Annotation:Over the Bridge to Judy: Difference between revisions
No edit summary |
No edit summary |
||
Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''OVER THE BRIDGE TO JUDY.''' Irish, Reel (whole time). G Major. Standard tuning (fiddle). AAB. The tune is contained in vol. 2 (p. 154)[http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=157&z=-812.4479%2C857.5677%2C11887.7255%2C4135.8025] of the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper [[wikipedia:James_Goodman_(musicologist)]]. Goodman manuscripts researchers Hugh and Lisa Shields find a cognate reel that appears as "A Munster Reel" in Charles Villiers Stanford's edition of the music collection of George Petrie (Stanford/Petrie, 1905, No. 894). Petrie (1790-1866) obtained the tune from a younger collector, P.W. Joyce (1827-1914), but Petrie had some doubts about its pedigree for his collection, for he penciled in alongside the tune in his ms., "not to be used, too Scotch?" | |f_annotation='''OVER THE BRIDGE TO JUDY.''' Irish, Reel (whole time). G Major. Standard tuning (fiddle). AAB. The tune is contained in vol. 2 (p. 154)[http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=157&z=-812.4479%2C857.5677%2C11887.7255%2C4135.8025] of the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper [[wikipedia:James_Goodman_(musicologist)]]. Goodman manuscripts researchers Hugh and Lisa Shields find a cognate reel that appears as "A Munster Reel" in Charles Villiers Stanford's edition of the music collection of George Petrie (Stanford/Petrie, 1905, No. 894). Petrie (1790-1866) obtained the tune from a younger collector, P.W. Joyce (1827-1914), but Petrie had some doubts about its pedigree for his collection, for he penciled in alongside the tune in his ms., "not to be used, too Scotch?" | ||
|f_source_for_notated_version= | |f_source_for_notated_version=James Goodman (1828-1896) entered the tune into his manuscript, having obtained it from the music manuscript collections of Seán Ó Dálaigh (John O'Daly, 1800-1878), the great nineteenth-century scribe; compiler and collector of manuscripts; editor; anthologist; publisher of Gaelic verse and stories and founder of societies for the publication of Gaelic literature, best-known today for his volume '''Poets and Poetry of Munster''' (1849). O’Daly was born in the Sliabh gCua area of west Waterford and was, like Goodman, a teacher of Irish. | ||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Over_the_Bridge_to_Judy > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Over_the_Bridge_to_Judy > | ||
}} | }} | ||
---------- | ---------- |
Latest revision as of 01:53, 24 October 2022
X:1 T:Over the Bridge to Judy M:C L:1/8 R:Reel N:Goodman obtained the tune from a collection provided by 19th century N:Dublin bookseller John O'Daly, according to Hugh and Lisa Shields. N:2nd strain in key of C probably. S:Rev. James Goodman music manuscript collection (vol. 2, p. 154) N:Canon Goodman was a uilleann piper and cleric who collected primarily N:in County Cork from a variety of sources in the mid-19th century F:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=157&z=-812.4479%2C857.5677%2C11887.7255%2C4135.8025 Z:AK/Fiddler’s Companion K:G E|(GE)(AF) GEDE|GecA A2 GE|GecA GAcd|edcA d2 cA:| cdef gage|gage f2 ed|cdef gage|aged d2 cA| cdef gage|gage f2 ed| cdef g2a2|bage d2 cA||
OVER THE BRIDGE TO JUDY. Irish, Reel (whole time). G Major. Standard tuning (fiddle). AAB. The tune is contained in vol. 2 (p. 154)[1] of the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper wikipedia:James_Goodman_(musicologist). Goodman manuscripts researchers Hugh and Lisa Shields find a cognate reel that appears as "A Munster Reel" in Charles Villiers Stanford's edition of the music collection of George Petrie (Stanford/Petrie, 1905, No. 894). Petrie (1790-1866) obtained the tune from a younger collector, P.W. Joyce (1827-1914), but Petrie had some doubts about its pedigree for his collection, for he penciled in alongside the tune in his ms., "not to be used, too Scotch?"