Annotation:Miss Elder (1): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Miss_Elder_(1) > | |||
'''MISS ELDER [1].''' Scottish, Reel. E Minor. Standard tuning (fiddle). AB (Cranford): AAB (Glen). The melody was composed by [[Biography:Robert Petrie]] and appears in his c. 1790 1st collection. | |f_annotation='''MISS ELDER [1].''' Scottish, Reel (whole time). E Minor (Petrie): D Major (Anderson). Standard tuning (fiddle). AB (Cranford): AAB (Glen). The melody was composed by [[Biography:Robert Petrie]] and appears in his c. 1790 1st collection. Curiously, John Anderson's (1820) version, while nearly identical in melodic contour, is notated one step lower than is Petrie's setting, and set in a major tonality. | ||
|f_source_for_notated_version=Winston Fitzgerald (1914–1987, Cape Breton) [Cranford]. | |||
|f_printed_sources=Anderson ('''Anderson's Budget of Strathspeys, Reels & Country Dances'''), Edinburgh, 1820; p. 28. | |||
Cranford ('''Winston Fitzgerald: A Collection of Fiddle Tunes'''), 1997; No. 143, p. 58. | |||
Glen ('''Collection of Scottish Dance Music, vol. 1'''), 1891; p. 58. | |||
' | Petrie ('''Collection of Strathspey Reels and Country Dances'''), 1790; p. 22. | ||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
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Latest revision as of 02:09, 25 May 2023
X:2 T:Miss Elders Reel [1] C:Robert Petrie S:Petrie's Collection of Strathspey Reels and Country Dances &c., 1790 Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 3/20/04 N:Petrie's First Collection, page 22 L:1/8 M:C R:Reel K:Em B | E/E/E BE GEBE | GEBG F(DD)F | E/E/E BE GEeB | cABF GEE :| B | efga b(gTfe) | defg afdf | efga b(gTfe) | Bbfa geef | efga b(gTfe) | defg afdf |bgaf gef^d |.e(cTBA) GEE |]
MISS ELDER [1]. Scottish, Reel (whole time). E Minor (Petrie): D Major (Anderson). Standard tuning (fiddle). AB (Cranford): AAB (Glen). The melody was composed by Biography:Robert Petrie and appears in his c. 1790 1st collection. Curiously, John Anderson's (1820) version, while nearly identical in melodic contour, is notated one step lower than is Petrie's setting, and set in a major tonality.
