Red House: Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Red House | |f_tune_title=Red House | ||
|f_aka=Where wad Our Gudman Lye, Whar wad our bonny Annie laye, Where wad our guidman lie, Whar wad our guidman lie, Where will Our Good Man Lay? | |f_aka=Little Red House in Cardiff, Red House of Cardiff, Red House Rant, Ty Coch Caerdydd, Where wad Our Gudman Lye, Whar wad our bonny Annie laye, Whaur will bonnie Ann lie i' the cauld nights o' winter O!, Where wad our guidman lie, Whar wad our guidman lie, Where will Our Good Man Lay? (1) | ||
|f_country=England | |f_country=England | ||
|f_genre=English | |f_genre=English | ||
Line 15: | Line 15: | ||
|f_page=p. 177 | |f_page=p. 177 | ||
|f_theme_code_index=11H1H7b 553b3b | |f_theme_code_index=11H1H7b 553b3b | ||
|f_score=1 | |||
}} | }} | ||
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|image_alt=Traditional universal music | |||
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< | <section begin=abc /> | ||
X:2 | X:2 | ||
T:Red House | T:Red House | ||
Line 33: | Line 49: | ||
|:Bc|d2 d2 d2 Bc|d2d2d2 AB|c2 c2 c2 AB|c2c2c2 Bc| | |:Bc|d2 d2 d2 Bc|d2d2d2 AB|c2 c2 c2 AB|c2c2c2 Bc| | ||
d2d2d2 Bc|d2d2d2 AB|cBAG FG A2|1 B2G2G2:|2 B2G2G4|| | d2d2d2 Bc|d2d2d2 AB|cBAG FG A2|1 B2G2G2:|2 B2G2G4|| | ||
</ | <section end=abc /> | ||
< | <section begin=X2 /> | ||
X:1 | |||
T:Red House | |||
M:C| | |||
L:1/8 | |||
N:”Longways for as many as will.” | |||
B:John Walsh – Complete Country Dancing-Master, Volume the Fourth | |||
B: (London, 1740, No. 89) | |||
Z:AK/Fiddler’s Companion | |||
K:Gmin | |||
G2g4(fe)|d4B4|A2f4ed2|c2(dc) (dc) (BA)| | |||
G2g4(fe)|d4B4|(cB) (AG) (^FG)A2|B2G2G4|| | |||
(Bc)|(dc) (BA) (GA) (Bc)|d4B4|(cB) (AG) (FG) (AB)|c4A4| | |||
(dc) (BA) (GA) (Bc)|d4B4|(cB) (AG) (^FG) A2|B2G2G2|| | |||
(Bc)|d2d2d2(Bc)|d2d2d2AB|c2c2c2AB|c2c2c2Bc| | |||
d2d2d2(Bc)|d2d2d2AB|(cB) (AG) (^FG) A2|B2G2G2|| | |||
<section end=X2 /> | |||
<section begin=X3 /> | |||
X:1 | X:1 | ||
T:Red House | T:Red House | ||
Line 46: | Line 79: | ||
Bc|dc BA GABc|d4 B4|cB AG =FGAB|c4 A4| | Bc|dc BA GABc|d4 B4|cB AG =FGAB|c4 A4| | ||
dc BA GABc|d4B4|cB AG F2 A2| B2 G4|| | dc BA GABc|d4B4|cB AG F2 A2| B2 G4|| | ||
</ | <section end=X3 /> | ||
< | <section begin=X6 /> | ||
X:31 | |||
T:Red House Rant. Roose.0031 | |||
T:Red House,aka. Roose.0031 | |||
T:Little Red House in Cardiff,aka. Roose.0031 | |||
T:Wher will our Goodman lye. Roose.0031 | |||
B:J.Roose MS, Manchester, 1850 | |||
Z:Village Music Project 2019 Eric Conrad | |||
M:C | |||
Q:1/4=110 | |||
L:1/8 | |||
N:The first two parts, majorized, appear as #565 in the Buttrey MS entitled "Wher Will our goodman lye". | |||
N:NB1) sic! (The first three notes of measure 2 are what was written and might not be what was intended.) | |||
N:NB2) Corrected barring. Extra bar line in MS omitted here. | |||
N:NB3) As written in MS. (Seems rhytmically odd to me, but it does parallel the A and B music.) | |||
K:Gdor | |||
|: z | Gg gf/e/ d2 c2 | "_NB1"Ae ec/B/ A2 F2 | Gg gf/e/ d2 c2 | BA GA BGG :| | |||
|: B/c/ | d/c/B/A/ G/A/B/c/ d2 cB | c/B/A/G/ F/G/A/B/ c2 BA | \ | |||
d/c/B/A/ G/A/B/c/ d2 g2 | d/c/B/A/ GA BGG :| | |||
|: z | d>dd>B "_NB2"d>dd>B | c>cc>A "_NB2"c>cc>A | d>dd>e "_NB3"d2 c2 | BAGA BGG :| | |||
<section end=X6 /> | |||
<section begin=X9 /> | |||
X:1 | |||
T:Red House | |||
M:C| | |||
L:1/8 | |||
R:Country Dance Tune | |||
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 615) | |||
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf | |||
Z:AK/Fiddler’s Companion | |||
K:Gmin | |||
G2g4 (fe)|d4B4|A2f4 ed|c2 (dc) (dc)(BA)|G2g4 (fe)| | |||
d4B4|(cB)(AG) (^FG) A2|B2G2G2||(Bc)|(dc)(BA) (GA)(Bc)| | |||
d4B4|(cB)(AG)( (FG)(AB)|c4A4|(dc)(BA) (GA)(Bc)|d4B4| | |||
(cB)(AG) ^FGA2|B2G2G2||(Bc)d2d2d2(Bc)|d2d23d2 AB| | |||
c2c2c2 Bc|d2d2d2 Bc|d2d2d2 AB|(cB)(AG) ^FG A2|B2G2G2|| | |||
<section end=X9 /> | |||
<section begin=X12 /> | |||
X:3 | X:3 | ||
T:untitled fiddle tune | T:untitled fiddle tune | ||
Line 58: | Line 128: | ||
Bc|d2d2 [DB]GBc|d2d2 B2BG|c2c2 AFAB|c2c2A2 Bc| | Bc|d2d2 [DB]GBc|d2d2 B2BG|c2c2 AFAB|c2c2A2 Bc| | ||
d2d2 B[GB]Bc|d2d2B2G2|A2B2{B}cB AF|G4 z3|| | d2d2 B[GB]Bc|d2d2B2G2|A2B2{B}cB AF|G4 z3|| | ||
</ | <section end=X12 /> | ||
---- | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
=[[ANNOTATION:{{PAGENAME}}| | <section begin=X1 /> | ||
<section end=X1 /> | |||
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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__NOTITLE__ |
Latest revision as of 02:16, 13 February 2023
X:2 T:Red House M:C| L:1/8 S:Henry Playford – Dancing Master, 9th edition (1695) K:Gmin G2g4 fe|d4 B4|A2 f4 ed|c2 dc dcBA| G2g4 fe|d4 B4|cBAG FG A2|1 B2G2 G4:|2 B2G2G2|| |:Bc|dcBA GABc|d4B4|cBAG FGAB|c4A4| dcBA GABc|d4B4|cBAG FG A2|B2G2G2:| |:Bc|d2 d2 d2 Bc|d2d2d2 AB|c2 c2 c2 AB|c2c2c2 Bc| d2d2d2 Bc|d2d2d2 AB|cBAG FG A2|1 B2G2G2:|2 B2G2G4||
X:1
T:Red House
M:C|
L:1/8
N:”Longways for as many as will.”
B:John Walsh – Complete Country Dancing-Master, Volume the Fourth
B: (London, 1740, No. 89)
Z:AK/Fiddler’s Companion
K:Gmin
G2g4(fe)|d4B4|A2f4ed2|c2(dc) (dc) (BA)|
G2g4(fe)|d4B4|(cB) (AG) (^FG)A2|B2G2G4||
(Bc)|(dc) (BA) (GA) (Bc)|d4B4|(cB) (AG) (FG) (AB)|c4A4|
(dc) (BA) (GA) (Bc)|d4B4|(cB) (AG) (^FG) A2|B2G2G2||
(Bc)|d2d2d2(Bc)|d2d2d2AB|c2c2c2AB|c2c2c2Bc|
d2d2d2(Bc)|d2d2d2AB|(cB) (AG) (^FG) A2|B2G2G2||
X:1
T:Red House
L:1/8
M:C|
S:Oswald – Companion (1755)
Z:AK/Fiddler’s Companion
K:G
BA|G2 g4 fe|d4 B4|A2 =f4 ed|c4 A4|
G2 g4 fe|d4 B4|cB AG F2 A2|B2 G4:|
Bc|dc BA GABc|d4 B4|cB AG =FGAB|c4 A4|
dc BA GABc|d4B4|cB AG F2 A2| B2 G4||
X:31
T:Red House Rant. Roose.0031
T:Red House,aka. Roose.0031
T:Little Red House in Cardiff,aka. Roose.0031
T:Wher will our Goodman lye. Roose.0031
B:J.Roose MS, Manchester, 1850
Z:Village Music Project 2019 Eric Conrad
M:C
Q:1/4=110
L:1/8
N:The first two parts, majorized, appear as #565 in the Buttrey MS entitled "Wher Will our goodman lye".
N:NB1) sic! (The first three notes of measure 2 are what was written and might not be what was intended.)
N:NB2) Corrected barring. Extra bar line in MS omitted here.
N:NB3) As written in MS. (Seems rhytmically odd to me, but it does parallel the A and B music.)
K:Gdor
|: z | Gg gf/e/ d2 c2 | "_NB1"Ae ec/B/ A2 F2 | Gg gf/e/ d2 c2 | BA GA BGG :|
|: B/c/ | d/c/B/A/ G/A/B/c/ d2 cB | c/B/A/G/ F/G/A/B/ c2 BA | \
d/c/B/A/ G/A/B/c/ d2 g2 | d/c/B/A/ GA BGG :|
|: z | d>dd>B "_NB2"d>dd>B | c>cc>A "_NB2"c>cc>A | d>dd>e "_NB3"d2 c2 | BAGA BGG :|
X:1
T:Red House
M:C|
L:1/8
R:Country Dance Tune
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 615)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:Gmin
G2g4 (fe)|d4B4|A2f4 ed|c2 (dc) (dc)(BA)|G2g4 (fe)|
d4B4|(cB)(AG) (^FG) A2|B2G2G2||(Bc)|(dc)(BA) (GA)(Bc)|
d4B4|(cB)(AG)( (FG)(AB)|c4A4|(dc)(BA) (GA)(Bc)|d4B4|
(cB)(AG) ^FGA2|B2G2G2||(Bc)d2d2d2(Bc)|d2d23d2 AB|
c2c2c2 Bc|d2d2d2 Bc|d2d2d2 AB|(cB)(AG) ^FG A2|B2G2G2||
X:3
T:untitled fiddle tune
M:C
L:1/8
S:Collected in south western Pennsylvania by S. Bayard, 1944
K:G
[B2g2]-|[B2g2][B2g2] BABB|[B2g2][B2g2] B2 BB|c2c2 AGAB|c2c2 A2 AB|
[B2g2][B2g2] feBB|[B2g2][B2g2] B2 {B}cB|{D2A2]B2 cBAF|G4 z4:|
Bc|d2d2 [DB]GBc|d2d2 B2BG|c2c2 AFAB|c2c2A2 Bc|
d2d2 B[GB]Bc|d2d2B2G2|A2B2{B}cB AF|G4 z3||