Lumps of Puddings (2): Difference between revisions

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|:dc|B2d2g2 B2d2g2|B2d2g2 G4AB|A2c2f2 A2c2f2|A2c2f2 F4 dc|
|:dc|B2d2g2 B2d2g2|B2d2g2 G4AB|A2c2f2 A2c2f2|A2c2f2 F4 dc|
B2d2g2B2d2g2|B2d2g2 f4d2|cdcAG^F G3A Bc|d4B2 G4:||
B2d2g2B2d2g2|B2d2g2 f4d2|cdcAG^F G3A Bc|d4B2 G4:||
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|: e | (a/#g/)(a/g/)(a/g/) acA | acA A2 e/f/ | (g/f/)(g/f/)(g/f/) gBG | gBG G2 e/g/ |  
|: e | (a/#g/)(a/g/)(a/g/) acA | acA A2 e/f/ | (g/f/)(g/f/)(g/f/) gBG | gBG G2 e/g/ |  
(a/^g/)(a/g/)(a/g/) acA | cea Tg2e | dBG ABd | ede A2 :|
(a/^g/)(a/g/)(a/g/) acA | cea Tg2e | dBG ABd | ede A2 :|
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A|Bdg Bdg|Bdg G2B|Acf Acf|Acf F2A|
A|Bdg Bdg|Bdg G2B|Acf Acf|Acf F2A|
Bdg Bdg|Bdg f2d|cAF GAc|d2G G2:|]
Bdg Bdg|Bdg f2d|cAF GAc|d2G G2:|]
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X:33
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T:Lumps of Pudding [2]. Roose.0211
B:Roose MS, 1850
%See also VMP transcriptions of:
%John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.219).
%Playford, Dancing Master, 11th Ed. ,1701 ((p).1701.PLFD1.453).
%Walsh, Compleat Country Dancing Master, 3rd Series, 1st Book, 4th Ed., 1754 (WCD3/1.043)
%Also in: Campin, J., 'Scales and Modes in Scottish Traditional Music', Part 2 - Hexatonic Modes (http://www.campin.me.uk/Music/Modes/).
Z:Village Music Project 2019 Roger Hare
M:6/8
L:1/8
Q:3/8=80
K:Amin
|: A/B/ | c>BA Aag | e>de A2 B/c/ | B2 G Bae | d>cB/A/ G2 g/a/ |
b>ag eag | e>dc g2 e | dB^G A>Bc/d/ | e2 c A2 :|
|: c/B/ | cea cea | cea A2 B/c/ | Bdg Bdg | Bdg G2 c/B/ |
cea cea | cea ^g2 e | dB^G A>Bc/d/ | e2 c A2 :|
|: c/d/ |"^NB1" ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ A2 c | dB/c/d/B/ dB/c/d/B/ | dB/c/d/B/ G2 d |
ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ g2 e | dB^G A>Bc/d/ | e2 c A2 :|
|: e | a/^g/a/b/a a/g/a/b/a |  a/^g/a/b/a A2 d | g/^f/g/a/g g/f/g/a/g | g/^f/g/a/g G2 e |
a/^g/a/b/a a/g/a/b/a | a/^g/a/b/a c'2 e | dB^G A>Bc/d/ | e2 c A2 :|
N:NB1 - Bar 17 presented as two under-full bars in MS.
<section begin=X9 />
X:1
T:Lumps of Pudding [2]
M:6/8
L:1/8
R:Country Dance Tune
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 613)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:Gmin
A|B2G B>gf|dcd G2 A/B/|A2F A>fd|c>BAG F2 f/g/|
agf dgf|d>cB f2d|(c/d/)(c/A/)(G/^F) G>AB/c/|d2B G2||
(A/4B/4c/)|d(B/c/d/B/) d(B/c/d/B/)|d(B/c/d/B/) G2 A/B/|c(A/B/c/A/) c(A/B/c/A/)|c(A/B/c/A/) F>AB/c/|
d(B/c/d/B/) d(B/c/d/B/)|d(B/c/d/B/)g2d| (c/d/)(c/A/)(G/^F/) G>AB/c/|d2B G2||
d/c/|Bdg Bdg|Bdg G2 A/B/|Acf Acf |Acf F2 d/c/|
Bdg Bdg|Bdg f2d|(c/d/)(c/A/)(G/^F/) G<AB/c/|d2B G2||
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Latest revision as of 00:55, 23 January 2023


Lumps of Puddings (2)  Click on the tune title to see or modify Lumps of Puddings (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Lumps of Puddings (2)
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 Theme code Index    3b151 27bL47bL
 Also known as    Contented wi' Little, Contented wi' little and Canty wi' mair, Contentment is Wealth, Gallowglass (The), If I Stand Like a Turk, I'm Content with My Lot, Lumps of Pudens, Shives of Bread, Talpiau Pwdin, What Lumps of Pudding My Mother Gave Me, Woman of Taste
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Northumbrian/Borders, Scottish, Welsh
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance, Jig/Quadrille
 Key/Tonic of    A
 Accidental    1 sharp
 Mode    Dorian
 Time signature    6/4
 History    
 Structure    AABBCCDD, AABBCCDDEE, AABBCCDDEEFF
 Editor/Compiler    Biography:Henry Playford
 Book/Manuscript title    Book:Dancing Master 11th Edition
 Tune and/or Page number    p. 251
 Year of publication/Date of MS    1701
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Lumps of Puddings (2): Annotations

X:1 T:Lumps of Puddings [2] M:6/4 L:1/8 R:Jig S:Henry Playford - Dancing Master (1701) Z:AK/Fidder's Companion K:Gmin A2|B4 G2B3g f2|d2 c2 d2G4 AB|A4 F2A3g d2|c3B AG F4 fg| a2g2f2d2g2f2|d3c B2f4d2|cdcA GF G3A Bc|d4 B2 G6:| |:A/B/c|d2 BcdeB d2 BcdB|d2 BcdB G2 AB|c2 ABcA c2 ABcA|c2 ABcA F3A Bc| d2 BcdB d2 BcdB|d2 BcdB f4d2|cdcAGF G3 A Bc|d4 B2 G4:| |:dc|B2d2g2 B2d2g2|B2d2g2 G4AB|A2c2f2 A2c2f2|A2c2f2 F4 dc| B2d2g2B2d2g2|B2d2g2 f4d2|cdcAG^F G3A Bc|d4B2 G4:||


X:2 T:Lumps of Puddings [2] M:6/8 L:1/8 R:Jig N:"Brisk" S:James Oswald - Caledonian Pocket Companion, Book 7 (1760, p. 4) Z:AK/Fidder's Companion K:Ador (A/B/) |Tc>BA Aag |Te>de A2c | BAG Gge | d>(cB/A/) G2 g/a/ | bag eag | edc {c}g2e | dBG ABd| ede A2 :| |: (c/d/) | e(c/d/e/c/) e(c/d/e/c/) | e(c/d/e/c/) A2 (B/c/) | d(B/c/d/B/) d(B/c/d/B/) | d(B/c/d/B) G2 c/d/ | e(c/d/e/c/) e(c/d/e/c/) | eca Tg2e | dBG ABd | ede A2 :| |: e/d/ | cea cea | cea A2(d/c/) | Bdg Bdg | Bdg G2 (e/d/) | cea cea | cea Tg2e | dBG ABd | ede A2 :| |: e | (a/^g/a/b/)a (a/g/a/b/)a | (a/^g/a/b/)a A2f | (g/f/g/a/)g (g/f/g/a/)g | (g/f/g/a/)g G2e | (a/^g/a/b/)a (a/g/a/b/)a | aec' Tb2a | gBG ABd | ede A2 :| |: A/B/ | cBA acA | acA acA | BAG gBG | gBG gBG | c(A/B/c/A/) d(B/c/d/B/) | eca Tg2e | dBG Agf | ede A2 :| |: e | (a/#g/)(a/g/)(a/g/) acA | acA A2 e/f/ | (g/f/)(g/f/)(g/f/) gBG | gBG G2 e/g/ | (a/^g/)(a/g/)(a/g/) acA | cea Tg2e | dBG ABd | ede A2 :|


X:1 T:Lumps of Pudding M:6/8 L:1/8 S:John Bell (1783-1864) music manuscript collection (c. 1812) Z:AK/Fiddler's Companion K:Gmin A|BAB Ggf|dcd G2B|AGA Ffd|cAc F2A| BAB Ggf|dBd f2d|cAF GAc|d2G G2:||: A|Bdg Bdg|Bdg G2B|Acf Acf|Acf F2A| Bdg Bdg|Bdg f2d|cAF GAc|d2G G2:|]


X:33 T:Lumps of Pudding [2]. Roose.0211 B:Roose MS, 1850 %See also VMP transcriptions of: %John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.219). %Playford, Dancing Master, 11th Ed. ,1701 ((p).1701.PLFD1.453). %Walsh, Compleat Country Dancing Master, 3rd Series, 1st Book, 4th Ed., 1754 (WCD3/1.043) %Also in: Campin, J., 'Scales and Modes in Scottish Traditional Music', Part 2 - Hexatonic Modes (http://www.campin.me.uk/Music/Modes/). Z:Village Music Project 2019 Roger Hare M:6/8 L:1/8 Q:3/8=80 K:Amin |: A/B/ | c>BA Aag | e>de A2 B/c/ | B2 G Bae | d>cB/A/ G2 g/a/ | b>ag eag | e>dc g2 e | dB^G A>Bc/d/ | e2 c A2 :| |: c/B/ | cea cea | cea A2 B/c/ | Bdg Bdg | Bdg G2 c/B/ | cea cea | cea ^g2 e | dB^G A>Bc/d/ | e2 c A2 :| |: c/d/ |"^NB1" ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ A2 c | dB/c/d/B/ dB/c/d/B/ | dB/c/d/B/ G2 d | ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ g2 e | dB^G A>Bc/d/ | e2 c A2 :| |: e | a/^g/a/b/a a/g/a/b/a | a/^g/a/b/a A2 d | g/^f/g/a/g g/f/g/a/g | g/^f/g/a/g G2 e | a/^g/a/b/a a/g/a/b/a | a/^g/a/b/a c'2 e | dB^G A>Bc/d/ | e2 c A2 :| N:NB1 - Bar 17 presented as two under-full bars in MS.

X:1 T:Lumps of Pudding [2] M:6/8 L:1/8 R:Country Dance Tune B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 613) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:Gmin A|B2G B>gf|dcd G2 A/B/|A2F A>fd|c>BAG F2 f/g/| agf dgf|d>cB f2d|(c/d/)(c/A/)(G/^F) G>AB/c/|d2B G2|| (A/4B/4c/)|d(B/c/d/B/) d(B/c/d/B/)|d(B/c/d/B/) G2 A/B/|c(A/B/c/A/) c(A/B/c/A/)|c(A/B/c/A/) F>AB/c/| d(B/c/d/B/) d(B/c/d/B/)|d(B/c/d/B/)g2d| (c/d/)(c/A/)(G/^F/) G>AB/c/|d2B G2|| d/c/|Bdg Bdg|Bdg G2 A/B/|Acf Acf |Acf F2 d/c/| Bdg Bdg|Bdg f2d|(c/d/)(c/A/)(G/^F/) G<AB/c/|d2B G2||


Lumps of Puddings (2): Annotations

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