Annotation:Crowley's (1): Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Crowley's_(1) > | |||
'''CROWLEY'S [1]''' (Ríl Uí Chruaidhlaoich). Irish, Reel. D Major. Standard tuning (fiddle). AB (Breathnach, Harker/Rafferty, Moylan): AAB (Miller & Perron): AABB (Mulvihill, Taylor). The reel is commonly played along with the second Crowley reel and together are known as "Crowley's Reels." The Irish fiddle master Michael Coleman (b. 1891, Co. Sligo – d. 1945, New York) is the source for most versions of this tune, although accordion player Joe Cooley (Peterswell, County Galway) also helped popularize it. David Taylor (1992) thinks the tune was probably originally called "Crowley's" by Coleman, who, like other Irish musicians, frequently named tunes after his associates. Coleman's associate, of whom little is known, is sometimes referred to as "Master" Crowley. Coleman recorded the melody, paired with "[[Crowley's (2)]]", in New York for Decca Records in 1935. | |f_annotation='''CROWLEY'S [1]''' (Ríl Uí Chruaidhlaoich). Irish, Reel (cut time). D Major. Standard tuning (fiddle). AB (Breathnach, Harker/Rafferty, Moylan): AAB (Miller & Perron): AABB (Mulvihill, Prior, Taylor). The reel is commonly played along with the second Crowley reel and together are known as "Crowley's Reels." The Irish fiddle master Michael Coleman (b. 1891, Co. Sligo – d. 1945, New York) is the source for most versions of this tune, although accordion player Joe Cooley (Peterswell, County Galway) also helped popularize it. David Taylor (1992) thinks the tune was probably originally called "Crowley's" by Coleman, who, like other Irish musicians, frequently named tunes after his associates. Coleman's associate, of whom little is known, is sometimes referred to as "Master" Crowley. Coleman recorded the melody, paired with "[[Crowley's (2)]]", in New York for Decca Records in 1935. | ||
|f_source_for_notated_version=fiddler Tommy Potts (Ireland) [Breathnach]; Michael Coleman (Co. Sligo/New York) [Miller & Perron, Williamson]; accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border) [Moylan]; John Clancy (Bronx, NY) [Mulvihill]; set dance music recorded live at Na Píobairí Uilleann, mid-1980's [Taylor]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. | |||
|f_printed_sources=Breathnach ('''Ceol Rince na hÉireann vol. 1'''), 1963; No. 137, p. 55. | |||
Breathnach (''' | |||
Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 47, p. 15. | Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 47, p. 15. | ||
Lyth ('''Bowing Styles in Irish Fiddle Music'''), 1981; 39. | Lyth ('''Bowing Styles in Irish Fiddle Music'''), 1981; 39. | ||
Miller & Perron ('''Irish Traditional Fiddle Music'''), 1977; | Miller & Perron ('''Irish Traditional Fiddle Music, vol. 3'''), 1977; No. 41. | ||
Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 59. | Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 59. | ||
Moylan ('''Johnny O'Leary of Sliabh Luachra'''), 1994; No. 309, p. 178. | Moylan ('''Johnny O'Leary of Sliabh Luachra'''), 1994; No. 309, p. 178. | ||
Mulvihill ('''1st Collection'''), 1986; No. 226, p. 61. | Mulvihill ('''1st Collection'''), 1986; No. 226, p. 61. | ||
Prior ('''Fionn Seisiún 3'''), 2007; p. 16. | |||
Taylor ('''Through the Half-Door'''), 1992; No. 34, p. 25. | Taylor ('''Through the Half-Door'''), 1992; No. 34, p. 25. | ||
Taylor ('''Music for the Sets: Yellow Book'''), 1995; p. 18. | Taylor ('''Music for the Sets: Yellow Book'''), 1995; p. 18. | ||
Tubridy ('''Irish Traditional Music, vol. 1'''), 1999; p. 18. | Tubridy ('''Irish Traditional Music, vol. 1'''), 1999; p. 18. | ||
Williamson ('''English, Welsh, Scotch and Irish Fiddle Tunes'''), 1976; p. 84. | Williamson ('''English, Welsh, Scotch and Irish Fiddle Tunes'''), 1976; p. 84. | ||
|f_recorded_sources=Ace of Hearts AH56, Michael Coleman (reproduction of an old 78 RPM recording). | |||
Ace of Hearts AH56, Michael Coleman (reproduction of an old 78 RPM recording). | |||
Columbia, Michael Coleman, mid-1930's. | Columbia, Michael Coleman, mid-1930's. | ||
Compass 7 4287 2, Cathal McConnell – "Long Expectant Comes at Last" (2000. Learned from the Coleman 78's). | Compass 7 4287 2, Cathal McConnell – "Long Expectant Comes at Last" (2000. Learned from the Coleman 78's). | ||
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Philo 2001, "Jean Carrignan" (learned from Coleman's recordings). | Philo 2001, "Jean Carrignan" (learned from Coleman's recordings). | ||
RCA 5798-2-RC, "James Galway and the Chieftains" (1986). | RCA 5798-2-RC, "James Galway and the Chieftains" (1986). | ||
|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/c13.htm#Crore1]<br> | |||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/c13.htm#Crore1]<br> | |||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/423/]<br> | Alan Ng's Irishtune.info [http://www.irishtune.info/tune/423/]<br> | ||
}} | |||
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Latest revision as of 02:31, 6 September 2022
X:1 T:Crowley's [1] M:C| L:1/8 K:D B|A3dB2dB|ADFD ADFD|A3A BABc|dfeg fddB| ADFA B2 dB|ADFD ADFD|A3A BABc|d2 eg fdde|| f3a g2fg|eA c/B/A eA c/B/A|f3a g2 fg|afge fdde| f3a g2fg|eA c/B/A eA c/B/A|f3a g2 fg|afge fd d||
CROWLEY'S [1] (Ríl Uí Chruaidhlaoich). Irish, Reel (cut time). D Major. Standard tuning (fiddle). AB (Breathnach, Harker/Rafferty, Moylan): AAB (Miller & Perron): AABB (Mulvihill, Prior, Taylor). The reel is commonly played along with the second Crowley reel and together are known as "Crowley's Reels." The Irish fiddle master Michael Coleman (b. 1891, Co. Sligo – d. 1945, New York) is the source for most versions of this tune, although accordion player Joe Cooley (Peterswell, County Galway) also helped popularize it. David Taylor (1992) thinks the tune was probably originally called "Crowley's" by Coleman, who, like other Irish musicians, frequently named tunes after his associates. Coleman's associate, of whom little is known, is sometimes referred to as "Master" Crowley. Coleman recorded the melody, paired with "Crowley's (2)", in New York for Decca Records in 1935.