Hare in the Corn (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Hare in the Corn (1)
|f_tune_title=Hare in the Corn (1)
|f_aka=Gearrgiad Annsa Arbar (An), Gearrfhiadh 'San Arbhar, Absent Minded Man (The), Fox Chase (2) (The)
|f_aka=Gearrgiad Annsa Arbar (An), Gearrfhiadh 'San Arbhar, Absent Minded Man (The), Fox Chase (2) (The), Hare in ye Corn
|f_country=England, Scotland, Ireland, Canada, United States
|f_country=England, Scotland, Ireland, Canada, United States
|f_genre=Irish
|f_genre=Irish
Line 10: Line 10:
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_structure=AABB
|f_book_title=William Vickers' music manuscript collection
|f_book_title=Caledonian Country Dances
|f_collector=William Vickers,
|f_collector=John Walsh
|f_year=1770
|f_year=c. 1745
|f_page=No. 390
|f_page=p. 50
|f_theme_code_index=5563 4543
|f_theme_code_index=5563 4543
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image_alt=Traditional universal music
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<section begin=abc />
X:1
X:1
T:Hare in the Corn [1]
T:Hare in the Corn [1]
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|:dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/|
|:dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/|
dcB edc|fed gfe|dcB Agf|gGG G2:|]
dcB edc|fed gfe|dcB Agf|gGG G2:|]
</pre>
<section end=abc />
<pre>
<section begin=X3 />
<pre>
X:2
X:2
T:Hare in the Corn [1]
M:6/8
L:1/8
R:Jig
Q:"Brisk"
B:Oswald - Caledonian Pocket Companion, Book 7 (1760, p. 12)
Z:AK/Fiddler's Companion
K:A
(c/d/)|e2A e2=g|fed Tc2A|d2f edc|dBB B2 (c/d/)|
e2A ef=g|fed cBA|Bba gfg|aAA A2:|
|:(c/d/)|e(c/d/e/c/) Aca|e(c/d/e/c/) Aca|d(B/c/d/B/) =GB=g|d(B/c/d/B/) =GB=g|
e(c/d/e/c/) f(d/e/f/d/)|g(e/f/g/e/) a(f/g/a/f/)|edc Bag|aAA A2:|
|:(c/d/)e3 Tf3|Te2d cBA|dfa cea|gBB B2 c/d/|
ecA fdB|gec a2g|fed (c/d/e)B|cAA A2:|
|:(c/d/)|ecA E(A/B/c/d/)|ecA acA|=gBG D(G/A/B/c/)|dB=G =GBG|
ecA E(A/B/c/d/)|ecA aec|dcB bag|aAA A2:|
|:(e/d/)|(c/d/e)A ceA|(d/e/f)A dfA|(c/d/e)A ceA|(G/A/B)E GBG|
(c/d/e)A dfB|(e/f/g)e (f/g/a)f|(g/a/b)g aBe|cAA A2:|
|:(f/g/)|(a/g/f/e/)c (a/g/f/e/)A|(a/g/f/e/)c (a/g/f/e/)A|(B/c/d/e/f/g/) aec|
fBB B2 (c/d/)|e(c/e/)A f(d/f/)B|g(e/g/)c a>gf|Te>dc Bag|aAA A2:|]
<section end=X3 />
<section begin=X6 />
X:3
T:Hare in the Corn [1]
T:Hare in the Corn [1]
M:6/8
M:6/8
Line 47: Line 85:
|:dB/c/d/B/ GB/c/d/B/| dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/| cA/B/c/A/ FA/B/c/A/|
|:dB/c/d/B/ GB/c/d/B/| dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/| cA/B/c/A/ FA/B/c/A/|
dcB edc|fed gfe|dcB Agf|gGG G2:||
dcB edc|fed gfe|dcB Agf|gGG G2:||
</pre>
<section end=X6 />
<pre>
<section begin=X9 />
X:1
X:4
T:Hare in the Corn, The
T:Hare in the Corn [1], The
M:6/8
M:6/8
L:1/8
L:1/8
R:Jig
R:Jig
N:”Allegro”
Q:"Allegro"
N:”This is a better set of this tune than I have seen in print.”
N:There are six more sets of variations.
B:Robert Riddell – Collection of Scotch Galwegian Border Tunes (1794, p. 22)
B:Robert Riddell – Collection of Scotch Galwegian Border Tunes (1794, p. 22)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
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|:d|cec Ae=g|fdf ecA|dfd cec|dcd BeB|
|:d|cec Ae=g|fdf ecA|dfd cec|dcd BeB|
cec Ae=g|fdf ecA|faf gbg|aAA A2:|
cec Ae=g|fdf ecA|faf gbg|aAA A2:|
etc. There are six more sets of variations.
<section end=X9 />
</pre>
<section begin=X12 />
<pre>
X:5
X:3
T:Hare in the Corn [1], The
T:Hare in the Corn, The  
M:6/8
L:1/8
R:Jig
Q:"With Spirit"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 103, p. 47)
Z:AK/Fiddler’s Companion
K:G
(3A/B/c/|(.d2.G) (.d2=.f)|(ed).c (.B2G)|(.c2.e) dc.B|(cA).A A2 (3A/B/c/|
(.d2.G) (.d2=.f)|(ed).c (BA).G|(Aa).g {g}(fe).f|(gG).G G2||
(3A/B/c/)|.d(B/c/d/B/) .G(Bc)|.d(B/c/d/B/) .G(Bd)|.e(c/d/e/c/) .A(cd)|.e(c/d/e/c/) .A(Bc)|
(dB).d (ec).e|(fd).f (gf).e|{e}(dc).B (Ag).f|(gG).G G2||
<section end=X12 />
<section begin=X14 />
X:6
T:Hare in the Corn [1], The  
M:6/8  
M:6/8  
L:1/8  
L:1/8  
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|:d|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/|  
|:d|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/|  
dB/c/d/B/ de=f|edc B2A|G2g fef|gGG G2:|]  
dB/c/d/B/ de=f|edc B2A|G2g fef|gGG G2:|]  
</pre>
<section end=X14 />
<pre>
<section begin=X18 />
X:1
X:7
T:Hare in the Corn [1]
T:Hare in the Corn [1]
M:6/8
M:6/8
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|: (3A/B/c/ | .d(B/c/d/B/) GBc | .d(B/c/d/B/) GBd | .e(c/d/e/c/) Ace | .e(c/d/e/c/) ABc |  
|: (3A/B/c/ | .d(B/c/d/B/) GBc | .d(B/c/d/B/) GBd | .e(c/d/e/c/) Ace | .e(c/d/e/c/) ABc |  
dBd ece | fef {a}gfe | dcB Agf | gGG G2 :||
dBd ece | fef {a}gfe | dcB Agf | gGG G2 :||
</pre>
<section end=X18 />
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__NOTITLE__

Latest revision as of 14:32, 13 July 2022


Hare in the Corn (1)  Click on the tune title to see or modify Hare in the Corn (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Hare in the Corn (1)
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 Theme code Index    5563 4543
 Also known as    Gearrgiad Annsa Arbar (An), Gearrfhiadh 'San Arbhar, Absent Minded Man (The), Fox Chase (2) (The), Hare in ye Corn
 Composer/Core Source    
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Irish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABB
 Editor/Compiler    Biography:John Walsh
 Book/Manuscript title    Book:Caledonian Country Dances
 Tune and/or Page number    p. 50
 Year of publication/Date of MS    c. 1745
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Hare in the Corn [1] M:6/8 L:1/8 R:Country Dance B:John Walsh - Caledonian Country Dances (c. 1745, p. 50) N:Published in several volumes and different editions, 1731-c. 1745) Z:AK/Fiddler's Companion K:G G|d3-de=f|edc BAG|c2g B2g|aAA ABc| d3-de=f|edc BAG|cBc Agf|gGG G2:| |:dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/| dcB edc|fed gfe|dcB Agf|gGG G2:|]


X:2 T:Hare in the Corn [1] M:6/8 L:1/8 R:Jig Q:"Brisk" B:Oswald - Caledonian Pocket Companion, Book 7 (1760, p. 12) Z:AK/Fiddler's Companion K:A (c/d/)|e2A e2=g|fed Tc2A|d2f edc|dBB B2 (c/d/)| e2A ef=g|fed cBA|Bba gfg|aAA A2:| |:(c/d/)|e(c/d/e/c/) Aca|e(c/d/e/c/) Aca|d(B/c/d/B/) =GB=g|d(B/c/d/B/) =GB=g| e(c/d/e/c/) f(d/e/f/d/)|g(e/f/g/e/) a(f/g/a/f/)|edc Bag|aAA A2:| |:(c/d/)e3 Tf3|Te2d cBA|dfa cea|gBB B2 c/d/| ecA fdB|gec a2g|fed (c/d/e)B|cAA A2:| |:(c/d/)|ecA E(A/B/c/d/)|ecA acA|=gBG D(G/A/B/c/)|dB=G =GBG| ecA E(A/B/c/d/)|ecA aec|dcB bag|aAA A2:| |:(e/d/)|(c/d/e)A ceA|(d/e/f)A dfA|(c/d/e)A ceA|(G/A/B)E GBG| (c/d/e)A dfB|(e/f/g)e (f/g/a)f|(g/a/b)g aBe|cAA A2:| |:(f/g/)|(a/g/f/e/)c (a/g/f/e/)A|(a/g/f/e/)c (a/g/f/e/)A|(B/c/d/e/f/g/) aec| fBB B2 (c/d/)|e(c/e/)A f(d/f/)B|g(e/g/)c a>gf|Te>dc Bag|aAA A2:|]


X:3 T:Hare in the Corn [1] M:6/8 L:1/8 R:Jig S:William Vickers' music manuscript collection ( Northumberland, 1770) K:G (d3 d>)e=f|edc BAG|c2a B2g|aAA ABc| (d3 d)e=f|edc BAG|cBc agf|gGG G2: |:dB/c/d/B/ GB/c/d/B/| dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/| cA/B/c/A/ FA/B/c/A/| dcB edc|fed gfe|dcB Agf|gGG G2:||


X:4 T:Hare in the Corn [1], The M:6/8 L:1/8 R:Jig Q:"Allegro" N:”This is a better set of this tune than I have seen in print.” N:There are six more sets of variations. B:Robert Riddell – Collection of Scotch Galwegian Border Tunes (1794, p. 22) Z:AK/Fiddler’s Companion K:A d|c/d/eA e2=g|f/g/ad Tc2A|d/e/fd c/d/ec|dBB TB2d| c/d/eA e2=g|f/g/ad Tc2A|Bba gfg|aAA A2:| |:d|ec/d/e/c/ Ac/d/e/c/|ec/d/e/c/ Ac/d/e/c/|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/| ec/d/e/c/ fd/e/f/d/|ge/f/g/e/ af/g/a/f/|edc Bag|aAA A2:| |:d|ecB Ae=g|fdf {f}ed/c/B/A/|d/e/f/d/c/B/ c/d/e/c/B/A/|dBB TB2d| ecB Ae=g|f/g/a/f/e/d/ c/d/e/c/B/A/|Bd'c' bag|aec A2:| |:d|ecB Acd|c/d/e/d/c/B/ Ace|dBG EGB|d/c/B/A/G/F/ EBd| c/e/d/c/B/A/ d/f/e/d/c/B/|e/g/f/e/d/c/ a>gf/e/|f/e/d/c/B/A/ Bag|a/f/e/d/c/b/ A2:| |:d|c/d/e/d/c/B/ A/=g/f/g/e/g/|f/d/c/d/a/d/ c/A/G/A/c/A/|d/f/e/f/d/f/ e/c/B/c/a/c/| dBB TB2d|c/d/e/d/c/B/ A/=g/f/e/f/g/|f/d/c/d/a/d/ c/A/G/A/c/A/| f/a/g/f/g/a/ g/b/a/g/a/b/|aAA A2::d|e/c/B/c/A/c/ A/c/B/c/e/c/| a/c/B/c/A/c/ A/c/B/c/e/c/|d/B/A/B/G/B/ E/B/A/B/d/B/|b/B/A/B/G/B/ E/B/A/B/G/B/| e/c/B/c/A/c/ f/d/c/d/D/d/|g/f/g/e/f/g/ a>gf/e/|f/e/d/c/B/A/ Bag|aAA A2:| |:d|cA,C Ee=g|fDF ECA,|DfB, CeA,|dBB TB2d| AA,C Ee=g|fDF ECA,|Dba[eg]fg|aAA A2:| |:d|eCE Ace|CEA cea|dBB, G,B,E|G,B,E GBd| ceA, dfB,|egC faD|eca Eag|aAA A2:| |:d|cec Ae=g|fdf ecA|dfd cec|dcd BeB| cec Ae=g|fdf ecA|faf gbg|aAA A2:|


X:5 T:Hare in the Corn [1], The M:6/8 L:1/8 R:Jig Q:"With Spirit" B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 103, p. 47) Z:AK/Fiddler’s Companion K:G (3A/B/c/|(.d2.G) (.d2=.f)|(ed).c (.B2G)|(.c2.e) dc.B|(cA).A A2 (3A/B/c/| (.d2.G) (.d2=.f)|(ed).c (BA).G|(Aa).g {g}(fe).f|(gG).G G2|| (3A/B/c/)|.d(B/c/d/B/) .G(Bc)|.d(B/c/d/B/) .G(Bd)|.e(c/d/e/c/) .A(cd)|.e(c/d/e/c/) .A(Bc)| (dB).d (ec).e|(fd).f (gf).e|{e}(dc).B (Ag).f|(gG).G G2||


X:6 T:Hare in the Corn [1], The M:6/8 L:1/8 R:jig B:P.H. Hughes - Gems from the Emerald Isle (c. 1860's, No. 91, p. 21) Z:AK/Fiddler's Companion K:G c|Bcd d2=f|edc B2G|cd/e/c Bc/d/B|ecA A2c| Bcd d2=f|edc B2A|G2g fef|gGG G2:| |:d|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/| dB/c/d/B/ de=f|edc B2A|G2g fef|gGG G2:|]


X:7 T:Hare in the Corn [1] M:6/8 L:1/8 R:Jig S:O'Neill - Music of Ireland (1903), No. 766 Z:AK/Fiddler's Companion K:G (3A/B/c | d2G d2=f | edc B2G | c2e dcB | cAA A2 (B/c/) | d2G d2=f | edc BAG | Aag {g}fef | gGG G2 :| |: (3A/B/c/ | .d(B/c/d/B/) GBc | .d(B/c/d/B/) GBd | .e(c/d/e/c/) Ace | .e(c/d/e/c/) ABc | dBd ece | fef {a}gfe | dcB Agf | gGG G2 :||