Hare in the Corn (1): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Hare in the Corn (1) | |f_tune_title=Hare in the Corn (1) | ||
|f_aka=Gearrgiad Annsa Arbar (An), Gearrfhiadh 'San Arbhar, Absent Minded Man (The), Fox Chase (2) (The) | |f_aka=Gearrgiad Annsa Arbar (An), Gearrfhiadh 'San Arbhar, Absent Minded Man (The), Fox Chase (2) (The), Hare in ye Corn | ||
|f_country=England, Scotland, Ireland, Canada, United States | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Irish | |f_genre=Irish | ||
Line 10: | Line 10: | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AABB | |f_structure=AABB | ||
|f_book_title= | |f_book_title=Caledonian Country Dances | ||
|f_collector= | |f_collector=John Walsh | ||
|f_year= | |f_year=c. 1745 | ||
|f_page= | |f_page=p. 50 | ||
|f_theme_code_index=5563 4543 | |f_theme_code_index=5563 4543 | ||
|f_score=1 | |||
}} | }} | ||
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|image_alt=Traditional universal music | |||
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:Hare in the Corn [1] | T:Hare in the Corn [1] | ||
Line 33: | Line 49: | ||
|:dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/| | |:dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/| | ||
dcB edc|fed gfe|dcB Agf|gGG G2:|] | dcB edc|fed gfe|dcB Agf|gGG G2:|] | ||
</ | <section end=abc /> | ||
< | <section begin=X3 /> | ||
X:2 | X:2 | ||
T:Hare in the Corn [1] | |||
M:6/8 | |||
L:1/8 | |||
R:Jig | |||
Q:"Brisk" | |||
B:Oswald - Caledonian Pocket Companion, Book 7 (1760, p. 12) | |||
Z:AK/Fiddler's Companion | |||
K:A | |||
(c/d/)|e2A e2=g|fed Tc2A|d2f edc|dBB B2 (c/d/)| | |||
e2A ef=g|fed cBA|Bba gfg|aAA A2:| | |||
|:(c/d/)|e(c/d/e/c/) Aca|e(c/d/e/c/) Aca|d(B/c/d/B/) =GB=g|d(B/c/d/B/) =GB=g| | |||
e(c/d/e/c/) f(d/e/f/d/)|g(e/f/g/e/) a(f/g/a/f/)|edc Bag|aAA A2:| | |||
|:(c/d/)e3 Tf3|Te2d cBA|dfa cea|gBB B2 c/d/| | |||
ecA fdB|gec a2g|fed (c/d/e)B|cAA A2:| | |||
|:(c/d/)|ecA E(A/B/c/d/)|ecA acA|=gBG D(G/A/B/c/)|dB=G =GBG| | |||
ecA E(A/B/c/d/)|ecA aec|dcB bag|aAA A2:| | |||
|:(e/d/)|(c/d/e)A ceA|(d/e/f)A dfA|(c/d/e)A ceA|(G/A/B)E GBG| | |||
(c/d/e)A dfB|(e/f/g)e (f/g/a)f|(g/a/b)g aBe|cAA A2:| | |||
|:(f/g/)|(a/g/f/e/)c (a/g/f/e/)A|(a/g/f/e/)c (a/g/f/e/)A|(B/c/d/e/f/g/) aec| | |||
fBB B2 (c/d/)|e(c/e/)A f(d/f/)B|g(e/g/)c a>gf|Te>dc Bag|aAA A2:|] | |||
<section end=X3 /> | |||
<section begin=X6 /> | |||
X:3 | |||
T:Hare in the Corn [1] | T:Hare in the Corn [1] | ||
M:6/8 | M:6/8 | ||
Line 47: | Line 85: | ||
|:dB/c/d/B/ GB/c/d/B/| dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/| cA/B/c/A/ FA/B/c/A/| | |:dB/c/d/B/ GB/c/d/B/| dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/| cA/B/c/A/ FA/B/c/A/| | ||
dcB edc|fed gfe|dcB Agf|gGG G2:|| | dcB edc|fed gfe|dcB Agf|gGG G2:|| | ||
</ | <section end=X6 /> | ||
< | <section begin=X9 /> | ||
X: | X:4 | ||
T:Hare in the Corn, The | T:Hare in the Corn [1], The | ||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
R:Jig | R:Jig | ||
N: | Q:"Allegro" | ||
N:”This is a better set of this tune than I have seen in print.” | |||
N:There are six more sets of variations. | |||
B:Robert Riddell – Collection of Scotch Galwegian Border Tunes (1794, p. 22) | B:Robert Riddell – Collection of Scotch Galwegian Border Tunes (1794, p. 22) | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
Line 77: | Line 117: | ||
|:d|cec Ae=g|fdf ecA|dfd cec|dcd BeB| | |:d|cec Ae=g|fdf ecA|dfd cec|dcd BeB| | ||
cec Ae=g|fdf ecA|faf gbg|aAA A2:| | cec Ae=g|fdf ecA|faf gbg|aAA A2:| | ||
<section end=X9 /> | |||
</ | <section begin=X12 /> | ||
< | X:5 | ||
X: | T:Hare in the Corn [1], The | ||
T:Hare in the Corn, The | M:6/8 | ||
L:1/8 | |||
R:Jig | |||
Q:"With Spirit" | |||
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 103, p. 47) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
(3A/B/c/|(.d2.G) (.d2=.f)|(ed).c (.B2G)|(.c2.e) dc.B|(cA).A A2 (3A/B/c/| | |||
(.d2.G) (.d2=.f)|(ed).c (BA).G|(Aa).g {g}(fe).f|(gG).G G2|| | |||
(3A/B/c/)|.d(B/c/d/B/) .G(Bc)|.d(B/c/d/B/) .G(Bd)|.e(c/d/e/c/) .A(cd)|.e(c/d/e/c/) .A(Bc)| | |||
(dB).d (ec).e|(fd).f (gf).e|{e}(dc).B (Ag).f|(gG).G G2|| | |||
<section end=X12 /> | |||
<section begin=X14 /> | |||
X:6 | |||
T:Hare in the Corn [1], The | |||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
Line 92: | Line 146: | ||
|:d|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/| | |:d|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/| | ||
dB/c/d/B/ de=f|edc B2A|G2g fef|gGG G2:|] | dB/c/d/B/ de=f|edc B2A|G2g fef|gGG G2:|] | ||
</ | <section end=X14 /> | ||
< | <section begin=X18 /> | ||
X: | X:7 | ||
T:Hare in the Corn [1] | T:Hare in the Corn [1] | ||
M:6/8 | M:6/8 | ||
Line 106: | Line 160: | ||
|: (3A/B/c/ | .d(B/c/d/B/) GBc | .d(B/c/d/B/) GBd | .e(c/d/e/c/) Ace | .e(c/d/e/c/) ABc | | |: (3A/B/c/ | .d(B/c/d/B/) GBc | .d(B/c/d/B/) GBd | .e(c/d/e/c/) Ace | .e(c/d/e/c/) ABc | | ||
dBd ece | fef {a}gfe | dcB Agf | gGG G2 :|| | dBd ece | fef {a}gfe | dcB Agf | gGG G2 :|| | ||
</ | <section end=X18 /> | ||
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=[[ANNOTATION:{{PAGENAME}}| | <section begin=X1 /> | ||
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__NOTITLE__ |
Latest revision as of 14:32, 13 July 2022
X:1 T:Hare in the Corn [1] M:6/8 L:1/8 R:Country Dance B:John Walsh - Caledonian Country Dances (c. 1745, p. 50) N:Published in several volumes and different editions, 1731-c. 1745) Z:AK/Fiddler's Companion K:G G|d3-de=f|edc BAG|c2g B2g|aAA ABc| d3-de=f|edc BAG|cBc Agf|gGG G2:| |:dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/| dcB edc|fed gfe|dcB Agf|gGG G2:|]
X:2
T:Hare in the Corn [1]
M:6/8
L:1/8
R:Jig
Q:"Brisk"
B:Oswald - Caledonian Pocket Companion, Book 7 (1760, p. 12)
Z:AK/Fiddler's Companion
K:A
(c/d/)|e2A e2=g|fed Tc2A|d2f edc|dBB B2 (c/d/)|
e2A ef=g|fed cBA|Bba gfg|aAA A2:|
|:(c/d/)|e(c/d/e/c/) Aca|e(c/d/e/c/) Aca|d(B/c/d/B/) =GB=g|d(B/c/d/B/) =GB=g|
e(c/d/e/c/) f(d/e/f/d/)|g(e/f/g/e/) a(f/g/a/f/)|edc Bag|aAA A2:|
|:(c/d/)e3 Tf3|Te2d cBA|dfa cea|gBB B2 c/d/|
ecA fdB|gec a2g|fed (c/d/e)B|cAA A2:|
|:(c/d/)|ecA E(A/B/c/d/)|ecA acA|=gBG D(G/A/B/c/)|dB=G =GBG|
ecA E(A/B/c/d/)|ecA aec|dcB bag|aAA A2:|
|:(e/d/)|(c/d/e)A ceA|(d/e/f)A dfA|(c/d/e)A ceA|(G/A/B)E GBG|
(c/d/e)A dfB|(e/f/g)e (f/g/a)f|(g/a/b)g aBe|cAA A2:|
|:(f/g/)|(a/g/f/e/)c (a/g/f/e/)A|(a/g/f/e/)c (a/g/f/e/)A|(B/c/d/e/f/g/) aec|
fBB B2 (c/d/)|e(c/e/)A f(d/f/)B|g(e/g/)c a>gf|Te>dc Bag|aAA A2:|]
X:3
T:Hare in the Corn [1]
M:6/8
L:1/8
R:Jig
S:William Vickers' music manuscript collection ( Northumberland, 1770)
K:G
(d3 d>)e=f|edc BAG|c2a B2g|aAA ABc|
(d3 d)e=f|edc BAG|cBc agf|gGG G2:
|:dB/c/d/B/ GB/c/d/B/| dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/| cA/B/c/A/ FA/B/c/A/|
dcB edc|fed gfe|dcB Agf|gGG G2:||
X:4
T:Hare in the Corn [1], The
M:6/8
L:1/8
R:Jig
Q:"Allegro"
N:”This is a better set of this tune than I have seen in print.”
N:There are six more sets of variations.
B:Robert Riddell – Collection of Scotch Galwegian Border Tunes (1794, p. 22)
Z:AK/Fiddler’s Companion
K:A
d|c/d/eA e2=g|f/g/ad Tc2A|d/e/fd c/d/ec|dBB TB2d|
c/d/eA e2=g|f/g/ad Tc2A|Bba gfg|aAA A2:|
|:d|ec/d/e/c/ Ac/d/e/c/|ec/d/e/c/ Ac/d/e/c/|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|
ec/d/e/c/ fd/e/f/d/|ge/f/g/e/ af/g/a/f/|edc Bag|aAA A2:|
|:d|ecB Ae=g|fdf {f}ed/c/B/A/|d/e/f/d/c/B/ c/d/e/c/B/A/|dBB TB2d|
ecB Ae=g|f/g/a/f/e/d/ c/d/e/c/B/A/|Bd'c' bag|aec A2:|
|:d|ecB Acd|c/d/e/d/c/B/ Ace|dBG EGB|d/c/B/A/G/F/ EBd|
c/e/d/c/B/A/ d/f/e/d/c/B/|e/g/f/e/d/c/ a>gf/e/|f/e/d/c/B/A/ Bag|a/f/e/d/c/b/ A2:|
|:d|c/d/e/d/c/B/ A/=g/f/g/e/g/|f/d/c/d/a/d/ c/A/G/A/c/A/|d/f/e/f/d/f/ e/c/B/c/a/c/|
dBB TB2d|c/d/e/d/c/B/ A/=g/f/e/f/g/|f/d/c/d/a/d/ c/A/G/A/c/A/|
f/a/g/f/g/a/ g/b/a/g/a/b/|aAA A2::d|e/c/B/c/A/c/ A/c/B/c/e/c/|
a/c/B/c/A/c/ A/c/B/c/e/c/|d/B/A/B/G/B/ E/B/A/B/d/B/|b/B/A/B/G/B/ E/B/A/B/G/B/|
e/c/B/c/A/c/ f/d/c/d/D/d/|g/f/g/e/f/g/ a>gf/e/|f/e/d/c/B/A/ Bag|aAA A2:|
|:d|cA,C Ee=g|fDF ECA,|DfB, CeA,|dBB TB2d|
AA,C Ee=g|fDF ECA,|Dba[eg]fg|aAA A2:|
|:d|eCE Ace|CEA cea|dBB, G,B,E|G,B,E GBd|
ceA, dfB,|egC faD|eca Eag|aAA A2:|
|:d|cec Ae=g|fdf ecA|dfd cec|dcd BeB|
cec Ae=g|fdf ecA|faf gbg|aAA A2:|
X:5
T:Hare in the Corn [1], The
M:6/8
L:1/8
R:Jig
Q:"With Spirit"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 103, p. 47)
Z:AK/Fiddler’s Companion
K:G
(3A/B/c/|(.d2.G) (.d2=.f)|(ed).c (.B2G)|(.c2.e) dc.B|(cA).A A2 (3A/B/c/|
(.d2.G) (.d2=.f)|(ed).c (BA).G|(Aa).g {g}(fe).f|(gG).G G2||
(3A/B/c/)|.d(B/c/d/B/) .G(Bc)|.d(B/c/d/B/) .G(Bd)|.e(c/d/e/c/) .A(cd)|.e(c/d/e/c/) .A(Bc)|
(dB).d (ec).e|(fd).f (gf).e|{e}(dc).B (Ag).f|(gG).G G2||
X:6
T:Hare in the Corn [1], The
M:6/8
L:1/8
R:jig
B:P.H. Hughes - Gems from the Emerald Isle (c. 1860's, No. 91, p. 21)
Z:AK/Fiddler's Companion
K:G
c|Bcd d2=f|edc B2G|cd/e/c Bc/d/B|ecA A2c|
Bcd d2=f|edc B2A|G2g fef|gGG G2:|
|:d|dB/c/d/B/ GB/c/d/B/|dB/c/d/B/ GB/c/d/B/|cA/B/c/A/ FA/B/c/A/|cA/B/c/A/ FA/B/c/A/|
dB/c/d/B/ de=f|edc B2A|G2g fef|gGG G2:|]
X:7
T:Hare in the Corn [1]
M:6/8
L:1/8
R:Jig
S:O'Neill - Music of Ireland (1903), No. 766
Z:AK/Fiddler's Companion
K:G
(3A/B/c | d2G d2=f | edc B2G | c2e dcB | cAA A2 (B/c/) |
d2G d2=f | edc BAG | Aag {g}fef | gGG G2 :|
|: (3A/B/c/ | .d(B/c/d/B/) GBc | .d(B/c/d/B/) GBd | .e(c/d/e/c/) Ace | .e(c/d/e/c/) ABc |
dBd ece | fef {a}gfe | dcB Agf | gGG G2 :||