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{{Abctune
{{Abctune
|f_tune_title=Braes of Tullymet (The)
|f_tune_title=Braes of Tullymet (The)
|f_aka=Barrack Street Boys (The), Birnie-Bouzle, Braes of Tullimet (The), Braes o' Tullymet (The), Brides Away, Bride to Bed (The), Brides to Bed, British Naggon (The), Cheese It, Corney is Coming, Crawford's Reel (1), D. Dick's Favourite, Honeymoon (2) (The), Honeymoon Reel (2), I Saw Her, Kelly's Reel, Miss Grant of Grant (1), Miss Wilson, Merry Bits of Timber, My Love is in America, My Love is in the House (1), Shannon Breeze (2), Six Mile Bridge
|f_aka=Barrack Street Boys (The), Birnie-Bouzle, Braes of Tullimet (The), Braes o' Tullymet (The), Brides Away, Bride to Bed (The), Brides to Bed, British Naggon, Cheese It, Corney is Coming, Crawford's Reel (1), D. Dick's Favourite, Honeymoon (2) (The), Honeymoon Reel (2), I Saw Her, Kelly's Reel, Miss Grant of Grant (1), Miss Wilson, Merry Bits of Timber, My Love is in America, My Love is in the House (1), Shannon Breeze (2), Six Mile Bridge
|f_country=Scotland, Canada
|f_country=Scotland, Canada
|f_genre=Cape Breton/PEI, Scottish
|f_genre=Cape Breton/PEI, Scottish
|f_rhythm=Schottische/Schottis/Jennkka/Reinlander, Strathspey
|f_rhythm=Schottische/Schottis/Jennkka/Reinlander, Strathspey
|f_time_signature=4/4
|f_key=G
|f_key=G
|f_accidental=2 flats
|f_accidental=2 flats
|f_mode=Aeolian (minor)
|f_mode=Aeolian (minor)
|f_history=<b>Canada</b>/Maritimes (English)
|f_history=CANADA(Maritimes/English)
|f_structure=AB
|f_structure=AB
|f_book_title=Complete Repository Part 1
|f_book_title=A Collection of New Reels & Highland Strathspeys &c.
|f_collector=Niel & Nathaniel Gow,
|f_collector=Joshua Campbell
|f_year=1799
|f_year=1789
|f_page=p. 8
|f_page=p. 19
|f_theme_code_index=2555 2454
|f_theme_code_index=2555 2454
|f_score=1
|f_player=John 'Dancie' Reid
|f_player=John 'Dancie' Reid
|f_album=Scottish Tradition 9: The Fiddler and his Art
|f_album=Scottish Tradition 9: The Fiddler and his Art
Line 20: Line 22:
|f_recording_date=1993
|f_recording_date=1993
}}
}}
<p><font face="garamond, serif" size="4">
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'''BRAES OF TULLYMET, THE'''. AKA and see "[[Barrack Street Boys (The)]],"  "[[Birnie-Bouzle]]," "[[Brides Away]]," "[[Bride to Bed (The)]]," "Bride(s) to Bed," "[[British Naggon (The)]]," "[[Cheese It]]," "[[Corney is Coming]]," "[[Crawford's Reel (1)]]," "[[D. Dick's Favourite]]," "[[Honeymoon Reel (2) (The)]]," "[[I saw her]]," "[[Kelly's Reel]]," "[[Miss Grant of Grant (1)]]," "[[Miss Wilson]]," "[[Merry Bits of Timber]]," "[[My Love is in America]]," "[[My Love is in the House (1)]]," "[[Shannon Breeze (2)]]," "[[Six Mile Bridge]]." Scottish, Strathspey or Highland Schottische. G Minor/Dorian (Alburger, Gow, Honeyman, Kerr/vol. 2, Skye, Williamson): E Minor (Kerr vol. 1, Surenne); D Minor (S. Johnson). Standard tuning (fiddle). AB (Surenne): AAB (Athole, Cranford, Gow, Honeyman, Hunter, Kerr, Martin, Skye): AABB (S. Johnson, Williamson): AABB' (Kerr, vol. 2): ABCDEFF (McGlashan). The braes, or hillsides, referred to in the title lie in Perthshire. Robert Petrie (1767-1830) is often credited with the composition of this tune, though he himself did not claim it when he printed it in his '''Fourth Collection of Strathspeys, Reels, Jiggs & Country Dances''' (Edinburgh, 1805, pg. 3). Alburger (1983), doubting the ascription, notes that it was published before his birth. Petrie was born in Kirkmichael in Perthshire, where he garnered the local reputation as a profligate and fiddler (a not uncommon combination). As a young man he won either a prized silver bow in a fiddle contest at Edinburgh or a cup at a competition in Aberdeen in 1822, or both. He published four collections of reels and strathspeys and country dances between 1790 and 1796. "It is an interesting aside that (Petrie's birthplace) Kirkmichael was famous for the number of its ghosts, spirits, and fairies. Many places with the word "michael" in the name were so noted, probably because the early Christians were in the habit of building churches to that saint on the site of the confluence of ancient druidical lines of force.  These were called "ley lines" or "dragon lines," and St. Michael was often represented with his foot on a dragon's neck.  The Spauldings, the lairds of Ashintully at Kirkmichael, died out entirely from the effects of a death curse put upon them by a tinker they had hanged for trespassing" (Williamson, 1976). Glen (1891) finds the earliest appearance of the tune in print in Neil Stewart's 1761 collection (pg. 64), and another early printing is in McGlashan's 1780 Collection. The Braes of Tulliemet is the name of a Scottish country dance from Selkirkshire, one of the fifteen or so either wholly or in part in strathspey tempo (Flett, 1964).  
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
''Sources for notated versions'': Winston Fitzgerald (1914-1987, Cape Breton) [Cranford]; Neil Stewart's collection (1761) [Henderson]; Robert Petrie's 4th Collection, 1805 [S. Johnson].
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image_alt=Traditional universal music
''Printed sources:'' Alburger ('''Scottish Fiddlers and Their Music'''), 1983; Ex. 36, pp. 59-60. Cranford ('''Winston Fitzgerald'''), 1997; No. 159, p. 63. Gow ('''Complete Repository'''), Part 1, 1799; p. 8. Henderson ('''Flowers of Scottish Melody'''), 1935. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 26. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 167. Johnson ('''Kitchen Musician No. 10: Airs and Melodies of Scotland's Past'''), 1992 (revised 2001); p. 16. S. Johnson ('''A Twenty Year Anniversary Collection'''), 2003; p. 20. Kerr ('''Merry Melodies'''), vol. 1; No. 2, p. 19 (Highland Schottische, appears as "Braes of Tulimet"). Kerr ('''Merry Melodies'''), vol. 2; No. 210, p. 23. McGlashan ('''Collection of Strathspey Reels'''), c. 1780/81; p. 29. MacDonald ('''The Skye Collection'''), 1887; p. 134. Martin ('''Traditional Scottish Fiddling'''), 2002; p. 130.  Stewart-Robertson ('''The Athole Collection'''), 1884; p. 185. Surenne ('''Dance Music of Scotland'''), 1852; pp. 12-13. Williamson ('''English, Welsh, Scottish and Irish Fiddle Tunes'''), 1976; p. 64 (appears as "Braes of Tullimet").
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''Recorded sources:'' Greentrax CDTRAX 9009, John 'Dancie' Reid (1869-1942) - "Scottish Tradition 9: The Fiddler and his Art" (1993). Odyssey ORCS 1051, Jerry Holland - "Fiddler's Choice" (1998. Holland cites Winston "Scotty" Fitzgerald for his source). Rounder RO7023, Natalie MacMaster - "No Boundaries" (1996). WMT002, Wendy MacIsaac - "That's What You Get" (1998?). See also listings at: Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t2048.html], Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/b14.htm#Braoftu]
 
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<section begin=abc />
X:1
X:1
T:Braes of Tullymet, The
T:Braes of Tullymet [1], The
M:C
M:C
L:1/8
L:1/8
R:Strathspey
R:Strathspey
B:Stewart-Robertson - The Athole Collection (1884)
B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, 19)
Z:AK/Fiddler's Companion
Z:AK/Fiddler’s Companion
K:Gmin
K:Gmin
c|A<d d>c d>c d<f|A>Fc>F d>Fc>F|A<d d>c d>cd>g|f>d cB/A/ G2G:|
c|A<(dd>)c Td>cdf|c<FTc<FTc>A|A<(dd>c) d>cdg|(f>d)Tc(c>A) T(A>G)Gc|
d|g>d g<b g>d g<b|f>c f<a f>c f<a|g>d g<b g>d g<b|f>d cB/A/ g2 g>d|
A<(dd>)c Td>cdf|c<FTc>A c<FTc>A|A<(dd>)c (d/c/d/f/) (g/f/g/b/)|
g>dg>b dg/a/ b>g|f>c f<a cf/g/ a>f|g<d d>=e f>ga>g|f>d d/c/B/A/ G2G ||
(g/f/e/d/) (d/c/B/A/) T(A>G)G||^f|g>dg>b g>dg>b|f>cf>a f>cf>a|
 
g>dd>e f>ga>g|f>c d/c/B/A/ TA>GGd|(g>d)(g>b) (d/f/)g/a/ (b>g)|
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(f>c)(f>a) (c/d/)f/g/ a>!fermata!f|f>dde (f/e/f/g/) (a/g/a/f/)|(b/g/f/d/) (f/d/c/A/) B>GG||
 
c|(B>d)(G>d) (B>G)(d>G)|(f>c)(d>f) T(A>F)(c>F)|(G>d)(B>d) (G>d)(g>d)|
----
f>c (d/c/B/A/) B(GG)c|(B/d/c/d/) (G/d/c/d/) (f/d/c/d/) (B/c/d/g/)|(f/a/g/b/) (a/f/c/f/) (A/c/f/c/) (A/c/A/F/)|
 
(G/B/A/c/) (B/d/c/f/) (g/f/g/a/) (b/a/b/g/)|(f/b/g/_e/) (d/f/c/A/) TB(GG)||d|g>dg>b (G/B/)d/g/ (b>g)|
<pre>
f>cf>a (F/A/)c/f/ T(a>f)|g>d (B/c/d/f/) T(g/f/g/a/) b>g|T(a/g/4f/4) (c/>f/) d/c/B/A/ TB(GG)d|
(g/d/B/d/) (g/d/b/d/) (G/B/d/g/) (b/a/b/g/)|(f/d/c/TB/) (A/c/f/a/) (F/A/c/f/) (a/g/a/f/)|
(g/b/d/g/) (B/c/d/f/) (g/f/g/a/) (b/a/b/g/)|(f/d/b/g/) (f/d/c/A/) TBGG|]
<section end=abc />
<section begin=X3 />
X:1
T:Braes of Tulliemet [1], or D. Dick's Favorite
M:C|
L:1/16
R:Strathspey
B:Petrie - Fourth Collection of Strathspeys, Reels, Jiggs and Country Dances (c. 1805)
K:Gdor
Ad3d3c d3cd3g|FF3A3F c3FA3F|Ad3d3c d3cd3g|f3dc3A G4G4:|
|:g3dg3a g3dg3b|f3cf3a f3cf3a|g3dg3b g3dg3b|f3dc3A G4G4:|]
<section end=X3 />
<section begin=X6 />
X:2
X:2
T:Braes o' Tullymet, The
T:Braes of Tullymet [1] (The)
M:C
L:1/8
S:Mackie Collection (Aberdeen, early 19th cent.)
Z:AK/Fiddler’s Companion
K:Amin
B<ee>d efg>e|d>GB>G d>GB>G|B>ee>d e>ga>c'|g>e d>B A2A2:|
a>ea>c' a>ea>c'|g>dg>b g>dg>b|aeac' aeac'|ge dB A2A2|
a>ea>c' e>ac'>a|g>dg>b d>gb>a|g>ee>f g>ab>a|g>e d>B A2A2|]
<section end=X6 />
<section begin=X8 />
X:3
T:Braes o' Tullymet [1], The
M:C
M:C
L:1/8
L:1/8
Line 58: Line 94:
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:Emin
K:Emin
A | (F<B)B>A (B>A(B<d)|(F<D)A>D B>DA>G|(F<B)B>A B>A(B<e)|d>B{B}A>F E3A|  
A | (F<B)B>A (B>A)(B<d)|(F<D)A>D B>DA>G|(F<B)B>A B>A(B<e)|d>B{B}A>F E3A|  
(F<B)B>A B>A (B<d) | (F<D)A>D B>DA>G | (F<B)B>A B>A(B<e) | d>B({B}A)F E3 ||  
(F<B)B>A B>A (B<d) | (F<D)A>D B>DA>G | (F<B)B>A B>A(B<e) | d>B{B}AF E3 ||  
B | e>B(e<g) e>B(e<g) | d>A(d<f) f>A(d<f) | e>B(e<g) e>B(e<g) | d>B{B}A>F (E2E)B |  
B | e>B(e<g) e>B(e<g) | d>A(d<f) f>A(d<f) | e>B(e<g) e>B(e<g) | d>B{B}A>F (E2E)B |  
e>B(e<g) B(e/f/) g>e|d>A(d<f) A(d/e/) f>^d|(e<B)B>^c =d>e{d/e/}f>e|d>B (B/A/G/F/) {F}E3||  
e>B(e<g) B(e/f/) g>e|d>A(d<f) A(d/e/) f>^d|(e<B)B>^c =d>e{d/e/}f>e|d>B (B/A/G/F/) {F}E3|]
 
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<section begin=X11 />
----
X:11
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T:Braze of Tallemirt. Roose.0154, The
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
T:Braes of Tullimet [1]. Roose.0154, The
<br>
M:C
Engraver Valerio M. Pelliccioni
L:1/8
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Q:1/4=140
B:John Roose MS, 1850
Z:Village Music Project. Ian Hayden 2019
K:Bb
c|Addc d2df|cF (3cBA cF (3cBA|Addc d2dg|fdcA G3:|
|:c|{a}gdgb gdgb|fcfa fcfa|{a}gdgb gdgb|fdcA G2G2|
{a}gdgb gdgb|fcfa fcfa|gdde fgag|gdcA G2G:|
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<section begin=X15 />
X:1
T:Braes o’ Tullymet [1] or Birnieboozle
M:C|
L:1/16
R:Strathspey
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 32)
Z:AK/Fiddler’s Companion
K:Gmin
c2|A(d3d3)c (d3c)Bf3|A3F(c3F) (d3F)c3B|A(d3d3)c (d3c)dg3|(f3c) (dc)BA (G4G2):|
d2|g3dgb3 g3dgb3|f3cfa3 f3dfa3|g3dgb3 g3dgb3|(f3c) (dc).B.A (G4 G2)d2|
g3dgb3 d2(ga) bg3|f3cfa3 c2(fg) a2{ga}f2|gd3(d3=e) (f3g)a3g|(f3c) (dc).B.A {A}(G4G2)|]
<section end=X15/>
<section begin=X8 />
X:1
T:Braes of Tullymet [1], The
M:C
L:1/16
R:Strathspey
B:Stewart-Robertson - The Athole Collection  (1884)
Z:AK/Fiddler's Companion
K:Gmin
c2|Ad3 d3c d3c df3|A3Fc3F d3Fc3F|Ad3 d3c d3cd3g|f3d c2BA G4G2:|
d2|g3d gb3 g3d gb3|f3c fa3 f3c fa3|g3d gb3 g3d gb3|f3d c2BA g4 g3d|
g3dg3b d2ga b3g|f3c fa3 c2fg a3f|gd3 d3=e f3ga3g|f3d dcBA G4G2 |]
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Revision as of 04:00, 20 May 2023


Braes of Tullymet (1) (The)  Click on the tune title to see or modify Braes of Tullymet (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Braes of Tullymet (1) (The)
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 Theme code Index    2555 2454
 Also known as    Barrack Street Boys (The), Birnie-Bouzle, Braes of Tullimet (The), Braes o' Tullymet (The), Brides Away, Bride to Bed (The), Brides to Bed, British Naggon, Cheese It, Corney is Coming, Crawford's Reel (1), D. Dick's Favourite, Honeymoon (2) (The), Honeymoon Reel (2), I Saw Her, Kelly's Reel, Miss Grant of Grant (1), Miss Wilson, Merry Bits of Timber, My Love is in America, My Love is in the House (1), Shannon Breeze (2), Six Mile Bridge
 Composer/Core Source    
 Region    Scotland, Canada
 Genre/Style    Cape Breton/PEI, Scottish
 Meter/Rhythm    Schottische/Schottis/Jennkka/Reinlander, Strathspey
 Key/Tonic of    G
 Accidental    2 flats
 Mode    Aeolian (minor)
 Time signature    4/4
 History    CANADA(Maritimes/English)
 Structure    AB
 Editor/Compiler    Joshua Campbell
 Book/Manuscript title    Book:A Collection of New Reels & Highland Strathspeys &c.
 Tune and/or Page number    p. 19
 Year of publication/Date of MS    1789
 Artist    Biography:John 'Dancie' Reid
 Title of recording    Scottish Tradition 9: The Fiddler and his Art
 Record label/Catalogue nr.    Greentrax CDTRAX 9009
 Year recorded    1993
 Media    
 Score   (1)   



Braes of Tullymet (1) (The): Annotations

X:1 T:Braes of Tullymet [1], The M:C L:1/8 R:Strathspey B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, 19) Z:AK/Fiddler’s Companion K:Gmin c|A<(dd>)c Td>cdf|c<FTc<FTc>A|A<(dd>c) d>cdg|(f>d)Tc(c>A) T(A>G)Gc| A<(dd>)c Td>cdf|c<FTc>A c<FTc>A|A<(dd>)c (d/c/d/f/) (g/f/g/b/)| (g/f/e/d/) (d/c/B/A/) T(A>G)G||^f|g>dg>b g>dg>b|f>cf>a f>cf>a| g>dd>e f>ga>g|f>c d/c/B/A/ TA>GGd|(g>d)(g>b) (d/f/)g/a/ (b>g)| (f>c)(f>a) (c/d/)f/g/ a>!fermata!f|f>dde (f/e/f/g/) (a/g/a/f/)|(b/g/f/d/) (f/d/c/A/) B>GG|| c|(B>d)(G>d) (B>G)(d>G)|(f>c)(d>f) T(A>F)(c>F)|(G>d)(B>d) (G>d)(g>d)| f>c (d/c/B/A/) B(GG)c|(B/d/c/d/) (G/d/c/d/) (f/d/c/d/) (B/c/d/g/)|(f/a/g/b/) (a/f/c/f/) (A/c/f/c/) (A/c/A/F/)| (G/B/A/c/) (B/d/c/f/) (g/f/g/a/) (b/a/b/g/)|(f/b/g/_e/) (d/f/c/A/) TB(GG)||d|g>dg>b (G/B/)d/g/ (b>g)| f>cf>a (F/A/)c/f/ T(a>f)|g>d (B/c/d/f/) T(g/f/g/a/) b>g|T(a/g/4f/4) (c/>f/) d/c/B/A/ TB(GG)d| (g/d/B/d/) (g/d/b/d/) (G/B/d/g/) (b/a/b/g/)|(f/d/c/TB/) (A/c/f/a/) (F/A/c/f/) (a/g/a/f/)| (g/b/d/g/) (B/c/d/f/) (g/f/g/a/) (b/a/b/g/)|(f/d/b/g/) (f/d/c/A/) TBGG|]


X:1 T:Braes of Tulliemet [1], or D. Dick's Favorite M:C| L:1/16 R:Strathspey B:Petrie - Fourth Collection of Strathspeys, Reels, Jiggs and Country Dances (c. 1805) K:Gdor Ad3d3c d3cd3g|FF3A3F c3FA3F|Ad3d3c d3cd3g|f3dc3A G4G4:| |:g3dg3a g3dg3b|f3cf3a f3cf3a|g3dg3b g3dg3b|f3dc3A G4G4:|]


X:2 T:Braes of Tullymet [1] (The) M:C L:1/8 S:Mackie Collection (Aberdeen, early 19th cent.) Z:AK/Fiddler’s Companion K:Amin B<ee>d efg>e|d>GB>G d>GB>G|B>ee>d e>ga>c'|g>e d>B A2A2:| a>ea>c' a>ea>c'|g>dg>b g>dg>b|aeac' aeac'|ge dB A2A2| a>ea>c' e>ac'>a|g>dg>b d>gb>a|g>ee>f g>ab>a|g>e d>B A2A2|]


X:3 T:Braes o' Tullymet [1], The M:C L:1/8 R:Strathspey S:Surenne - Dance Music of Scotland, pp. 12-13 (1852) Z:AK/Fiddler's Companion K:Emin A | (F<B)B>A (B>A)(B<d)|(F<D)A>D B>DA>G|(F<B)B>A B>A(B<e)|d>B{B}A>F E3A| (F<B)B>A B>A (B<d) | (F<D)A>D B>DA>G | (F<B)B>A B>A(B<e) | d>B{B}AF E3 || B | e>B(e<g) e>B(e<g) | d>A(d<f) f>A(d<f) | e>B(e<g) e>B(e<g) | d>B{B}A>F (E2E)B | e>B(e<g) B(e/f/) g>e|d>A(d<f) A(d/e/) f>^d|(e<B)B>^c =d>e{d/e/}f>e|d>B (B/A/G/F/) {F}E3|]


X:11 T:Braze of Tallemirt. Roose.0154, The T:Braes of Tullimet [1]. Roose.0154, The M:C L:1/8 Q:1/4=140 B:John Roose MS, 1850 Z:Village Music Project. Ian Hayden 2019 K:Bb c|Addc d2df|cF (3cBA cF (3cBA|Addc d2dg|fdcA G3:| |:c|{a}gdgb gdgb|fcfa fcfa|{a}gdgb gdgb|fdcA G2G2| {a}gdgb gdgb|fcfa fcfa|gdde fgag|gdcA G2G:|


X:1 T:Braes o’ Tullymet [1] or Birnieboozle M:C| L:1/16 R:Strathspey B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 32) Z:AK/Fiddler’s Companion K:Gmin c2|A(d3d3)c (d3c)Bf3|A3F(c3F) (d3F)c3B|A(d3d3)c (d3c)dg3|(f3c) (dc)BA (G4G2):| d2|g3dgb3 g3dgb3|f3cfa3 f3dfa3|g3dgb3 g3dgb3|(f3c) (dc).B.A (G4 G2)d2| g3dgb3 d2(ga) bg3|f3cfa3 c2(fg) a2{ga}f2|gd3(d3=e) (f3g)a3g|(f3c) (dc).B.A {A}(G4G2)|]


X:1 T:Braes of Tullymet [1], The M:C L:1/16 R:Strathspey B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:Gmin c2|Ad3 d3c d3c df3|A3Fc3F d3Fc3F|Ad3 d3c d3cd3g|f3d c2BA G4G2:| d2|g3d gb3 g3d gb3|f3c fa3 f3c fa3|g3d gb3 g3d gb3|f3d c2BA g4 g3d| g3dg3b d2ga b3g|f3c fa3 c2fg a3f|gd3 d3=e f3ga3g|f3d dcBA G4G2 |]


Braes of Tullymet (1) (The): Annotations

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