Miss Lucia Campbell's Strathspey: Difference between revisions

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Line 65: Line 65:
K:D
K:D
N:1st full bar after first repeat, replaced third note which was written as a quaver
N:1st full bar after first repeat, replaced third note which was written as a quaver
(B | A)<DA>F  A<DA>F | A<DA>F BE-E>F | A<DA>F Td>ef>e | d>B A/B/d/F/ ADD :||:
(B | A)<DA>F  A<DA>F | A<DA>F BE-E>F | A<DA>F Td>ef>e | d>B A/B/d/F/ ADD :|
f | d>BA<F Td>ef>e | d>BA<F eEE>e | d>BA<F Td>ef>e | d>B A/B/d/F/ AD D :||:
|:f | d>BA<F Td>ef>e | d>BA<F eEE>e | d>BA<F Td>ef>e | d>B A/B/d/F/ AD D :|
B | AD (A/G/F) AD (A/G/F) | AD (A/G/F) BETE>F | AD (A/G/F) Td>ef>e | d>B A/B/d/F/ AD D :||:
|:B | AD (A/G/F) AD (A/G/F) | AD (A/G/F) BETE>F | AD (A/G/F) Td>ef>e | d>B A/B/d/F/ AD D :|
f | d>fA>f d>fA>f | d>fA>f eEE>e | d>fA>f Td>ef>e | d>B A/B/d/F/ AD D :||:
|:f | d>fA>f d>fA>f | d>fA>f eEE>e | d>fA>f Td>ef>e | d>B A/B/d/F/ AD D :|
F | A,>D (F/E/D) A>D (F/E/D) | A,>D (F/E/D) BE-E>F | A,>D (F/E/D) A>D (F/E/D) | d>B A/B/d/F/ AD D :||:
|:F | A,>D (F/E/D) A>D (F/E/D) | A,>D (F/E/D) BE-E>F | A,>D (F/E/D) A>D (F/E/D) | d>B A/B/d/F/ AD D :|
f/g/ | (a>ba>f) ~d>ef>d | e<fd>f eE-E>e | ~a>b a/b/a/f/ Td>ef>e | d>B A/B/d/F/ AD D :|]
|:f/g/ | (a>ba>f) ~d>ef>d | e<fd>f eE-E>e | ~a>b a/b/a/f/ Td>ef>e | d>B A/B/d/F/ AD D :|]
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T:Lucia Campbell's Delight. Roose.0352
T:Lucia Campbell's Delight. Roose.0352
M:C
M:C
L:1/8
L:1/16
Q:1/4=120
Q:1/4=120
B:Roose MS, 1850
B:Roose MS, 1850
Z:Village Music Project, Peter Dunk 2019
Z:Village Music Project, Peter Dunk 2019
K:D
K:D
|:B|A<DA<F A<DA<F|A<DA<F BE-E>F|A<DA<F d>ef>e|d>B A/B/d/F/ ADD:|
|:B2|AD3AF3 AD3AF3|AD3AF3 B2E2-E3F|AD3AF3 d3ef3e|d3B ABdF A2D2D2:|
|:f|d>B A<F d>ef>e|d<B A>F eEEe|d>B A<F d>ef>e|d>B d/B/A/F/ ADD:|
|:f2|d3B AF3 d3ef3e|dB3 A3F e2E2E2e2|d3B AF3 d3ef3e|d3B dBAF A2D2D2:|
|:B|AD (A/G/F) AD (A/G/F)|AD (A/G/F) B>EE>F|AD (A/G/F) d>ef>e|d>B A/B/d/F/ ADD:|
|:B2|A2D2 (AGF2) A2D2 (AGF2)|A2D2 (AGF2) B3EE3F|A2D2 (AGF2) d3ef3e|d3B ABdF A2D2D2:|
|:f|d>fA>f d>fA>f|d>fA>f eEE>e|d>fA>f d>ef>e|d>B A/B/d/F/ ADD:|
|:f2|d3fA3f d3fA3f|d3fA3f e2E2E3e|d3fA3f d3ef3e|d3B ABdF A2D2D2:|
|:F|A,>D (F/E/D) AD (F/E/D)|A,>A (F/E/D) BEE>F|A,>D (F/E/D) AD (F/E/D)|d>B A/B/d/F/ ADD:|
|:F2|A,3D (FED2) A2D2 (FED2)|A,3A (FED2) B2E2E3F|A,3D (FED2) A2D2 (FED2)|d3B ABdF A2D2D2:|
|:f|a>ba>f d>ef>d|e>fd>f eEE>f|a>b a/b/a/f/ d>ef>e|d>B A/B/d/F/ ADD:|
|:f2|a3ba3f d3ef3d|e3fd3f e2E2E3f|a3b abaf d3ef3e|d3B ABdF A2D2D2:|
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Latest revision as of 18:09, 13 January 2023


Miss Lucia Campbell's Strathspey  Click on the tune title to see or modify Miss Lucia Campbell's Strathspey's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Miss Lucia Campbell's Strathspey
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 Theme code Index    5555 5562
 Also known as    Ball na Grandach, Lucy Campbell (3), Miss Lucia Campbell's Delight, Miss Lucy Campbell's Delight, Countess of Loudon's Strathspey (2), Miss Louisa Campbell's Strathspey
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Strathspey
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABBCCDDEEFF
 Editor/Compiler    Joshua Campbell
 Book/Manuscript title    Book:A Collection of New Reels & Highland Strathspeys &c.
 Tune and/or Page number    p. 7
 Year of publication/Date of MS    1789
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   




X:1 T:Miss Louisa Campbell's Strathspey M:C L:1/8 R:Strathspey B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 7) Z:AK/Fiddler’s Companion K:D B|(A<D)(A<F) (A<D)(B<F)|(A<D)(A<F) (B<E)(EF)|(A<D)(A<F) d>ef>e|d>B A/B/d/F/ ADD:| |:f|d>BAF d>ef>e|d>BA>F eEEe|d>BA>F d>ef>e|d>B d/B/A/F/ ADD:| |:B|AD (A/G/F) AD (A/G/F)|AD (A/G/F) BEEF|1 AD (A/G/F) d>ef>e|d>B A/B/d/F/ ADD:| |2 (A/D/E/F/) (G/A/B/c/) (d/e/f/g/) (a/g/f/e/)|(f/e/d/c/) (d/B/A/F/) ADD|| |:f|(d>f)(A>f) (d>f)(A>f)|(d>f)(A>f) eEE(e|1 d>f)A>c d>ef>e|d>B A/B/d/F/ ADD:| |2 (d/f/e/f/) (A/f/e/f/) (d/e/f/g/) (a/g/f/e/)|(f/e/d/c/) (d/B/A/F/) ADD|| |:A|A,>C T(FE/D/) AD T(FE/D/)|A,>D T(FE/D/) (AE)EF|1 A,>D T(FE/D/) AD (FE/D/)|d>B A/B/d/F/ ADD:| |2 (A,/B,/C/D/) (E/F/G/A/) (B/c/d/e/) (f/d/c/B/)|(A/d/c/d/) (B/A/d/F/) ADD|| |:(f|a>b)af d>efd|e>fd>f eEEf|1 a>b a/b/a/f/ d>ef>e|d>B A/B/d/F/ ADD:| |2 (a/b/a/g/) (f/g/a/f/) (e/g/f/g/) (f/e/d/c/)|(d/e/f/e/) (d/B/A/F/) ADD||


X:1 T:Miss Lucia Campbell's Strathspey. R:strathspey M:C L:1/8 B:Complete Tutor Violin (c. 1815) Z:Dr. Evan Jones, 2005 K:D N:1st full bar after first repeat, replaced third note which was written as a quaver (B | A)<DA>F A<DA>F | A<DA>F BE-E>F | A<DA>F Td>ef>e | d>B A/B/d/F/ ADD :| |:f | d>BA<F Td>ef>e | d>BA<F eEE>e | d>BA<F Td>ef>e | d>B A/B/d/F/ AD D :| |:B | AD (A/G/F) AD (A/G/F) | AD (A/G/F) BETE>F | AD (A/G/F) Td>ef>e | d>B A/B/d/F/ AD D :| |:f | d>fA>f d>fA>f | d>fA>f eEE>e | d>fA>f Td>ef>e | d>B A/B/d/F/ AD D :| |:F | A,>D (F/E/D) A>D (F/E/D) | A,>D (F/E/D) BE-E>F | A,>D (F/E/D) A>D (F/E/D) | d>B A/B/d/F/ AD D :| |:f/g/ | (a>ba>f) ~d>ef>d | e<fd>f eE-E>e | ~a>b a/b/a/f/ Td>ef>e | d>B A/B/d/F/ AD D :|]


X:0352 T:Lucia Campbell's Delight. Roose.0352 M:C L:1/16 Q:1/4=120 B:Roose MS, 1850 Z:Village Music Project, Peter Dunk 2019 K:D |:B2|AD3AF3 AD3AF3|AD3AF3 B2E2-E3F|AD3AF3 d3ef3e|d3B ABdF A2D2D2:| |:f2|d3B AF3 d3ef3e|dB3 A3F e2E2E2e2|d3B AF3 d3ef3e|d3B dBAF A2D2D2:| |:B2|A2D2 (AGF2) A2D2 (AGF2)|A2D2 (AGF2) B3EE3F|A2D2 (AGF2) d3ef3e|d3B ABdF A2D2D2:| |:f2|d3fA3f d3fA3f|d3fA3f e2E2E3e|d3fA3f d3ef3e|d3B ABdF A2D2D2:| |:F2|A,3D (FED2) A2D2 (FED2)|A,3A (FED2) B2E2E3F|A,3D (FED2) A2D2 (FED2)|d3B ABdF A2D2D2:| |:f2|a3ba3f d3ef3d|e3fd3f e2E2E3f|a3b abaf d3ef3e|d3B ABdF A2D2D2:|


X:2 T:Miss Lucy Campbell's Strathspey M:C L:1/8 R:Strathpsey B:Ross's Collection (1885, No. 313) Z:AK/Fiddler's Companion K:Amix f|e<Ae<c e<Ae<c|e<Ae>c f<BB>f|e<Ae>d e>fg>e|ag/f/ e>c eA A:| |:e|a>fe>c e>fg>e|a>fe>c f>BB>e|a>fe>c e>fg>e|ag/f/ e>c eA A:| |:e|A>Bc>A e>Ac>A|A>Bc>A f>BB>e|A>Bc>A e>Ac>A|ag/f/ e>c eA A:| |:a|e<ac/<c/a e<ac/<ca|e<ac/>c/a f>BB>a|e<ac/<c/a e>fg>e|ag/f/ e>c eA A:|]