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{{Abctune
{{Abctune
|f_tune_title=Baltiorum
|f_tune_title=Baltiorum
|f_aka=Baltyoran, Baulthy Oura, Baltighoran (2),
|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
|f_rhythm=Slip/Hop Jig
|f_rhythm=Slip/Hop Jig
|f_time_signature=9/8
|f_time_signature=9/8
|f_key=G
|f_key=D
|f_accidental=1 sharp
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Ancient Music of Ireland
|f_collector=Edward Bunting
|f_year=1840
|f_page=No. 108, p. 79
|f_theme_code_index=1H65 1H67
}}
}}
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X:1
T:Baltighoran [2]
M:9/8
L:1/8
R:Air
Q:"With Spirit"
N:”Author and date unknown”
B:Bunting – Ancient Music of Ireland (1840, No. 108, p. 79)
Z:AK/Fiddler’s Companion
K:D
|:d2 d (Bd).B (AF).D|d2d (Bd).B c2A|d2d (Bd).B (AF).D|E2d (Bd).B c2A:|
|:(FE).D (GF).E (AF).D|(FE).D (GF).E A2D|(FE).D (GF).E (AF).D|E2d (Bd).B c2A:|]
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<section begin=X3 />
X:1
T:Baltighoran [2]
M:9/8
L:1/8
R:Slip Jig
Q:"With Spirit"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 68, p. 29)
Z:AK/Fiddler’s Companion
K:D
d2(d Bd).B (AF).D|d2(d Bd).B c2A|d2 (d Bd).B (AF).D|E2(d Bd).B c2A:|
|:(FE).D (GF).E (AF).D|(FE).D (GF).E A2.D|(FE).D (GF).E (AF).D|E2(e Bd).B c2A:|]
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<section begin=X9 />
X:1
X:1
T:Baltiorum
T:Baltighoran [2] Jig
M:9/8
L:1/8
R:Slip Jig
S:Kerr's Third Collection (c. 1886), No. 242
Z:AK/Fiddler's Companion
K:D
d2d BdB AFD | d2d BdB (c2A) | d2d BdB AFD | E2d BdB (c2A) :|
|: FED GFE AFD | FED GFE A3D | FED GFE  AFD | E2e BdB (c2A) :||
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X:1
T:Baltiorum  
M:9/8
M:9/8
L:1/8
L:1/8
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g2g ege dBG | g2g ege f2d | g2g ege dBG | A2g ege f2d :|
g2g ege dBG | g2g ege f2d | g2g ege dBG | A2g ege f2d :|
|: BAG cBA dBG | BAG cBA d2G | BAG cBA dBG | A2g ege f2d :||
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'''BALTIORUM'''. AKA - "Baltighoran." AKA and see "Baltyoran," "Baulthy Oura." Irish, Slip Jig (9/8 time). G Major (O'Neill): D Major (O'Sullivan/Bunting): C Major (Heymann). Standard tuning. AB (O'Sullivan/Bunting): AABB (Heymann, O'Neill). The title comes from the Irish "Baal Tighe Abhran" (Baaltigh abhoran) according to Edwasrd Bunting who translated it as "The Song of the House of Baal." The song was sung at the St. John's Eve bonfire, and there is an implied connection with the fire-god Baal.
<br>
<br>
O'Neill, in '''Irish Folk Music''' (1910, pgs. 198-199), says:
<br>
<br>
A very ancient Irish melody is 'Baltiorum', and oddly enough
it is known only by versions of that name. While euphonious, it
conveys no meaning to the reader, and it is commonly assumed
that notwithstanding its Latin termination it signifies something
in the Irish language. And so it does when understood. The first
writer who untakes to explain it is Edward Bunting. Baal tigh
abhoran, usually called 'Baltiorum,' is a tune which might perhaps
be assigned to the Pagan period, inasmuch as it is still customarily
sung at the bon-fires lighted on St. John's Eve, the anniversary of
Baal-tinne, and has so been sung from time immemorial. He does
not give the translation in English, although his dissertation is
much more comprehensive than the extract above quoted. To the
writer it appears to be the song of praise or worship of Baal, the
Fire-God.
<br>
<br>
The Pagan festivals eventually were wisely turned into account
as Christian holidays, and in this instance the Baal-tinne, or fire
lighted to welcome the Samhain or summer solstice, was continued
as the celebration of St. John's eve. The melody, Conran tells us in
his National Music of Ireland (1850), may still be heard from the
groups assembled around these bonfires. In the writer's boyhood
days the melody was forgotten and so was the Pagan significance
of the celebration.
<br>
<br>
In O'Farrell's '''Pocket Companion''', etc., before mentioned, the name
of the tune is printed 'Baulthy Oura'. In Aird's '''Selection of Scotch,
English, Irish and Foreign Airs,''' it is 'Baltioura.' Haverty in '''300 Irish
Airs''' calls it 'Baltighoran,' the same title given by Bunting over the
printed music, regardless of his explanations. The air, or rather dance
tune, as 'Baltiorum' is also one of the numbers in Bland and Weller's
'''Annual Collection of Twenty-four Country Dances for the Year 1798'''.
<br>
<br>
Ann Heymann (1990) thinks Bunting's translation is in error; rather than referencing Baal, the beginning of the title she believes is simply a phonetic approximation of the common Irish noun Baile, meaning 'townland', 'farmland' or 'place'. Thus the title would be better translated as "Place of the Song House."
<br>
<br>
''Source for notated version'': the Irish collector Edward Bunting noted the tune from T. Conlan in 1831, according to the index of his 1840 collection.
<br>
<br>
''Printed sources:'' Heymann ('''Off the Record'''), 1990; pgs. 4-5. O'Neill (Krassen), 1976; pg. 80. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1979; No. 1128, pg. 213. O'Sullivan/Bunting, 1983; No. 108, pgs. 155-156 (appears as "Baltighoran").
<br>
<br>
''Recorded sources:'' Temple Records 013, Ann Heymann & Alison Kinnaird - "Harper's Land" (1983).
 
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Latest revision as of 01:00, 30 January 2023


Baltiorum  Click on the tune title to see or modify Baltiorum's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Baltiorum
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 Theme code Index    1H65 1H67
 Also known as    Baltyoran, Baulthy Oura, Baltighoran (2)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Slip/Hop Jig
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    9/8
 History    
 Structure    AABB
 Editor/Compiler    Biography:Edward Bunting
 Book/Manuscript title    Book:Ancient Music of Ireland
 Tune and/or Page number    No. 108, p. 79
 Year of publication/Date of MS    1840
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



Baltiorum: Annotations

X:1 T:Baltighoran [2] M:9/8 L:1/8 R:Air Q:"With Spirit" N:”Author and date unknown” B:Bunting – Ancient Music of Ireland (1840, No. 108, p. 79) Z:AK/Fiddler’s Companion K:D |:d2 d (Bd).B (AF).D|d2d (Bd).B c2A|d2d (Bd).B (AF).D|E2d (Bd).B c2A:| |:(FE).D (GF).E (AF).D|(FE).D (GF).E A2D|(FE).D (GF).E (AF).D|E2d (Bd).B c2A:|]


X:1 T:Baltighoran [2] M:9/8 L:1/8 R:Slip Jig Q:"With Spirit" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 68, p. 29) Z:AK/Fiddler’s Companion K:D d2(d Bd).B (AF).D|d2(d Bd).B c2A|d2 (d Bd).B (AF).D|E2(d Bd).B c2A:| |:(FE).D (GF).E (AF).D|(FE).D (GF).E A2.D|(FE).D (GF).E (AF).D|E2(e Bd).B c2A:|]


X:1 T:Baltighoran [2] Jig M:9/8 L:1/8 R:Slip Jig S:Kerr's Third Collection (c. 1886), No. 242 Z:AK/Fiddler's Companion K:D d2d BdB AFD | d2d BdB (c2A) | d2d BdB AFD | E2d BdB (c2A) :| |: FED GFE AFD | FED GFE A3D | FED GFE AFD | E2e BdB (c2A) :||


X:1 T:Baltiorum M:9/8 L:1/8 R:Slip Jig S:O'Neill - Music of Ireland (1903), No. 1128 Z:AK/Fiddler's Companion K:G g2g ege dBG | g2g ege f2d | g2g ege dBG | A2g ege f2d :| |: BAG cBA dBG | BAG cBA d2G | BAG cBA dBG | A2g ege f2d :||


Baltiorum: Annotations

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