Annotation:Faraway Wedding (3) (The): Difference between revisions
No edit summary |
No edit summary |
||
| Line 2: | Line 2: | ||
|f_annotation='''FAR AWAY WEDDING [3], THE'''. Irish, Jig (6//8 time). D Major. Standard tuning (fiddle). AABB. "Far Away Wedding [3]" can be found in the large mid-19th century music manuscript collection of County Cork Church of Ireland cleric and uilleann piper [[wikipedia:James_Goodman_(musicologist)]] (1828-1896) and in the mid-19th century music manuscript collection of Sliabh Luachra musician D. Curtin. The jig is a member of an old tune family that appears to be of Scottish/English provenance, with many of its variants having Borders associations. The first strain is a transposed cognate with (and probably derived from) "[[Wright's Rant]]", published by Robert Bremner c. 1757. The second strains of the tunes are similarly related, albeit with a bit more distance between the melodies, but harmonically and structurally correspondent. Compare also with London music publisher Daniel Wright's "[[Faraway Wedding (1) (The)]]," a 9/8 setting of similar melodic material. | |f_annotation='''FAR AWAY WEDDING [3], THE'''. Irish, Jig (6//8 time). D Major. Standard tuning (fiddle). AABB. "Far Away Wedding [3]" can be found in the large mid-19th century music manuscript collection of County Cork Church of Ireland cleric and uilleann piper [[wikipedia:James_Goodman_(musicologist)]] (1828-1896) and in the mid-19th century music manuscript collection of Sliabh Luachra musician D. Curtin. The jig is a member of an old tune family that appears to be of Scottish/English provenance, with many of its variants having Borders associations. The first strain is a transposed cognate with (and probably derived from) "[[Wright's Rant]]", published by Robert Bremner c. 1757. The second strains of the tunes are similarly related, albeit with a bit more distance between the melodies, but harmonically and structurally correspondent. Compare also with London music publisher Daniel Wright's "[[Faraway Wedding (1) (The)]]," a 9/8 setting of similar melodic material. | ||
|f_source_for_notated_version=The mid-19th century music manuscripts of County Cork cleric and uilleann piper, James Goodman [Shields] | |f_source_for_notated_version=The mid-19th century music manuscripts of County Cork cleric and uilleann piper, James Goodman [Shields] | ||
|f_printed_sources=Kennedy ('''Jigs & Quicksteps, Trips & Humours'''), 1997; No. 42, p. 12. O'Farrell ('''Pocket Companion, vol. III'''), c. 1808; p. 47. O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 153. Shields | |f_printed_sources=Kennedy ('''Jigs & Quicksteps, Trips & Humours'''), 1997; No. 42, p. 12. O'Farrell ('''Pocket Companion, vol. III'''), c. 1808; p. 47. O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 153. Hugh Shields ('''Tunes of the Munster Pipers vol. 1'''), 1998; No. 190, p. 78. | ||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Faraway_Wedding_(3)_(The) > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Faraway_Wedding_(3)_(The) > | ||
}} | }} | ||
Latest revision as of 01:49, 6 November 2022
X:2 T:Far away Wedding [3], The M:6/8 L:1/8 R:Jig S:O'Farrell - Pocket Companion, vol. III (c. 1808) Z:AK/Fiddler's Companion K:D A | FDD ADD | FDD AGF | GEE BEE | GEE BAG | FDD ADD | FDD AGF | G2A B2A | BdF E2D :| |: FGA dcd | FDD AGF | GEE BEE | GEE BAG | FGA dcd | FDD AGF | G2A B2A | BdF E2D :||
FAR AWAY WEDDING [3], THE. Irish, Jig (6//8 time). D Major. Standard tuning (fiddle). AABB. "Far Away Wedding [3]" can be found in the large mid-19th century music manuscript collection of County Cork Church of Ireland cleric and uilleann piper wikipedia:James_Goodman_(musicologist) (1828-1896) and in the mid-19th century music manuscript collection of Sliabh Luachra musician D. Curtin. The jig is a member of an old tune family that appears to be of Scottish/English provenance, with many of its variants having Borders associations. The first strain is a transposed cognate with (and probably derived from) "Wright's Rant", published by Robert Bremner c. 1757. The second strains of the tunes are similarly related, albeit with a bit more distance between the melodies, but harmonically and structurally correspondent. Compare also with London music publisher Daniel Wright's "Faraway Wedding (1) (The)," a 9/8 setting of similar melodic material.
