Annotation:Quatre coins (2) (Les): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''QUATRE COINS [2], LES''' (The Four Corners). French-Canadian, Reel (2/4 time). D Major. Standard tuning (fiddle). AAB. Researcher Jean Duval finds Boucher's "Les Quatre Coins [2]" to be similar to the group of tunes typified by "[[Four Poster Bed (The)]]" in which the fiddler taps the top of the fiddle with his/her bow in time to rests or pizzicato notes in the music. There are a few such tunes in Québec repertory, notably "[[Quatre coins de St-Malo (Les)]]." | |f_annotation='''QUATRE COINS [2], LES''' (The Four Corners). French-Canadian, Reel (2/4 time). D Major. Standard tuning (fiddle). AAB. Researcher Jean Duval finds Boucher's "Les Quatre Coins [2]" to be similar to the group of tunes typified by "[[Four Poster Bed (The)]]" in which the fiddler taps the top of the fiddle with his/her bow in time to rests or pizzicato notes in the music. There are a few such tunes in Québec repertory, notably "[[Quatre coins de St-Malo (Les)]]," but also including "[[Bobelo (Le)]]" and "[[Reel des enfants]]." Duval notes that Montreal fiddler J.O. La Madeleine's "[[Rabidibidou]]", recorded in 1929, is also similar, with a second strain that is almost identical to Boucher's "Quatre Coins [2]." | ||
|f_printed_sources= J.A. Boucher ('''Le Repertoire du Violoneux'''), 1933; No. 90, p. 46. | |f_printed_sources= J.A. Boucher ('''Le Repertoire du Violoneux'''), 1933; No. 90, p. 46. | ||
|f_see_also_listing=See Jean Duval's 2018 annotated edition of Boucher's 1933 collection [https://leviolondejos.wiki/images/9/9a/Le_Répertoire_du_Violoneux_de_J-A_Boucher_(réédition_2018_par_Jean_Duval).pdf]<br> | |f_see_also_listing=See Jean Duval's 2018 annotated edition of Boucher's 1933 collection [https://leviolondejos.wiki/images/9/9a/Le_Répertoire_du_Violoneux_de_J-A_Boucher_(réédition_2018_par_Jean_Duval).pdf]<br> | ||
}} | }} | ||
Latest revision as of 00:32, 6 November 2022
X:1 T:Quatre coins [2], Les T:Four Corners, The M:2/4 L:1/8 B:J.A. Boucher – “Le Repertoire du Violoneux” (1933, No. 90, p. 46) B:“Le Repertoire du Violoneux” (Nouvelle édition 2018 par Jean Duval) [1] K:D e/f/|g/a/g/f/ e/c/e/a/|af de/f/|g/a/g/f/ e/f/e/c/|dd de/f/| g/a/g/f/ e/c/e/a/|af de/f/|g/a/g/f/ e/f/e/c/|1 dz z:|1 d z3|| |:e/f/e/d/ cA|ce/z/ e2|e/f/e/d/ cA|ce/z/ d2|e>d ef|d2 z2:| c/z/"+"e "+"A"+"e/z/|e>d ef|d2 z||
QUATRE COINS [2], LES (The Four Corners). French-Canadian, Reel (2/4 time). D Major. Standard tuning (fiddle). AAB. Researcher Jean Duval finds Boucher's "Les Quatre Coins [2]" to be similar to the group of tunes typified by "Four Poster Bed (The)" in which the fiddler taps the top of the fiddle with his/her bow in time to rests or pizzicato notes in the music. There are a few such tunes in Québec repertory, notably "Quatre coins de St-Malo (Les)," but also including "Bobelo (Le)" and "Reel des enfants." Duval notes that Montreal fiddler J.O. La Madeleine's "Rabidibidou", recorded in 1929, is also similar, with a second strain that is almost identical to Boucher's "Quatre Coins [2]."
