Annotation:Delvin Side (2): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Delvin_Side_(2) > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Delvin_Side_(2) > | ||
|f_annotation='''DELVIN SIDE [2]'''. AKA - "Delvine Side." Scottish, Strathspey. E Dorian. Standard tuning (fiddle). AB (Surenne): AAB (most versions): AABB (Ross): AABB' (Kerr): AABBCCD (Campbell). John Glen (1891) finds the earliest printing of the tune in Alexander McGlashan's 1780 collection (p. 30), although it appears soon after several period publications, including Philadelphia publisher B. Carr's '''Caledonian Muse''' (1798) and Gow's '''Complete Repository''' (1799). It appears as well in the John Fife music manuscript book of c. 1780–1804. Fife was evidently a seaman whose home may have been in Perthshire (Keller), and his manuscript seems to have been written at sea as well as at home (it contains references to battles in the Caribbean and Mediterranean). | |f_annotation='''DELVIN SIDE [2]'''. AKA - "Delvine Side." Scottish, Strathspey. E Dorian. Standard tuning (fiddle). AB (Surenne): AAB (most versions): AABB (Ross): AABB' (Kerr, O'Connor): AABBCCD (Campbell). John Glen (1891) finds the earliest printing of the tune in Alexander McGlashan's 1780 collection (p. 30), although it appears soon after several period publications, including Philadelphia publisher B. Carr's '''Caledonian Muse''' (1798) and Gow's '''Complete Repository''' (1799). It appears as well in the John Fife music manuscript book of c. 1780–1804. Fife was evidently a seaman whose home may have been in Perthshire (Keller), and his manuscript seems to have been written at sea as well as at home (it contains references to battles in the Caribbean and Mediterranean). | ||
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The Shetland reel "[[Deltingside]]" has decided similarities and may be a distant cousin, or the Shetland tune may be a distanced derivative. | The Shetland reel "[[Deltingside]]" has decided similarities and may be a distant cousin, or the Shetland tune may be a distanced derivative. The tune was apparently set as a reel in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster, with the title in the index as "Delvinside", with "Reel" appended sometime later. Fiddler and Donnellan researcher Gerry O'Connor remarks the tune is better played as a Highland. | ||
|f_source_for_notated_version=a c. 1847 music manuscript by Ellis Knowles, a musician from Radcliffe, Lancashire, England [Doyle]; "From McGlashan's Collection" [Johnson, Skinner]. | |f_source_for_notated_version=a c. 1847 music manuscript by Ellis Knowles, a musician from Radcliffe, Lancashire, England [Doyle]; "From McGlashan's Collection" [Johnson, Skinner]; Rev. Luke Donnellan music manuscript collection [O'Connor]. | ||
|f_printed_sources=Anonymous ('''A Companion to the reticule'''), 1833; p. 12. | |f_printed_sources=Anonymous ('''A Companion to the reticule'''), 1833; p. 12. | ||
Joshua Campbell ('''A Collection of New Reels & Highland Strathspeys'''), Glasgow, 1789; p. 16. | Joshua Campbell ('''A Collection of New Reels & Highland Strathspeys'''), Glasgow, 1789; p. 16. | ||
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J. Kenyon Lees ('''Balmoral Reel Book'''), c. 1910; p. 2. MacDonald ('''The Skye Collection'''), 1887; p. 83. | J. Kenyon Lees ('''Balmoral Reel Book'''), c. 1910; p. 2. MacDonald ('''The Skye Collection'''), 1887; p. 83. | ||
Joseph Lowe ('''Lowe's Collection of Reels, Strathspeys and Jigs, book 2'''), 1844–1845; p. 13. | Joseph Lowe ('''Lowe's Collection of Reels, Strathspeys and Jigs, book 2'''), 1844–1845; p. 13. | ||
O'Connor ('''The Rose in the Gap'''), 2018; No. 133, p. 77. | |||
Petrie ('''Second Collection of Strathspey Reels &c.'''), 1706; p. 20. | Petrie ('''Second Collection of Strathspey Reels &c.'''), 1706; p. 20. | ||
Robert Ross ('''Choice Collection of Scots Reels or Country Dances & Strathspeys'''), Edinburgh, 1780; p. 15. | Robert Ross ('''Choice Collection of Scots Reels or Country Dances & Strathspeys'''), Edinburgh, 1780; p. 15. | ||
Latest revision as of 02:30, 9 June 2022
X:1 T:Delvin Side [2] M:C| L:1/8 R:Strathspey B:Robert Ross – Choice Collection of Scots Reels or Country Dances B:& Strathspeys (Edinburgh, 1780, p. 15) Z:AK/Fiddler’s Companion K:Emin E<B(B>A) BE B>A|E<(BB)^c dD B/A/G/F/|E(BTB>)A B>EBg|f/g/a/f/ e/f/g/e/ dD B/A/G/F/:| |:eEBE dETB>A|eEBE dD B/A/G/F/|eEBE dEBg|f/g/a/f/ e/f/g/e/ dD B/A/G/F/:|
DELVIN SIDE [2]. AKA - "Delvine Side." Scottish, Strathspey. E Dorian. Standard tuning (fiddle). AB (Surenne): AAB (most versions): AABB (Ross): AABB' (Kerr, O'Connor): AABBCCD (Campbell). John Glen (1891) finds the earliest printing of the tune in Alexander McGlashan's 1780 collection (p. 30), although it appears soon after several period publications, including Philadelphia publisher B. Carr's Caledonian Muse (1798) and Gow's Complete Repository (1799). It appears as well in the John Fife music manuscript book of c. 1780–1804. Fife was evidently a seaman whose home may have been in Perthshire (Keller), and his manuscript seems to have been written at sea as well as at home (it contains references to battles in the Caribbean and Mediterranean).
The Shetland reel "Deltingside" has decided similarities and may be a distant cousin, or the Shetland tune may be a distanced derivative. The tune was apparently set as a reel in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster, with the title in the index as "Delvinside", with "Reel" appended sometime later. Fiddler and Donnellan researcher Gerry O'Connor remarks the tune is better played as a Highland.
