Rose Tree (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Rose Tree (The) | |f_tune_title=Rose Tree (The) | ||
|f_aka=Rosetree (The) | |f_aka=Rosetree (The), Bhíosa lá I bport láirge, Dainty Besom Maker (The), Farmer's Daughter (The), I'll Cloot My Johnny's Grey Breecks, Johnny's Grey Breeks (2), Magee's, Old Lea Rigg (The), Little Mary Cullinan, Little Sheila Connellan, Maureen from Giberland, Moore's Favourite, Phelim O’Neill (2), Port Láirge, Rose Tree in Full Bearing (The), Rose Tree of Paddy's Land (The), Gimblet (The), Forgive the Muse that Slumbered, I'd Mourn the Hopes that Leave Me, Paddy's Land | ||
|f_country= | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Contra, English, Irish, Morris | |f_genre=Contra, English, Irish, Morris | ||
|f_rhythm=Air/Lament/Listening Piece, Country Dance, March/Marche, Polka | |f_rhythm=Air/Lament/Listening Piece, Country Dance, March/Marche, Polka | ||
|f_time_signature= | |f_time_signature=4/4, 2/4 | ||
|f_key=D | |f_key=D | ||
|f_accidental=2 sharps | |f_accidental=2 sharps | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AABB | |f_structure=AB, AABB | ||
|f_book_title=Pocket Companion for the Irish or Union Pipes vol. 1 | |||
|f_collector=O'Farrell | |||
|f_year=c. 1805 | |||
|f_page=p. 40 | |||
|f_theme_code_index=1H653 5555 | |f_theme_code_index=1H653 5555 | ||
|f_pdf_score=[[File:The Rose Tree.pdf|left|page=1|200px|thumb|The Rose Tree]] | |||
|f_score=1 | |||
|f_media={{FeaturedTunes |f_track=The Rose Tree.mp3 |f_artwork=Poster_for_a_Southampton_performance_of_the_play_‘The_Country_Girl’.jpg |f_tune_name= The Rose Tree |f_played_by=Ed Heslam |f_notes=Playbill for a 1790 performance of the opera at Theatre Royal, Southampton |f_source=[https://soundcloud.com/edheslam/the-rose-tree Soundcloud] |f_pix=220 |f_picpix=80 |f_piclink=Rose_Tree_(The) }} | |||
}} | }} | ||
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations | |||
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|image_alt=Traditional universal music | |||
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---- | ---- | ||
<section begin= | <section begin=X1a /> | ||
X:1 | X:1 | ||
T:Rose Tree, The | T:Rose Tree, The | ||
M:2/4 | |||
L:1/8 | |||
B:Daniel McLaren - Collection of Strathspey Reels, etc. (Edinburgh, 1794) | |||
K:Bb | |||
(d/c/)|.B(G FD)|F2 (FG)|B2 d/c/B/c/|d>c !fermata!cd/c/|B(G FD)|F2 (FG)|B2 ed/c/B/c/|.d(.B .B):| | |||
|:c|(dc) .d.e|(gf) (ed)|(cg) gf|gc !fermata!ce/d/|{fedc}BG FD|[B,2F2]FG|[D2B2] d/c/B/c/|dB B:| | |||
|:d/c/|B/d/G/B/ F/G/F/D?|F2 (FG)|B/d/f/b/ g/>f/e/d/|d>c cd/c/|B/d/B/G/ F/G/F/D/|F2 (F>G)|B/d/f/b/ f/e/d/c/|dB B:| | |||
|:c|d>c BV/d/c/e/|d/f/e/g/ (g/f/)e/d/|c>g g/f/e/d/|gc cd/c/|B/f/d/B/ A/d/F/D/| | |||
B,/D/D/F/ F/B/G/B/|1 F/B/d/f/ f/e/d/c/|dB B:|2 F/B/d/B/ F/D/C/E/|DB, B,|| | |||
|:d/c/|B/d/c/B/ A/G/F/E/|(D/F/)(B/G/) F>G|B/G/B/d/ f/d/Tc/B/|A>c cd/c/|B/d/c/B/ A/G/F/E/|E/B/G/B/ F>G|B/f/d/ g/e/c/f/|dB B:| | |||
|:c|d/e/c/d/ B/d/c/e/|d/f/e/g/ f/b/f/d/ |ce/d/ (c/g/).g/.f/|gc cd/c/|B/f/d/B/ F/B/G/B/ |F/G/F/D/ F>G|B/b/a/g/ f/d/c/f/|dB B:| | |||
|:d/c/|B>G (F/D/)(G/E/)|F/D/F/G/ F>G|(B/A/).G/.F/ (G/A/).B/.c/|d>c cd/c/|B>d G/B/A/G/|F/D/F/G/ F>G|B/d/c/B/ A/G/F/E/|DB, B,:| | |||
|:c|d>c B/F/c/F/|d/B/e/B/ f/d/c/B/|(e/d/).c/.B/ (g/f/).e/.d/|d>c c>(3f/2g/4a/4|bf/d/ BF/D/|B,/D/F/G/ F>G|B/b/f/d/ g/e/c/f/|dB B:| | |||
|:d/c/|(3B/d/c/ (3B/A/G/ (3F/B/A/ (3G/F/E/|(3D/F/B/ (3E/G/B/ F>G|B/A/G/B/ F/B/F/D/|Cc- cd/c/|(3B/d/B/ (3c/B/A/ (3F/B/A/ (3G/F/E/| | |||
(3D/F/B/ (3E/G/B/ F>G|B/<d/G/>B/ F/.D/C/>F/|DB, B,::c|d>c B/A/G/F/|G/B/A/c/ B>c|{e}dc/B/ A/B/c/d/| | |||
ec cd/c/|(3B/d/c/ (3B/A/G/ (3F/B/A/ (3G/F/E/|(3D/B,/D/ (3E/F/G/ F>G|(3B/c/d/ (3e/f/g/ (3f/d/B/ (3A/c/e/|dB B:|] | |||
<section end=X1a /> | |||
<section begin=X1b /> | |||
X:10 | |||
T:Rose Tree. MBe.10 | |||
A:England;Cumbria;Towcett | |||
B:Matthew Betham MS, Towcett Cumbria, 1815 | |||
Z:VMP - Hugh Taylor, 2012 | |||
M:2/4 | |||
L:1/8 | |||
Q:1/4=100 | |||
R: | |||
N:NB1-The 7th bar of the A has the 4 semi-quavers written as quavers | |||
N:NB2-The 7th bar of the B has 5 semi-quavers. I have assumed that the first one is a crotchet. | |||
K:D | |||
f/e/|dB AG|A>BAc|d2 f/e/d/e/|fe e/g/f/e/|dB AG|A>BAc|d2 "^qu's in MS"f/e/d/e/|edd:| | |||
|:g|fefg|f/g/a gf|eaag|ae ef/e/|dB AG|A>BAc|"^NB2"d2 f/e/d/e/|fdd:| | |||
<section end=X1b /> | |||
<section begin=X1c /> | |||
X:1 | |||
T:Rose Tree in full bearing, The | |||
M:2/4 | M:2/4 | ||
L:1/8 | L:1/8 | ||
R:Country Dance Tune | R:Country Dance Tune | ||
B: | B:Patrick McGahon music manuscript collection (1817, No. 55) | ||
N:McGahon was a scribe of Irish language literature who lived in | |||
N:Dungooley, County Louth, on the Armagh border. He was a | |||
N:teacher with The Irish Society in the early 19th century, but little | |||
N:else is known about him. A few tunes in the ms. are written in other N:hands. | |||
B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p.450) | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
f/e/|d>B B/A/G/F/|A2 (AB/c/)|d2 (f/e/).d/.e/|fee f/e/| | |||
d>B B/A/G/F/|A2 AB/c/|d2 (f/e/).d/.e/|fdd:| | |||
|:a/g/|fd d/e/f/g/|a2 gf|ebb^a|bee f/e/| | |||
dB B/A/G/F/|A2 AB/c/|d2 f/e/d/e/|fdd:| | |||
<section end=X1c /> | |||
<section begin=X1 /> | |||
X:1 | |||
T:Rosetree, The | |||
M:2/4 | |||
L:1/8 | |||
B: Henry Philerin Hudson - Collection of Irish Music, vol. 1 (c. 1840-50, No. 51) | |||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K: | K:C | ||
e/d/|cA GE|G2 GA|c2 e/d/c/d/|ed de/d/|cA GE|G2 GA|c2 e/d/c/d/|ec c|| | |||
c|ed ef|g2e2 |da ag|ad !fermata!d g/4f/4e/4d/4|cA GE|G2 GA|c2 e/d/c/d/|ec c|| | |||
| | <section end=X1 /> | ||
<section end= | |||
<section begin=X2 /> | <section begin=X2 /> | ||
X:1 | X:1 | ||
T:Rose Tree, The | |||
M:2/4 | |||
L:1/8 | |||
R:Country Dance Tune | |||
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 20, p. 10) | |||
Z:AK/Fiddler's Companion | |||
K:F | |||
(a/g/)|.f.d.c.A|c3 d|f2 (a/g/f/).g/|(ag).g (a/g/)|.f.d.c.A|c>{e}dc d|f2 (a/g/).f/.g/|{f}a.f.f:| | |||
|:g|(ag).a>.b|c’2-b.a|(gd').d'.c'|(d'g){^fga}!fermata!g (a/g/)|=.f.d.c.A|(c>{e}d)c d|f>f (a/g/f/).g/|{fg}a.f.f:|] | |||
<section end=X2 /> | |||
<section begin=abc /> | |||
X:2 | |||
T:Rose Tree, The | T:Rose Tree, The | ||
M:2/4 | M:2/4 | ||
L:1/8 | L:1/8 | ||
Q:"Moderato" | Q:"Moderato" | ||
B:P.M. Haverty | B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 90, p. 38) | ||
Z:AK/ | Z:AK/Fiddler's Companion | ||
K:Eb | K:Eb | ||
(g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gff (g/f/)| | (g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gff (g/f/)|ecBG|B>cB c/d/|e>e g/f/e/f/|gee|| | ||
ecBG|B>cB c/d/|e>e g/f/e/f/|gee|| | f|gfga|b2 ag|fc'c'b|c'ff (g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gee|| | ||
f|gfga|b2 ag|fc'c'b|c'ff (g/f/| | <section end=abc /> | ||
e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gee|| | |||
<section end= | |||
<section begin=X3 /> | <section begin=X3 /> | ||
X: | X:3 | ||
T:Rosetree, The | T:Rosetree, The | ||
M:2/4 | M:2/4 | ||
L:1/8 | L:1/8 | ||
R:Country Dance | R:Country Dance | ||
B:Hughes | B:Hughes - Gems from the Emerald Isles (London, 1867,, No. 65, p. 15) | ||
Z:AK/ | Z:AK/Fiddler's Companion | ||
K:A | K:A | ||
c/B/|AFEC|E2 EF|A2 BA/B/|cBB c/>B/| | c/B/|AFEC|E2 EF|A2 BA/B/|cBB c/>B/|AFEC|E2 EF|A2 c/B/A/B/|cAA|| | ||
AFEC|E2 EF|A2 c/B/A/B/|cAA|| | d|cBcd|e2 dc|Bffe|fB!fermata!B !fermata!c/>B/|AFEC|E2 E>F|A2 c/B/A/B/|cAA|| | ||
d|cBcd|e2 dc|Bffe|fB!fermata!B !fermata!c/>B/| | |||
AFEC|E2 E>F|A2 c/B/A/B/|cAA|| | |||
<section end=X3 /> | <section end=X3 /> | ||
<section begin=X4 /> | <section begin=X4 /> | ||
X: | X:4 | ||
T:Rose Tree | T:Rose Tree | ||
M:C | M:C | ||
Line 76: | Line 151: | ||
d2B2A2 FG |AB AF A2 FA|d2cd (3efe de| f2d2d2:|] | d2B2A2 FG |AB AF A2 FA|d2cd (3efe de| f2d2d2:|] | ||
<section end=X4 /> | <section end=X4 /> | ||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
<section begin=X1 /> | <section begin=X1 /> | ||
<section end=X1 /> | <section end=X1 /> | ||
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<font face="sans-serif" size="4"> | |||
<div class="noprint"> | <div class="noprint"> | ||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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__NOTITLE__ | __NOTITLE__ |
Latest revision as of 18:17, 12 June 2023
X:1 T:Rose Tree, The M:2/4 L:1/8 B:Daniel McLaren - Collection of Strathspey Reels, etc. (Edinburgh, 1794) K:Bb (d/c/)|.B(G FD)|F2 (FG)|B2 d/c/B/c/|d>c !fermata!cd/c/|B(G FD)|F2 (FG)|B2 ed/c/B/c/|.d(.B .B):| |:c|(dc) .d.e|(gf) (ed)|(cg) gf|gc !fermata!ce/d/|{fedc}BG FD|[B,2F2]FG|[D2B2] d/c/B/c/|dB B:| |:d/c/|B/d/G/B/ F/G/F/D?|F2 (FG)|B/d/f/b/ g/>f/e/d/|d>c cd/c/|B/d/B/G/ F/G/F/D/|F2 (F>G)|B/d/f/b/ f/e/d/c/|dB B:| |:c|d>c BV/d/c/e/|d/f/e/g/ (g/f/)e/d/|c>g g/f/e/d/|gc cd/c/|B/f/d/B/ A/d/F/D/| B,/D/D/F/ F/B/G/B/|1 F/B/d/f/ f/e/d/c/|dB B:|2 F/B/d/B/ F/D/C/E/|DB, B,|| |:d/c/|B/d/c/B/ A/G/F/E/|(D/F/)(B/G/) F>G|B/G/B/d/ f/d/Tc/B/|A>c cd/c/|B/d/c/B/ A/G/F/E/|E/B/G/B/ F>G|B/f/d/ g/e/c/f/|dB B:| |:c|d/e/c/d/ B/d/c/e/|d/f/e/g/ f/b/f/d/ |ce/d/ (c/g/).g/.f/|gc cd/c/|B/f/d/B/ F/B/G/B/ |F/G/F/D/ F>G|B/b/a/g/ f/d/c/f/|dB B:| |:d/c/|B>G (F/D/)(G/E/)|F/D/F/G/ F>G|(B/A/).G/.F/ (G/A/).B/.c/|d>c cd/c/|B>d G/B/A/G/|F/D/F/G/ F>G|B/d/c/B/ A/G/F/E/|DB, B,:| |:c|d>c B/F/c/F/|d/B/e/B/ f/d/c/B/|(e/d/).c/.B/ (g/f/).e/.d/|d>c c>(3f/2g/4a/4|bf/d/ BF/D/|B,/D/F/G/ F>G|B/b/f/d/ g/e/c/f/|dB B:| |:d/c/|(3B/d/c/ (3B/A/G/ (3F/B/A/ (3G/F/E/|(3D/F/B/ (3E/G/B/ F>G|B/A/G/B/ F/B/F/D/|Cc- cd/c/|(3B/d/B/ (3c/B/A/ (3F/B/A/ (3G/F/E/| (3D/F/B/ (3E/G/B/ F>G|B/<d/G/>B/ F/.D/C/>F/|DB, B,::c|d>c B/A/G/F/|G/B/A/c/ B>c|{e}dc/B/ A/B/c/d/| ec cd/c/|(3B/d/c/ (3B/A/G/ (3F/B/A/ (3G/F/E/|(3D/B,/D/ (3E/F/G/ F>G|(3B/c/d/ (3e/f/g/ (3f/d/B/ (3A/c/e/|dB B:|]
X:10
T:Rose Tree. MBe.10
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
M:2/4
L:1/8
Q:1/4=100
R:
N:NB1-The 7th bar of the A has the 4 semi-quavers written as quavers
N:NB2-The 7th bar of the B has 5 semi-quavers. I have assumed that the first one is a crotchet.
K:D
f/e/|dB AG|A>BAc|d2 f/e/d/e/|fe e/g/f/e/|dB AG|A>BAc|d2 "^qu's in MS"f/e/d/e/|edd:|
|:g|fefg|f/g/a gf|eaag|ae ef/e/|dB AG|A>BAc|"^NB2"d2 f/e/d/e/|fdd:|
X:1
T:Rose Tree in full bearing, The
M:2/4
L:1/8
R:Country Dance Tune
B:Patrick McGahon music manuscript collection (1817, No. 55)
N:McGahon was a scribe of Irish language literature who lived in
N:Dungooley, County Louth, on the Armagh border. He was a
N:teacher with The Irish Society in the early 19th century, but little
N:else is known about him. A few tunes in the ms. are written in other N:hands.
B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p.450)
Z:AK/Fiddler’s Companion
K:D
f/e/|d>B B/A/G/F/|A2 (AB/c/)|d2 (f/e/).d/.e/|fee f/e/|
d>B B/A/G/F/|A2 AB/c/|d2 (f/e/).d/.e/|fdd:|
|:a/g/|fd d/e/f/g/|a2 gf|ebb^a|bee f/e/|
dB B/A/G/F/|A2 AB/c/|d2 f/e/d/e/|fdd:|
X:1
T:Rosetree, The
M:2/4
L:1/8
B: Henry Philerin Hudson - Collection of Irish Music, vol. 1 (c. 1840-50, No. 51)
Z:AK/Fiddler’s Companion
K:C
e/d/|cA GE|G2 GA|c2 e/d/c/d/|ed de/d/|cA GE|G2 GA|c2 e/d/c/d/|ec c||
c|ed ef|g2e2 |da ag|ad !fermata!d g/4f/4e/4d/4|cA GE|G2 GA|c2 e/d/c/d/|ec c||
X:1
T:Rose Tree, The
M:2/4
L:1/8
R:Country Dance Tune
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 20, p. 10)
Z:AK/Fiddler's Companion
K:F
(a/g/)|.f.d.c.A|c3 d|f2 (a/g/f/).g/|(ag).g (a/g/)|.f.d.c.A|c>{e}dc d|f2 (a/g/).f/.g/|{f}a.f.f:|
|:g|(ag).a>.b|c’2-b.a|(gd').d'.c'|(d'g){^fga}!fermata!g (a/g/)|=.f.d.c.A|(c>{e}d)c d|f>f (a/g/f/).g/|{fg}a.f.f:|]
X:2
T:Rose Tree, The
M:2/4
L:1/8
Q:"Moderato"
B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 90, p. 38)
Z:AK/Fiddler's Companion
K:Eb
(g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gff (g/f/)|ecBG|B>cB c/d/|e>e g/f/e/f/|gee||
f|gfga|b2 ag|fc'c'b|c'ff (g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gee||
X:3
T:Rosetree, The
M:2/4
L:1/8
R:Country Dance
B:Hughes - Gems from the Emerald Isles (London, 1867,, No. 65, p. 15)
Z:AK/Fiddler's Companion
K:A
c/B/|AFEC|E2 EF|A2 BA/B/|cBB c/>B/|AFEC|E2 EF|A2 c/B/A/B/|cAA||
d|cBcd|e2 dc|Bffe|fB!fermata!B !fermata!c/>B/|AFEC|E2 E>F|A2 c/B/A/B/|cAA||
X:4
T:Rose Tree
M:C
L:1/8
R:Polka or March
K:D
|:fe|d2 B2 A2 F2|AB AF A2A2| d2cde2 de| f2e2 eg fe|
d2B2A2F2| AB AF A2A2 |d2cd (3efe de|f2d2d2:|
|:e2|f3ef2g2| a4g2f2|e2b2b3a |b2e2 egfe |
d2B2A2 FG |AB AF A2 FA|d2cd (3efe de| f2d2d2:|]