Annotation:Bacca Pipes (1): Difference between revisions

Latest revision as of 20:18, 12 February 2023

X:1 T:Bacca Pipes Jig (Greensleeves) M:6/8 L:1/8 K:A Dorian c3 c2e|d2c B3|c2B A3|B2A G3| (c3 c2)e|d2c B3|c2A B2G|A3 A3|| g2f g2e|d2B G3|g2f g2e|a2f d3| g2f g2e|d2c B3|c2d e2d|A3 A3||

BACCA PIPES [1] (GREENSLEEVES). AKA – "Pipe Dance." AKA and see "Greensleeves (1)." English, Morris Dance. A Dorian (Bacon {Bampton, Hinton}, Karpeles, Raven). Standard tuning. AAB (Bacon {Hinton}): AABB (Karpeles, Raven): ABA'B'ABAB(Bacon {Headington}). From the Bampton and Headington areas of England's Cotswolds. 'Bacca' pipes refers to the long-stemmed clay tobacco pipes (sometimes called 'churchwarden' pipes), which were crossed and placed on the ground (in the manner of some sword dances) whilst a solo jig was danced between them. Although not related to the tune it is interesting to note that the term 'bacca-pipes' in lower class English slang of the early 19th century referred to whiskers curled in small close ringlets. See related "Bacca Pipes (2)" from Bacon {Ascot-Under-Wychwood}. See notes for "annotation:Greensleeves (1)" for more information on the dance baccapipes.

Additional notes

Printed sources : - Bacon (A Handbook of Morris Dances), 1974; pp. 57, 197, 204. Karpeles & Schofield (A Selection of 100 English Folk Dance Airs), 1951; p. 36. Raven (English Country Dance Tunes), 1984; p. 74.

Recorded sources : - EFDSS CD03, William Kimber – "Absolutely Classic: The Music of William Kimber." Topic 12T249, William Kimber – "The Art of William Kimber" (William Kimber played the anglo concertina for Headington Quarry Morris on Boxing Day, 1899, when Cecil Sharp first encountered them, which led to a morris dance revival).

Back to Bacca Pipes (1)

0.00

(0 votes)

@@ Line 1: / Line 1: @@
-'''BACCA PIPES JIG''' (GREENSLEEVES). AKA and see "Greensleeves [1]." English, Morris Dance. A Dorian (Bacon {Bampton, Hinton}, Karpeles, Raven): G Major (Bacon {Ascot-Under-Wychwood}). Standard tuning. AB (Bacon {Ascot}): AAB (Bacon {Hinton}): AABB (Karpeles, Raven): ABA'B'A''B''A'''B'''(Bacon {Headington}). From the Ascot-under-Wychwood, Bampton, and Headington areas of England's Cotswolds. 'Bacca' pipes refers to the long-stemmed clay tobacco pipes (sometimes called 'churchwarden' pipes), which were crossed and placed on the ground (in the manner of some sword dances) whilst a solo jig was danced between them. Although not related to the tune it is interesting to note that the term 'bacca-pipes' in lower class English slang of the early 19th century referred to whiskers curled in small close ringlets.
+----------
+{{TuneAnnotation
-Printed sources: Bacon ('''The Morris Ring'''), 1974; pgs. 26, 197, & 204. Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; pg. 36. Raven ('''English Country Dance Tunes'''), 1984; pg. 74.
+|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Bacca_Pipes_(1) >
+|f_annotation='''BACCA PIPES [1]''' (GREENSLEEVES). AKA – "[[Pipe Dance]]." AKA and see "[[Greensleeves (1)]]." English, Morris Dance. A Dorian (Bacon {Bampton, Hinton}, Karpeles, Raven). Standard tuning. AAB (Bacon {Hinton}): AABB (Karpeles, Raven): ABA'B'A''B''A'''B'''(Bacon {Headington}). From the Bampton and Headington areas of England's Cotswolds. 'Bacca' pipes refers to the long-stemmed clay tobacco pipes (sometimes called 'churchwarden' pipes), which were crossed and placed on the ground (in the manner of some sword dances) whilst a solo jig was danced between them. Although not related to the tune it is interesting to note that the term 'bacca-pipes' in lower class English slang of the early 19th century referred to whiskers curled in small close ringlets. See related "[[Bacca Pipes (2)]]" from Bacon {Ascot-Under-Wychwood}.  See notes for "[[annotation:Greensleeves (1)]]" for more information on the dance baccapipes.
-Recorded sources: EFDSS CD03, William Kimber - "Absolutely Classic: The Music of William Kimber." Topic 12T249, William Kimber - "The Art of William Kimber" (William Kimber played the anglo concertina for Headington Quarry Morris on Boxing Day, 1899, when Cecil Sharp first encountered them, which led to a morris dance revival).
+|f_source_for_notated_version=
+|f_printed_sources=Bacon ('''A Handbook of Morris Dances'''), 1974; pp. 57, 197, 204.
+Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; p. 36.
+Raven ('''English Country Dance Tunes'''), 1984; p. 74.
+|f_recorded_sources=EFDSS CD03, William Kimber – "Absolutely Classic: The Music of William Kimber."
+Topic 12T249, William Kimber – "The Art of William Kimber" (William Kimber played the anglo concertina for Headington Quarry Morris on Boxing Day, 1899, when Cecil Sharp first encountered them, which led to a morris dance revival).
+|f_see_also_listing=
+}}