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{{Abctune
{{Abctune
|f_tune_title=Belle Isle's March  
|f_tune_title=Belle Isle's March
|f_aka=Belisle March, Bellisle's March, Monk's March, General Monk's March, Lewis Proudlock's Hornpipe, Proudlock's Hornpipe, Review (2) (The)  
|f_aka=Belisle March, Bellisle March (The), Bellisle's March, Monk's March, General Monk's March, Lewis Proudlock's Hornpipe, Proudlock's Hornpipe, Review (2) (The)
|f_country=England, United States
|f_country=England, United States
|f_genre=Contra, English
|f_genre=Contra, English, Morris
|f_rhythm=Country Dance, March/Marche, Reel (single/double)
|f_rhythm=Country Dance, March/Marche, Reel (single/double)
|f_time_signature=4/4
|f_time_signature=4/4
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|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=<b>USA</b>/Mid-Atlantic
|f_history=USA(Mid Atlantic)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Gillespie Manuscript of Perth
|f_book_title=The Compleat Tutor for the Fife
|f_collector=James Gillespie,
|f_collector=Charles and Samuel Thompson
|f_year=1768
|f_year=1760
|f_page=p. 16
|f_theme_code_index=1H1H2H2H 3H75H5H
|f_theme_code_index=1H1H2H2H 3H75H5H
|f_score=1
}}
}}
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T:Belisle March, The
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|image_alt=Traditional universal music
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X:1
T:Bellisle March, The
M:4/4
L:1/8
B:Thompson - The Compleat Tutor for the Fife (1760, p. 16)
Z:AK/Fiddler's Companion
K:D
A2|d2 d>f e2 e>g|d2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:|
|:A2|a>ba>g f2f2|g>ag>f {f}Te4|a>ba>g f>gf>g|ab ag/f/ {f}Te2A2|
d2 d>f e2 e>g|f2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:|]
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X:1
T:Belisle March
M:C
L:1/8
R:March
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 54, p. 21)
Z:AK/Fiddler’s Companion
K:G
D2|G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2:|
D2|d>edc B2B2|c<dcB A2A2|d>edc B>cB>c|de dc/B/ {B}A>D|
G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2||
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X:1
T:Bellisle March
M:C
M:C
L:1/8
L:1/8
R:Reel
R:March
S:Henry Livingston's manuscript copybook, late 18th century
S:John Rook music manuscript collection (1840, p. 50)
Z:AK/Fiddler's Companion
N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria
Z:AK/Fiddler’s Companion
K:D
K:D
A2|d2 d>f e2e>g|f2 c'>b {b}a3g|f2 (3afd e2 (3gec|d2d>d d2 :|
A2|d2 d>f e2 e>g|f2 d’>b {b}a3g|f2 (3afd e2 (3gec|d2 d>d d2:|
|:A2|a>bag f2f2|g>aff {f}e4|a>ba>g f>gf>g|ab (ag/f/) {f}&quot;tr&quot;e3A|
A2|a>ba>g f2f2|g>ag>f Te4|abag fgfg|ab (3bag {f}e2A2|
z8|z2 d>d c2 c>e|d2 b>g {g}&quot;tr&quot;f3e|d2(3Adf A2 (3ecA|F2 F>F F2 :||
d2 d>f e2 e>g|f2 (3d’c’b a3g|f2 (3afd e2 (3gec|d2 d>d d2||
 
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X: 223
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T: The Bellisle March
<br>
O: Wm Clarke of Feltwell
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Z: Anahata <anahata@treewind.co.uk>
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M: 4/4
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L: 1/8
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K: C
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G| c2 c>e d2 d>f | e2 c'b a2g2 | e2 (3gec d2 (3gec | c2c2c2:|
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|: G2 | gagf e2 e2 | fgfe {e}d4!tr! | gagf efef | gagf/e/ {e}d2!tr! G |
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c2ce d2df | e2c'ag2 {a}g | e2 (3gec d2 (3fdB |c2 c2 c2 :|
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'''BELLE ISLE'S MARCH'''. AKA - &quot;Belisle March,&quot; &quot;Bellisle's March.&quot; AKA and see &quot;Monk's March,&quot; &quot;General Monk's March,&quot; &quot;(Lewis) Proudlock's Hornpipe,&quot; &quot;The Review [2].&quot; English, March and Morris Dance Tune (cut or 4/4 time). G Major (Bacon): D Major (Keller). Standard tuning (fiddle). AABA (Bacon): AABB (Keller, Sumner). This very popular melody was published by Playford (see note for &quot;Monk's March&quot;). The morris dance version was collected from the village of Longborough, Gloucestershire, in England's Cotswolds. Kate Van Winkler Keller (1992) suggests the title may refer to the small island of Belle-Île-en-Mer, located off the coast of Brittany, that was occupied by the British from 1761 to 1763. The march was published in a song-sheet under the &quot;Bellisle&quot; title to commemorate the occasion on the 27th of June, 1763, when King George III reviewed 3 regiments of footguards in Hyde Park (hence the alternate tite, &quot;The Review&quot;). &quot;Belisle's March&quot; appears in the Scottish '''Gillespie Manuscript of Perth''' (1768) and in Longman & Broderip's '''Entire New and Compleat Instructions for the Fife''' (London, 1780). A dance by that title was mentioned by MacTaggart in an account in '''The Scottish Gallovidian Encyclopedia''' of 1824 as being taught at a country dancing school of the time. The march was played in America in Colonial and Revolutionary eras, and appears in the music manuscript copybooks of George Bush and Henry Livingston, Jr.  Livingston purchased the estate of Locust Grove, Poughkeepsie, New York, in 1771 at the age of 23. In 1775 he was a Major in the 3rd New York Regiment, which participated in Montgomery's invasion of Canada in a failed attempt to wrest Québec from British control. An important land-owner in the Hudson Valley, and a member of the powerful Livingston family, Henry was also a surveyor and real estate speculator, an illustrator and map-maker, and a Justice of the Peace for Dutchess County. He was also a poet and musician, and presumably a dancer, as he was elected a Manager for the New York Assembly's dancing season of 1774-1775, along with his 3rd cousin, John Jay, later U.S. Chief Justice of Governor of New York.
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''Sources for notated versions'': the music manuscript collection of Captain George Bush (1753?-1797), a fiddler and officer in the Continental Army during the American Revolution [Keller]; the 1823-26 music mss of papermaker and musician Joshua Gibbons (1778-1871, of Tealby, near Market Rasen, Lincolnshire Wolds) [Sumner].
<br>
<br>
''Printed sources:'' Bacon ('''The Morris Ring'''), 1974; pg. 260. Johnson ('''A Further Collection of Dances, Marches, Minuetts and Duetts of the Latter 18th Century'''), 1998; pg. 9 (appears as &quot;Belisle March&quot;). Keller ('''Fiddle Tunes from the American Revolution'''), 1992; pg. 19. Sumner ('''Lincolnshire Collections, vol. 1: The Joshua Gibbons Manuscript'''), 1997; pg. 73 (appears as &quot;Bellisle March&quot;). Willig ('''Compleat Tutor for the Fife'''), 1805.
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X:1
X:1
T:Bellisle March
M:C
L:1/8
R:March
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 633)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:G
D2|G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2:|
|:D2|d>ed>c B2B2|c>dc>B A2A2|d>ed>c B>cB>c|de dc/B/ {B}A3D|
G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2:|]
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T:Belle Isle's March
T:Belle Isle's March
M:4/4
M:4/4
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|| d>edc B2B2 | c>dcB A2A2 | d>edc B2B2 | c>dcB A2 |
|| d>edc B2B2 | c>dcB A2A2 | d>edc B2B2 | c>dcB A2 |
G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 ||
G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 ||
 
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Latest revision as of 19:16, 12 February 2023


Belle Isle's March  Click on the tune title to see or modify Belle Isle's March's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Belle Isle's March
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 Theme code Index    1H1H2H2H 3H75H5H
 Also known as    Belisle March, Bellisle March (The), Bellisle's March, Monk's March, General Monk's March, Lewis Proudlock's Hornpipe, Proudlock's Hornpipe, Review (2) (The)
 Composer/Core Source    
 Region    England, United States
 Genre/Style    Contra, English, Morris
 Meter/Rhythm    Country Dance, March/Marche, Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(Mid Atlantic)
 Structure    AABB
 Editor/Compiler    Biography:Charles and Samuel Thompson
 Book/Manuscript title    Book:The Compleat Tutor for the Fife
 Tune and/or Page number    p. 16
 Year of publication/Date of MS    1760
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Belle Isle's March: Annotations

X:1 T:Bellisle March, The M:4/4 L:1/8 B:Thompson - The Compleat Tutor for the Fife (1760, p. 16) Z:AK/Fiddler's Companion K:D A2|d2 d>f e2 e>g|d2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:| |:A2|a>ba>g f2f2|g>ag>f {f}Te4|a>ba>g f>gf>g|ab ag/f/ {f}Te2A2| d2 d>f e2 e>g|f2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:|]


X:1 T:Belisle March M:C L:1/8 R:March B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 B:(Glasgow, 1797, No. 54, p. 21) Z:AK/Fiddler’s Companion K:G D2|G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2:| D2|d>edc B2B2|c<dcB A2A2|d>edc B>cB>c|de dc/B/ {B}A>D| G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2||


X:1 T:Bellisle March M:C L:1/8 R:March S:John Rook music manuscript collection (1840, p. 50) N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria Z:AK/Fiddler’s Companion K:D A2|d2 d>f e2 e>g|f2 d’>b {b}a3g|f2 (3afd e2 (3gec|d2 d>d d2:| A2|a>ba>g f2f2|g>ag>f Te4|abag fgfg|ab (3bag {f}e2A2| d2 d>f e2 e>g|f2 (3d’c’b a3g|f2 (3afd e2 (3gec|d2 d>d d2||


X: 223 T: The Bellisle March O: Wm Clarke of Feltwell Z: Anahata <anahata@treewind.co.uk> M: 4/4 L: 1/8 K: C G| c2 c>e d2 d>f | e2 c'b a2g2 | e2 (3gec d2 (3gec | c2c2c2:| |: G2 | gagf e2 e2 | fgfe {e}d4!tr! | gagf efef | gagf/e/ {e}d2!tr! G | c2ce d2df | e2c'ag2 {a}g | e2 (3gec d2 (3fdB |c2 c2 c2 :| <section end=X6/ >

X:1 T:Bellisle March M:C L:1/8 R:March B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 633) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:G D2|G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2:| |:D2|d>ed>c B2B2|c>dc>B A2A2|d>ed>c B>cB>c|de dc/B/ {B}A3D| G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2:|]


X:2 T:Belle Isle's March M:4/4 L:1/8 S:Bacon - The Morris Ring K:G D | G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 :| || d>edc B2B2 | c>dcB A2A2 | d>edc B2B2 | c>dcB A2 | G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 ||


Belle Isle's March: Annotations

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