Annotation:Northern Frisk (3) (A): Difference between revisions
(Created page with "---------- {{TuneAnnotation |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Northern_Frisk_(3)_(A) > |f_annotation='''NORTHERN FRISK [3], A.''' English, "Old"...") |
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Northern_Frisk_(3)_(A) > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Northern_Frisk_(3)_(A) > | ||
|f_annotation='''NORTHERN FRISK [3], A.''' English, "Old" or Triple Hornpipe (3/2 time). G Major. Standard tuning (fiddle). AB. "Northern Frisk [3]" is contained in Daniel Wright's '''An Extraordinary Collection of Pleasant and Merry Humours''' (c. 1705, printed in London by Henry Playford). It is an odd piece, as John Offord (1985) points out, | |f_annotation='''NORTHERN FRISK [3], A.''' English, "Old" or Triple Hornpipe (3/2 time). G Major. Standard tuning (fiddle). AB. "Northern Frisk [3]" is contained in Daniel Wright's '''An Extraordinary Collection of Pleasant and Merry Humours''' (c. 1705, printed in London by Henry Playford). It is an odd piece, as John Offord (1985) points out, that meanders seemingly at will until the cadence of the final measure of each part. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Offord ('''John of the Green: Ye Cheshire Way'''), 1985; p. 114. | |f_printed_sources=Offord ('''John of the Green: Ye Cheshire Way'''), 1985; p. 114. |
Latest revision as of 22:44, 1 May 2022
X:15 T:Northan Frisk [3], A M:6/4 L:1/4 Q:3/4=80 S:D.Wright, Extraordinary Collection, London 1713 Z:Pete Stewart, 2004 <www.hornpipemusic.co.uk> K:G g|B/c/dBgB/c/d|BG/A/B/G/AaA|aAabGF|E(c2c2)d| eB/c/d/B/cAa|f/g/afgBc|BDCB,GA,|G,G2G2|| d|dB/c/d/B/cAa|bd=feab|af/g/a/f/bea|fc2-c2B| cecBG/A/B/G/|Ec/B/cDCB,|GB,A,GA,B,|G,G2G2|]
NORTHERN FRISK [3], A. English, "Old" or Triple Hornpipe (3/2 time). G Major. Standard tuning (fiddle). AB. "Northern Frisk [3]" is contained in Daniel Wright's An Extraordinary Collection of Pleasant and Merry Humours (c. 1705, printed in London by Henry Playford). It is an odd piece, as John Offord (1985) points out, that meanders seemingly at will until the cadence of the final measure of each part.