Boys in the Gap (1): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Boys in the Gap (1) | |f_tune_title=Boys in the Gap (1) | ||
|f_aka=Buachaill na Bhearna (An), Buachaill sa mBearna (An), Boy in the Gaf (The), Boy in the Gap, Boys of Cappoquin (The), | |f_aka=Buachaill na Bhearna (An), Buachaill sa mBearna (An), Boy in the Gaf (The), Boy in the Gap, Boys of Cappoquin (The), Farmer's Lass (The) | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
|f_rhythm=Reel (single/double) | |f_rhythm=Reel (single/double) | ||
|f_time_signature=4/4 | |||
|f_key=D | |f_key=D | ||
|f_accidental=2 sharps | |f_accidental=2 sharps | ||
| Line 14: | Line 15: | ||
|f_page=p. 53 | |f_page=p. 53 | ||
|f_theme_code_index=131H7 5454 | |f_theme_code_index=131H7 5454 | ||
|f_score=1 | |||
|f_player=Paddy Moloney | |f_player=Paddy Moloney | ||
|f_album=Paddy Moloney The Chieftains | |f_album=Paddy Moloney The Chieftains | ||
| Line 19: | Line 21: | ||
|f_recording_date=1969 | |f_recording_date=1969 | ||
}} | }} | ||
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations | |||
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|image_alt=Traditional universal music | |||
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<font face="sans-serif" size="4"> | |||
< | <div class="noprint"> | ||
< | <!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) --> | ||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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---- | |||
<section begin=abc /> | |||
X:1 | |||
T:Boy in the Gap [1], The | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
S:Rev. Luke Donnellan – “Oriel Songs and Dances", | |||
S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 94) | |||
Z:AK/Fiddler’s Companion | |||
K:D (no sig in ms) | |||
F2 ED d2 cB|ABAG ABAG|F2 ED d2 cB|ABAG FDDF:| | |||
|:g|f2 fg fddf|edef edcB|ABcd efge|eaag ed d2:|] | |||
<section end=abc /> | |||
<section begin=X3 /> | |||
X:1 | X:1 | ||
T:Boy in the Gap, The | T:Boy in the Gap [1], The | ||
M:4/4 | M:4/4 | ||
L:1/8 | L:1/8 | ||
| Line 45: | Line 66: | ||
df f2 df f2 | ce e2 ce e2 | Addc d2 cd | eaag edde | | df f2 df f2 | ce e2 ce e2 | Addc d2 cd | eaag edde | | ||
f2 ec dcAF | G2 BG EFGE | D2 FA dfed | A2 GE ED D2 || | f2 ec dcAF | G2 BG EFGE | D2 FA dfed | A2 GE ED D2 || | ||
<section end=X3 /> | |||
</ | <section begin=X6 /> | ||
X:2 | X:2 | ||
T:Boy in the Gap, The | T:Boy in the Gap, The | ||
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|:d2~f2 df~f2|ce~e2 ce~e2|df~g2 df~f2|a2ge fdde| | |:d2~f2 df~f2|ce~e2 ce~e2|df~g2 df~f2|a2ge fdde| | ||
f2ef dBAF|G2BG EFGE|D2FA dedc|A2GE FDD2:| | f2ef dBAF|G2BG EFGE|D2FA dedc|A2GE FDD2:| | ||
"Variations" | P:"Variations" | ||
FDFA d2cA|~G3F EFGE|DEFA dfed|cAGE EDD2:| | FDFA d2cA|~G3F EFGE|DEFA dfed|cAGE EDD2:| | ||
|:~f3g fedf|gfed edcB|A2 (3Bcd ed(3Bcd|eaag efge| | |:~f3g fedf|gfed edcB|A2 (3Bcd ed(3Bcd|eaag efge| | ||
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|:df~f2 df~f2|ce~e2 gece|df~f2 df~f2|geag edde| | |:df~f2 df~f2|ce~e2 gece|df~f2 df~f2|geag edde| | ||
fAde fdAF|G2EF GEAF|DEFA d2cA|A2GE EDD2:|| | fAde fdAF|G2EF GEAF|DEFA d2cA|A2GE EDD2:|| | ||
<section end=X6 /> | |||
</ | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
---- | <section begin=X1 /> | ||
< | <section end=X1 /> | ||
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< | <font face="sans-serif" size="4"> | ||
<div class="noprint"> | |||
</ | [[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | ||
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__NOTITLE__ | |||
Latest revision as of 21:55, 18 June 2022
X:1 T:Boy in the Gap [1], The M:C L:1/8 R:Reel S:Rev. Luke Donnellan – “Oriel Songs and Dances", S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 94) Z:AK/Fiddler’s Companion K:D (no sig in ms) F2 ED d2 cB|ABAG ABAG|F2 ED d2 cB|ABAG FDDF:| |:g|f2 fg fddf|edef edcB|ABcd efge|eaag ed d2:|]
X:1
T:Boy in the Gap [1], The
M:4/4
L:1/8
S:Baily's Corner session, Tralee Ireland
Z:transcribed by Paul de Grae
K:D
D2 FA d2 cB | A2 GE AFGE | D2 FA d2 cB | ABGE EDDE |
D2 FA d2 cB | A2 GE =cEGE | D2 FA dfed | A2 GE ED D2 ||
f3 g fedf | e2 ef edcB | ABcd edcd | eaag eaag|
f2 fg fedf | e3 f edcB | ABcd e2 dc | ABGE ED D2 ||
df f2 df f2 | ce e2 ce e2 | Addc d2 cd | eaag edde |
f2 ec dcAF | G2 BG EFGE | D2 FA dfed | A2 GE ED D2 ||
X:2
T:Boy in the Gap, The
T:Boy in the Gaf, The
R:reel
H:See also #57
N:Often played with only two parts.
N:The third part was composed by Paddy Taylor
Z:id:hn-reel-58
Z:transcribed by henrik.norbeck@mailbox.swipnet.se
M:C|
L:1/8
K:D
D2FA d2cA|G2EF GFGE|D2FA dfed|cAGE FDD2:|
|:~f3g fedf|e2fd edcB|ABcd edcd|eaag eaag|
~f2g fedf|e2fd edcB|ABcd e2dB|A2GE FD D2:|
|:d2~f2 df~f2|ce~e2 ce~e2|df~g2 df~f2|a2ge fdde|
f2ef dBAF|G2BG EFGE|D2FA dedc|A2GE FDD2:|
P:"Variations"
FDFA d2cA|~G3F EFGE|DEFA dfed|cAGE EDD2:|
|:~f3g fedf|gfed edcB|A2 (3Bcd ed(3Bcd|eaag efge|
~f3g fedf|efgf edcB|ABcd e2dc|A2GE EDD2:|
|:df~f2 df~f2|ce~e2 gece|df~f2 df~f2|geag edde|
fAde fdAF|G2EF GEAF|DEFA d2cA|A2GE EDD2:||