:AK/Fiddler’s Companion
%%endtext
K:G
</pre>
ba|g3ag2B2|(dB)(de) d2 ba|g3a g2B2|G4G2ba|
<pre>
g3ag2B2|dB(de) d2 ba|g2e2d2B2|G4G2||
X:2
e2|d2G2 (Bc)(dB)|d2G2g3e|d2G2 Bc(dB)|A4A2e2|
d2G (Bc)(dB)|d2G2g3a|(ba)(ge) (ge)(dB)|G4G2||
D2|(GA)(BG) (Bc)(dB)|(GA)(BG) (Bc)(de)|d2B2 cBAG|A4A2D2|
(GA)(BG) (Bc)(dB)|(GA)(BG) (Bc)(de)|d2B2 (dB)(AG)|G4G2||
<section end=X3 />
<section begin=X4 />
X:3
T:Red Joak, The  (Macpherson’s rant?)
T:Red Joak, The  (Macpherson’s rant?)
M:C
M:C
L:1/8
L:1/8
R:Country Dance  
R:Country Dance  
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 3 (Glasgow, 1788, No. 559, p. 213)
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 3
N:”Humbly dedicated to the Volunteers and Defensive Bands of Great Britain and Ireland”
B:(Glasgow, 1788, No. 559, p. 213)
N:”Humbly dedicated to the Volunteers and Defensive Bands of Great Britain
N:and Ireland”
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:G
K:G
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|:D2|GABG BcdB|GABG Bcde|d2B2 dBAG|{B}A6D2|
|:D2|GABG BcdB|GABG Bcde|d2B2 dBAG|{B}A6D2|
GABG BcdB|GABG Bcde|d2B2 dcAF|{F}G6:|]
GABG BcdB|GABG Bcde|d2B2 dcAF|{F}G6:|]
</pre>
<section end=X4 />
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Latest revision as of 17:59, 24 March 2022


Red Joak (The)  Click on the tune title to see or modify Red Joak (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Red Joak (The)
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 Theme code Index    1H1H1H3 5553H
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Country Dance
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4, 2/2
 History    
 Structure    AABBCC
 Editor/Compiler    Biography:John Walsh
 Book/Manuscript title    Book:Third Collection of Lancashire Jigs Hornpipes Joaks etc.
 Tune and/or Page number    No. 14
 Year of publication/Date of MS    1731
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:14 T:Red Joak A:England;London M:4/4 L:1/4 Q:1/2=100 S:J.Walsh,Third Book of the most celebrated jiggs,etc 1731 Z:Pete Stewart, 2004 <www.hornpipemusic.co.uk> with vmp revisions K:G b/a/|g>agB|d/B/d/e/db/a/|g>agB|A2Ab/a/|\ g>agB|d/B/d/e/ db/a/|gedB|G2G|| e|dGB/c/d/B/|dBg>e|dGB/c/d/B/|A2Ae|\ dGB/c/d/B/|dGg>a|b/a/g/e/ g/e/d/B/|G2G|| D|G/A/B/G/ B/c/d/B/|G/A/B/G/ B/c/d/e/|dBc/B/A/G/|A2AD| G/A/B/G/ B/c/d/B/|G/A/B/G/ B/c/d/e/|dB d/B/A/G/|G2G|]


X:2 T:Red Joak T:Longways for as many as will. R:reel B:Daniel Wright "Wright's Compleat Collection of Celebrated Country Dances" 1740 p.6 S: http://library.efdss.org/cgi-bin/dancebooks.cgi Z: 2014 John Chambers <jc:trillian.mit.edu> N:The 1st & 2d Cu. go Arms quite round & the 1st Cu. cast off the 1st Cu. N:being in the 2d Cu. Place, lead down, & the 2d up. then the 1st Cu. N:lead thro' the 2d Cu. & cast off into the 2d Cu. Place. 2d Cu. go right N:& left with the 1st Cu. half round, which brings the 1st Cu. in their own N:Places: 1st Man change Places with the 2d Wo. the 1st Wo. with the 2d Man. N:then 1st Cu. being in 2d Cu. Place, slip up and down & up again, and cast N:off and turn, the 2d Cu. change Places at the same Time, and so to the End. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g/f/ |\ g3a g2B2 | (dB)(de) d2ba | g3a g2A2 | A6 ba | g3a g2B2 | (dB)(de) d2ba |g2e2 d2B2 | G4 G2 || d2 | d2G2 (Bc)(dB) | d2G2 g3e | d2G2 (Bc)(dB) | A4 A2e2 | d2G2 (Bc)(dB) |d2G2 g3a | (ba)(ge) (ge)(dB) | G4 G2 || D2 | (GA)(BG) (Bc)(dB) | (GA)(BG) (Bc)(de) | d2B2 A2G2 |A4 A2D2 | (GA)(BG) (Bc)(dB) | (GA)(BG) (Bc)(de) | d2B2 (dB)(AG) | G4 G2 |]


X:1 T:Red Joak M:C| L:1/8 N:”Longways for as many as will.” B:John Walsh – Complete Country Dancing-Master, Volume the Fourth B: (London, 1740, No. 115) Z:AK/Fiddler’s Companion K:G ba|g3ag2B2|(dB)(de) d2 ba|g3a g2B2|G4G2ba| g3ag2B2|dB(de) d2 ba|g2e2d2B2|G4G2|| e2|d2G2 (Bc)(dB)|d2G2g3e|d2G2 Bc(dB)|A4A2e2| d2G (Bc)(dB)|d2G2g3a|(ba)(ge) (ge)(dB)|G4G2|| D2|(GA)(BG) (Bc)(dB)|(GA)(BG) (Bc)(de)|d2B2 cBAG|A4A2D2| (GA)(BG) (Bc)(dB)|(GA)(BG) (Bc)(de)|d2B2 (dB)(AG)|G4G2||


X:3 T:Red Joak, The (Macpherson’s rant?) M:C L:1/8 R:Country Dance B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 3 B:(Glasgow, 1788, No. 559, p. 213) N:”Humbly dedicated to the Volunteers and Defensive Bands of Great Britain N:and Ireland” Z:AK/Fiddler’s Companion K:G ba|g3ag2B2|dBde d2 ba|g3a g2B2|{B}A4 z2ba| g3 a g2B2|dBde d2 ef|g2e2d2B2|G6:| |:e2|d2G2 BcdB|d2G g3e|d2G2 BcdB|{B}A4 z2 e2| D2G2 BcdB|d2G2 g3a|bage gedB|G6:| |:D2|GABG BcdB|GABG Bcde|d2B2 dBAG|{B}A6D2| GABG BcdB|GABG Bcde|d2B2 dcAF|{F}G6:|]