Annotation:Paddy Miles' Hornpipe: Difference between revisions

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{{TuneAnnotation
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Paddy_Miles'_Hornpipe >
'''PADDY MILES' HORNPIPE.''' American, Hornpipe. F Major. Standard tuning (fiddle). AABB. 'Paddy Miles' was a character in mid-19th century stage plays performed in Boston, such as the farce '''Paddy Miles's Boy''' and '''Paddy Miles, the Limerick Boy.''' In 1867-68 Jerry Cohan, father of the famous vaudevillian George M. Cohen, performed in minstrel shows as an end man and comedian with the Morris Brothers Minstrels, of Boston. He introduced Irish dialect in his jokes and songs, and portrayed “The Dancing Professor,” “The Irish Dancing Master” and “Paddy Miles’ Boy.”
|f_annotation='''PADDY MILES' HORNPIPE.''' AKA and see "[[Admiral Nelson]]," "[[Miss Baker's Hornpipe (1)]]," "[[Mrs. Baker's Hornpipe]]."  English, American; Hornpipe. F Major. Standard tuning (fiddle). AABB. 'Paddy Miles' was a character in mid-19th century stage plays performed in Boston, such as James Pilgrim's one-act farce '''The Limerick Boy; or, Paddy’s Mischief''' (1836, revived 1855) and '''Paddy Miles's Boy''' In 1867-68 Jerry Cohan, father of the famous vaudevillian George M. Cohen, performed in minstrel shows as an end man and comedian with the Morris Brothers Minstrels, of Boston. He introduced Irish dialect in his jokes and songs, and portrayed “The Dancing Professor,” “The Irish Dancing Master” and “Paddy Miles’ Boy.” The character was also featured in songs and ballads, such as Daniel McCarthy Ferguson's "The Hat Me Father Wore" (1876, beginning "I am Paddy Miles, an Irish boy, from far across the sea,"), "Paddy Miles the Fisherman," and "Paddy Miles and the Mermaid."
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However, despite the 'Irishness' of the title, the provenance of the tune is English, where it was printed as "[[Miss Baker's Hornpipe (1)]]," or perhaps Scottish (as it has been attributed to Niel Gow as "[[Admiral Nelson]]."
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''Source for notated version'':
|f_printed_sources=O'Flannagan ('''The Hibernia Collection'''), 1860; p. 32.
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''Printed sources'': O'Flannagan ('''The Hibernia Collection'''), 1860; p. 32.
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 03:15, 7 April 2022




X:1 T:Paddy Miles' Hornpipe M:4/4 L:1/8 B:O'Flannagan - The Hibernia Collection (Boston, 1860, p. 32) Z:AK/Fiddler's Companion K:F cB|(A2F2) FAGF|EG B2 (Bd)cB|Acde fcdB|B2F2F2:| (3cde|fcAc fagf|gece gbag|afge fdgf|(e2c2c2) fe| (3dcB (3ABc B2 ba|gfed edcB|(3Bcd (3EFG FecB|A2 F2F2:|]



PADDY MILES' HORNPIPE. AKA and see "Admiral Nelson," "Miss Baker's Hornpipe (1)," "Mrs. Baker's Hornpipe." English, American; Hornpipe. F Major. Standard tuning (fiddle). AABB. 'Paddy Miles' was a character in mid-19th century stage plays performed in Boston, such as James Pilgrim's one-act farce The Limerick Boy; or, Paddy’s Mischief (1836, revived 1855) and Paddy Miles's Boy In 1867-68 Jerry Cohan, father of the famous vaudevillian George M. Cohen, performed in minstrel shows as an end man and comedian with the Morris Brothers Minstrels, of Boston. He introduced Irish dialect in his jokes and songs, and portrayed “The Dancing Professor,” “The Irish Dancing Master” and “Paddy Miles’ Boy.” The character was also featured in songs and ballads, such as Daniel McCarthy Ferguson's "The Hat Me Father Wore" (1876, beginning "I am Paddy Miles, an Irish boy, from far across the sea,"), "Paddy Miles the Fisherman," and "Paddy Miles and the Mermaid."

However, despite the 'Irishness' of the title, the provenance of the tune is English, where it was printed as "Miss Baker's Hornpipe (1)," or perhaps Scottish (as it has been attributed to Niel Gow as "Admiral Nelson."


Additional notes



Printed sources : - O'Flannagan (The Hibernia Collection), 1860; p. 32.






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