Horse and Away to Newmarket: Difference between revisions
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< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:Horse and Away to Newmarket | T:Horse and Away to Newmarket | ||
M:6/8 | M:6/8 | ||
| Line 34: | Line 49: | ||
|:e|G/G/G d B/B/B g|G/G/G d B2g|G/G/G d B/B/Bg|A/A/A a Tf2g| | |:e|G/G/G d B/B/B g|G/G/G d B2g|G/G/G d B/B/Bg|A/A/A a Tf2g| | ||
G/G/G d B/B/B g|B/B/B d TB2G|c>de/f/ gdB|ABA c2:|] | G/G/G d B/B/B g|B/B/B d TB2G|c>de/f/ gdB|ABA c2:|] | ||
</ | <section end=abc /> | ||
< | <section begin=X3 /> | ||
X:101 | |||
T:Horse and away at Newmarket. MBe.101 | |||
A:England;Cumbria;Towcett | |||
B:Matthew Betham MS, Towcett Cumbria, 1815 | |||
Z:VMP - Hugh Taylor, 2012 | |||
T:Horse and Away to Newmarket, aka. MBe.101 | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=100 | |||
R: | |||
N:The page is torn and the music is incomplete. | |||
K:Ador | |||
g|edc BAB|GBG B2g|edc BAG|cAB c2g| | |||
edc BAG|GBG B2G|cde gdB|ABA c2:| | |||
|:g">page torn":AAa f2g|GGc BBg|Ggd B2G|cde gdB|ABA c2:| | |||
|:e|ggd eec|ddG B2G|ffd eec">page torn": | |||
cde gdB|ABA c2::e|dB/c/d dB/c/d|dB/c/d c2d| | |||
dB/c/d dcB|ABA c2e|dB/c/d dB/c/d|Gfe d">page torn": | |||
<section end=X3 /> | |||
<section begin=X7 /> | |||
X:1 | X:1 | ||
T:Horse and Away to Newmarket | T:Horse and Away to Newmarket | ||
M:6/8 | M:6/8 | ||
| Line 50: | Line 84: | ||
|:g/g/gd e/e/eB|d/d/dG B2f|g/g/gd e/e/ec|aAB c2f| | |:g/g/gd e/e/eB|d/d/dG B2f|g/g/gd e/e/ec|aAB c2f| | ||
g/g/gd e/e/eB|d/d/dG B2G|cde gdB|ABA c2g:|| | g/g/gd e/e/eB|d/d/dG B2G|cde gdB|ABA c2g:|| | ||
</ | <section end=X7 /> | ||
---- | <section begin=X10 /> | ||
=[[ANNOTATION:{{PAGENAME}}| | X:17 | ||
< | T:Horse and away to Newmarket. Roose.0195 | ||
B:Roose MS, 1850 | |||
%See also VMP transcription of a longer version: | |||
%James Biggins MS, Leeds, 1779 (JBi.08). | |||
Z:Village Music Project 2019 Roger Hare | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=80 | |||
K:F | |||
"^NB1"d |: c2 F A>GF | GAG {c}!trill!B2 d | c2 F A>GA | Ffc ABc | | |||
dcd fcA | G>AG {c}!trill!B2 d | c2 F {B}A2 G | Ffc {B}A2 F :| | |||
|: Ffc "^NB2"(A/>B/c).A | Ggd {c}B2 G | Ffc (A/B/c).A | Ffc A>Bc | | |||
(B/A/B/c/d/e/) {g/}f>FA | GAG {c}!trill!B2 f | c2 B {B}A2 G | Ffc {B}A2 F :| | |||
N:NB1: Opening quaver left outwith repeat, otherwise pick-up with B music does not work. | |||
N:NB2: My best stab at writing in ABC what is in the MS, it's not quite what is written... | |||
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__NOTITLE__ | |||
Latest revision as of 15:35, 23 January 2023
X:1 T:Horse and Away to Newmarket M:6/8 L:1/8 R:Air S:John Bell (1783-1864) music manuscript collection (Northumberland, c. 1812) Z:AK/Fiddler's Companion K:G g|e>dc BAB|GAG B2g|edc BAG|AaA c2g| edc BAB|GAG BAG|c>de/f/ gdB|ABA c2:| |:e|G/G/G d B/B/B g|G/G/G d B2g|G/G/G d B/B/Bg|A/A/A a Tf2g| G/G/G d B/B/B g|B/B/B d TB2G|c>de/f/ gdB|ABA c2:|]
X:101
T:Horse and away at Newmarket. MBe.101
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
T:Horse and Away to Newmarket, aka. MBe.101
M:6/8
L:1/8
Q:3/8=100
R:
N:The page is torn and the music is incomplete.
K:Ador
g|edc BAB|GBG B2g|edc BAG|cAB c2g|
edc BAG|GBG B2G|cde gdB|ABA c2:|
|:g">page torn":AAa f2g|GGc BBg|Ggd B2G|cde gdB|ABA c2:|
|:e|ggd eec|ddG B2G|ffd eec">page torn":
cde gdB|ABA c2::e|dB/c/d dB/c/d|dB/c/d c2d|
dB/c/d dcB|ABA c2e|dB/c/d dB/c/d|Gfe d">page torn":
X:1
T:Horse and Away to Newmarket
M:6/8
L:1/8
R:Jig
S:John Rook music manuscript (Waverton, Cumbria, 1840)
K:G
g|edc BAB|GAG B2g|edc BAB|BAB c2g|
edc BAB|GAG B2G|GBd gdB|ABA c2g:|
|:GGd BBg|GGd B2g|GGd BBg|ABA c2g|
GGg BBg|GGd B2G|GBd gdB|ABA c2g:|
|:g/g/gd e/e/eB|d/d/dG B2f|g/g/gd e/e/ec|aAB c2f|
g/g/gd e/e/eB|d/d/dG B2G|cde gdB|ABA c2g:||
X:17
T:Horse and away to Newmarket. Roose.0195
B:Roose MS, 1850
%See also VMP transcription of a longer version:
%James Biggins MS, Leeds, 1779 (JBi.08).
Z:Village Music Project 2019 Roger Hare
M:6/8
L:1/8
Q:3/8=80
K:F
"^NB1"d |: c2 F A>GF | GAG {c}!trill!B2 d | c2 F A>GA | Ffc ABc |
dcd fcA | G>AG {c}!trill!B2 d | c2 F {B}A2 G | Ffc {B}A2 F :|
|: Ffc "^NB2"(A/>B/c).A | Ggd {c}B2 G | Ffc (A/B/c).A | Ffc A>Bc |
(B/A/B/c/d/e/) {g/}f>FA | GAG {c}!trill!B2 f | c2 B {B}A2 G | Ffc {B}A2 F :|
N:NB1: Opening quaver left outwith repeat, otherwise pick-up with B music does not work.
N:NB2: My best stab at writing in ABC what is in the MS, it's not quite what is written...