Bob and Joan: Difference between revisions

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Q:"Allegretto Spiritoso"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 196, p. 89)
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 196, p. 89)
Z:AK/Fiddler’s Companion
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“Allegretto Spiritoso”d>BBG B2 |d>B BG (Ac)|D>BBG B2|c>ccB (Ac)||
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'''BOB AND JOAN'''. See "[[Boban John]]," "[[Bobbing Joan]]," "[[Bobbing Joe]]," "[[Hey for Stoney Batter]]," "[[Fill the Bumper Fair]]," "[[Love and Whiskey]]," "[[Stoneybatter (1)]]." Irish, Air or March (9/8). G Major (Colclough): D Major (Kennedy). Standard tuning (fiddle). AB (Roche): AABB (Breathnach): AABB' (Kennedy). A variant of the Scottish tune "Boban John" here given in a different time  signature, although based on a triple hornpipe (3/2 time) theme that goes by various titles. The air was used in the opera '''The Wife of Two Husbands''' for the song "[[Love and Whiskey]]," to which Thomas Moore later wrote "[[Fill the Bumper Fair]]." Breathnach (1963) gives these words:
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''Hi for Bob and Joan,''<br>
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
''Hi for Stoneybatter;''<br>
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''Leave your wife at home''<br>
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''Or surely I'll be at her.''
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Crofton Croker mentions "Bob and Joan" in conjunction with James Gandsey (1769-1857), the famous Kerry piper (as reported by Brendan Breathnach in '''The Man and His Music''' {1997}).  Gandsey, who was nearly blind from smallpox contracted as an infant, nevertheless was an incomparable talent of his time on his instrument, whose talents also included telling a good story, singing a good song and holding his own at capping Latin verses (a skill learned as a youth in a hedge school) with any educated person in the county.  Croker describes several musical encounters with Gandsey at Gorham's Hibernian Hotel, at one of which a request was made of the piper for a lively song.  "Come boy, scrape away," said Gandsey to his son, a fiddler, and responded by singing "Bob and Joan," to which he had set his own words:
<blockquote>
''To Killarney we will go,''<br>
''And see fair nature's beauties,''<br>
''The mountain topped with snow,''<br>
''And covered with arbutus.''<br>
''Oh! Then, to hear at night,''<br>
''At Gorham's, how entrancing,''<br>
''Old Gandsey play his pipes,''<br>
''Which steps the maids a dancing!''<br>
''Tow, row, row, row, row etc.''
</blockquote>
See also Robert Bremner's related "[[Miss Murray’s Reel (2)]]."
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<br>
''Source for notated version'': piper Seán Potts (Ireland) [Breathnach].
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<br>
''Printed sources:'' Breathnach (CRÉ I), 1963; No. 63, p. 27. Colclough ('''Tutor for the Irish Union Pipes'''), c. 1830; p. 17. Johnson ('''A Further Collection of Dances, Marches, Minuetts and Duetts of the Latter 18th Century'''), 1998; p. 3. Kennedy ('''Fiddler's Tune Book: Slip Jigs and Waltzes'''), 1999; p. 4, No. 6. '''Roche Collection''', vol. II, 1982; No. 343, p. 61.
 
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'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
<br>
Engraver Valerio M. Pelliccioni
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Latest revision as of 04:03, 13 November 2022


Bob and Joan  Click on the tune title to see or modify Bob and Joan's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bob and Joan
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 Theme code Index    311 312
 Also known as    Boban John, Bobbing Joan, Bobbing Joe, Hey for Stoney Batter, Fill the Bumper Fair, Love and Whiskey, Stoneybatter (1)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece, March/Marche
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4, 9/8
 History    
 Structure    AABBCCD
 Editor/Compiler    Biography:Henry Colclough
 Book/Manuscript title    Book:Tutor for the Irish Union Pipes
 Tune and/or Page number    p. 17
 Year of publication/Date of MS    c. 1830
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Bob and Joan: Annotations

X:1 T:Bob and Joan M:3/4 L:1/8 S:Colclough - Tutor for the Irish Union Pipes (c. 1830) Z:AK/Fiddler's Companion K:G BGGE G2 | BGGBAc | BGGE G2 | D/E/F/G/ A/B/A/G/ FA :| |: GBdG B2 | G/A/B/c/ d/e/f/g/ Bd | GB d/e/d/c/ B2 cAADFA :| |: gbdgBd | g/b/c'/b/ ag fa | gbef gf/g/ | addd fa :| || G/E/B/E/ C/E/B/E/ G2 | G/B/d/g/ c/B/A/G/ F/G/A/B/ | G/E/B/E/ c/E/B/E/ G2 | F/G/A/B/ AD FA | G/E/B/E/ C/E/B?E/ G2 | G/A/B/c/ d/e/d/c/ d>g | c'/b/a/g/ b/a/g/f/ g>f | eA A/B/A/G/ FA ||


X:1 T:Bob and Joan M:3/4 L:1/8 R:Country Dance Q:"Allegretto Spiritoso" B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 196, p. 89) Z:AK/Fiddler’s Companion K:Bb d>BBG B2 |d>B BG (Ac)|D>BBG B2|c>ccB (Ac)|| B>dfe d2|B>dfe (df)|(gfed) c>c|c>ccB (Ac)| d<BBG B2|d>BBG (Ac)|d>BBG B2|c>ccc (Ac)||


Bob and Joan: Annotations

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