Auld Wife Ahunt the Fire: Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Auld Wife Ahunt the Fire | |f_tune_title=Auld Wife Ahunt the Fire | ||
|f_aka=Aald Wife Ahunt the Fire, Auld Wife Ayond the Fire, Old Wife Beyond the Fire, Old Wife Behind the Fire, Set the old wife beyond the fire, Welcome Royal Charlie | |f_aka=Aald Wife Ahunt the Fire, Auld Wife Ayond the Fire, Old Wife Beyond the Fire (The), Old Wife Behind the Fire, Set the old wife beyond the fire, Welcome Royal Charlie | ||
|f_country=Scotland | |f_country=Scotland | ||
|f_genre=Scottish, Shetland/Orkney | |f_genre=Scottish, Shetland/Orkney | ||
Line 9: | Line 9: | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_history= | |f_history=SCOTLAND(Perth and Kinross), SCOTLAND(Shetland/Orkney), ENGLAND(North East) | ||
|f_book_title= | |f_structure=AABB | ||
|f_collector= | |f_book_title=The MacFarlane Manuscript | ||
|f_year= | |f_collector=David Young | ||
|f_page=p. | |f_year=c. 1740 | ||
|f_page=p. 233 | |||
|f_theme_code_index=326L4 3211H | |f_theme_code_index=326L4 3211H | ||
|f_score=1 | |||
|f_player=Jerry Holland | |f_player=Jerry Holland | ||
|f_album=A Session with Jerry Holland | |f_album=A Session with Jerry Holland | ||
Line 20: | Line 22: | ||
|f_recording_date=1990 | |f_recording_date=1990 | ||
|f_annotations=Scottish, Reel, Slow Strathspey or Country Dance Tune (4/4 time); Shetland, Reel. G Major (Barnes, Bremner, Cranford, Gow, Kerr): F Major (Hunter). Standard tuning. One part (Hunter): AAB (Gow): AABB (Barnes, Bremner, Kerr): AA’BB (Cranford). Once popular throughout Britain, albeit in different versions. According to Glen the tune was first published by Robert Bremner (1757) and Neil Stewart (1761, pg. 12), however, the melody appears earliest in the Drummond Castle Manuscript (in the possession of the Earl of Ancaster at Drummond Castle), inscribed "A Collection of Country dances written for the use of his Grace the Duke of Perth by Dav. Young, 1734.” All the Scottish printings are predated by the tune’s appearance in John and William Neal’s Choice Collection of Country Dances (Dublin, c. 1726), where the tune is given as “Old Wife Behind the Fire.” English appearances in print (with the Neal title) are numerous, including Johnson’s edition of Daniel Wright’s Compleat Collection of celebrated country Dances (London, 1740), Longman, Lukey & Broderip’s edition of Bride’s Favourite Collection of 200 Select Country Dances, Cotillons (London, 1776), and Longman & Broderips Compleat Collection of 200 Favorite Country Dances (London, 1781). In manuscript form, the tune was included in the collections of Northumbrian musician William Vickers (1770) and London musician Thomas Hammersley (c. 1790). Known also throughout the Shetlands. Cooke (1986) prints the following text to this dance tune, in oral tradition in the Shetlands in the 1970's: | |f_annotations=Scottish, Reel, Slow Strathspey or Country Dance Tune (4/4 time); Shetland, Reel. G Major (Barnes, Bremner, Cranford, Gow, Kerr): F Major (Hunter). Standard tuning. One part (Hunter): AAB (Gow): AABB (Barnes, Bremner, Kerr): AA’BB (Cranford). Once popular throughout Britain, albeit in different versions. According to Glen the tune was first published by Robert Bremner (1757) and Neil Stewart (1761, pg. 12), however, the melody appears earliest in the Drummond Castle Manuscript (in the possession of the Earl of Ancaster at Drummond Castle), inscribed "A Collection of Country dances written for the use of his Grace the Duke of Perth by Dav. Young, 1734.” All the Scottish printings are predated by the tune’s appearance in John and William Neal’s Choice Collection of Country Dances (Dublin, c. 1726), where the tune is given as “Old Wife Behind the Fire.” English appearances in print (with the Neal title) are numerous, including Johnson’s edition of Daniel Wright’s Compleat Collection of celebrated country Dances (London, 1740), Longman, Lukey & Broderip’s edition of Bride’s Favourite Collection of 200 Select Country Dances, Cotillons (London, 1776), and Longman & Broderips Compleat Collection of 200 Favorite Country Dances (London, 1781). In manuscript form, the tune was included in the collections of Northumbrian musician William Vickers (1770) and London musician Thomas Hammersley (c. 1790). Known also throughout the Shetlands. Cooke (1986) prints the following text to this dance tune, in oral tradition in the Shetlands in the 1970's: | ||
The aald wife behunt the fire, | The aald wife behunt the fire, | ||
The aald wife behunt the fire, | The aald wife behunt the fire, | ||
Line 28: | Line 30: | ||
She deed for a werrer fault | She deed for a werrer fault | ||
She deed for want of sneezing. | She deed for want of sneezing. | ||
Source for notated version: Neal’s c. 1726 collection [Barnes]. Barnes (English Country Dance Tunes, vol. 2), 2005; pg. 97. Bremner (Scots Reels), c. 1757; pg. 90. Carlin (The Gow Collection), 1986; No. 8. Cranford (Jerry Holland’s), 1995; No. 164, pg. 47. Gow (Complete Repository), Part 1, 1799; pg. 14. Gow (Complete Repository), Part 2, 1802; pg. 6 (slow strathspey). Hunter (Fiddle Music of Scotland), 1988; No. 43. Kerr (Merry Melodies), vol. 2; No. 115, pg. 14. | Source for notated version: Neal’s c. 1726 collection [Barnes]. Barnes (English Country Dance Tunes, vol. 2), 2005; pg. 97. Bremner (Scots Reels), c. 1757; pg. 90. Carlin (The Gow Collection), 1986; No. 8. Cranford (Jerry Holland’s), 1995; No. 164, pg. 47. Gow (Complete Repository), Part 1, 1799; pg. 14. Gow (Complete Repository), Part 2, 1802; pg. 6 (slow strathspey). Hunter (Fiddle Music of Scotland), 1988; No. 43. Kerr (Merry Melodies), vol. 2; No. 115, pg. 14. | ||
}} | }} | ||
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< | X:1 | ||
T:Ald wife ayond the fire, The | |||
< | M:C| | ||
L:1/8 | |||
< | R:Reel | ||
S:David Young - The MacFarlane Manuscript (c. 1740, p. 233) | |||
< | K:Gmix | ||
c|TB2 (AG) FFcA|TB2 (AG) GGgd|TB2 (AG) FFcA|BdAB G2G:| | |||
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X:1 | |||
T:Old Wife Beyond the Fire, The | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
S:William Vickers’ music manuscript collection, p. 44 (Northumberland, 1770) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
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X:1 | |||
T:Auld wife ayont the Fire, The | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
S:Gow – 1st Repository (1799) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
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X:2 | |||
T:Auld wife ayont the Fire | |||
L:1/8 | |||
M:C | |||
R:”Very Slow” Strathspey | |||
S:Gow – 2nd Repository (1802) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
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X:1 | |||
T:Auld Wife ayont the Fire, The | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
B: Joseph Lowe - Lowe's Collection of Reels, Strathspeys and Jigs, | |||
B:book 3 (1844–1845, p. 8) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
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X:1 | |||
T:Auld Wife ayont the Fire | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
B:William Ross – Ross’s Collection of Pipe Music Book 10 (1885, No. 387, p. 18) | |||
B: https://www.ceolsean.net/content/WRoss/Book10/Book10%2018.pdf | |||
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K:Amix | |||
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Latest revision as of 02:43, 13 April 2023
X:1 T:Ald wife ayond the fire, The M:C| L:1/8 R:Reel S:David Young - The MacFarlane Manuscript (c. 1740, p. 233) K:Gmix c|TB2 (AG) FFcA|TB2 (AG) GGgd|TB2 (AG) FFcA|BdAB G2G:| |:c|TB>c de cdTcA|TBd2 e/^f/ g/f/e/d/ gd|Bcde cc (d/c/B/A/)|(B/c/d) G2G:|]
X:1
T:Old Wife Beyond the Fire, The
M:C|
L:1/8
R:Reel
S:William Vickers’ music manuscript collection, p. 44 (Northumberland, 1770)
Z:AK/Fiddler’s Companion
K:G
c|B2 AG FAAc|B2 AG Bgec|B2 AG FAAc|dBcA G2c2:|
|:Bcde fA c2|Bcde fd g2|Bcde fAcA|BgAF G2c2:|]
X:1
T:Auld wife ayont the Fire, The
M:C|
L:1/8
R:Reel
S:Gow – 1st Repository (1799)
Z:AK/Fiddler’s Companion
K:G
c|{c}B2 AG E/E/E cA|{c}B2 AG G/G/G gd|{c}B2 AG E/E/E (cA)|(B/c/d) A>B G2G:|
c|B(dd)e c>dcB|Bddg (g/f/e/f/) g>d|B(dd>)e c>dcA|(B/c/d) (AB) G2 Gc|
B(dd>)e c>dcA|Bddg (g/f/e/f/) g>d|B>cde c>dcA|B<d A>B {F}G3||
X:2
T:Auld wife ayont the Fire
L:1/8
M:C
R:”Very Slow” Strathspey
S:Gow – 2nd Repository (1802)
Z:AK/Fiddler’s Companion
K:G
d|{c}B2 ~A>G FGA{B}c|{c}B2 ~A>G Gg g>d|(cB) ~AG F>GAc|(B<d) A>B {F}G2G:|
c|B>cde ~c>dcA|(Bc)de de/f/ gd|B>cde c>dcA|(B<d) A>B {F}G2 G>c|
B>cde ~c>dcA|B>c de/f/ (g/f/)g/a/ g>d|B>cde ~c>d cA|(B<d) A>B G2G||
X:1
T:Auld Wife ayont the Fire, The
M:C
L:1/8
R:Reel
B: Joseph Lowe - Lowe's Collection of Reels, Strathspeys and Jigs,
B:book 3 (1844–1845, p. 8)
Z:AK/Fiddler’s Companion
K:G
c|{c}B2- A.G E/E/E (cA)|{c}B2- A.G G/G/G (gd)|{c}B2- A.G E/E/E (cA)|BdAB G2G:|
c|(Bd)de (cd)cA|Bddg (g/f/e/f/) gd|(Bd)de (cd)cA|BdAB G2 Gc|
(Bd)de cdcA|Bddg (g/f/e/f/) gd|Bcde cdcA|BdAB G2 G||
X:1
T:Auld Wife ayont the Fire
M:C
L:1/8
R:Reel
B:William Ross – Ross’s Collection of Pipe Music Book 10 (1885, No. 387, p. 18)
B: https://www.ceolsean.net/content/WRoss/Book10/Book10%2018.pdf
Z:AK/Fiddler’s Companion
K:Amix
a|c2BA A<Aae|g2 fg BGdB|c2 BA A<Aae|g2 dB e2A:|
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A<AeA cAAe|g2 fg BGdB|ABcd ecac|g2 dB e2A||