Annotation:She's a Daughter of Daniel O'Connell: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:She's_a_Daughter_of_Daniel_O'Connell > | |||
|f_annotation='''SHE'S A DAUGHTER OF DANIEL O'CONNELL''' (Is Ingean Domnaill ui Connaill i). AKA "Is ingean Domnaill Uí Connaill i." Irish, Slow Air (3/4 time). G Major. Standard tuning (fiddle). AB. Paul de Grae finds that Francis O'Neill had written to A.P. Graves that the air was "uncommon if not unknown," a curious assertion when the air is fairly well known bing the vehicle for "[[Maid with the Bonny Brown Hair]]," and, in modern times, Con Fada O Drisceoil's "Spoons Murder." Further, de Grae finds variants in P.W. Joyce's "[[High-Flier (The)]]", and, in minor mode, "[[Woods of Kilmurray (The)]]" <ref>Paul de Grae, “Notes on Sources of Tunes in the O’Neill Collections”, 2017 [https://www.irishtune.info/public/oneill-sources.htm]</ref>. | |||
---- | |f_source_for_notated_version=Chicago Police Sergeant James O’Neill, a fiddler originally from County Down and Francis O’Neill’s collaborator [O’Neill]. | ||
|f_printed_sources= O'Neill ('''O’Neill’s Irish Music'''), 1915; No. 75. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 44, p. 8. | |||
---- | |f_recorded_sources= | ||
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"[[Woods of Kilmurray (The)]] | |||
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Latest revision as of 23:56, 4 June 2022
X:1 T:She's a Daughter of Daniel O'Connell M:3/4 L:1/8 R:Air Q:"Slow" S:O’Neill – Music of Ireland (1903), No. 44 Z:AK/Fiddler’s Companion K:G Bc | d2c2A2 | G2D2E2 | F2 (G4 | G2) z2 GA | B2B2B2 | c2A2G2 | (F6 | F4) Bc | d2c2A2 | G2D2E2 | F2 (G4 | G2) z2 A2 | B2c2d2 | A2G2G2 | (G6 | G4) || GA | B2c2d2 | e2c2c2 | f2 (d4 | d2) z2 dc | B2B2B2 | c2A2G2 | (F6 | F2) z2 Bc | d2c2A2 | G2D2E2 | F2 (G4 | G2) z2 A2 | B2c2d2 | A2G2G2 | (G6 | G4) ||
SHE'S A DAUGHTER OF DANIEL O'CONNELL (Is Ingean Domnaill ui Connaill i). AKA "Is ingean Domnaill Uí Connaill i." Irish, Slow Air (3/4 time). G Major. Standard tuning (fiddle). AB. Paul de Grae finds that Francis O'Neill had written to A.P. Graves that the air was "uncommon if not unknown," a curious assertion when the air is fairly well known bing the vehicle for "Maid with the Bonny Brown Hair," and, in modern times, Con Fada O Drisceoil's "Spoons Murder." Further, de Grae finds variants in P.W. Joyce's "High-Flier (The)", and, in minor mode, "Woods of Kilmurray (The)" [1].
