Haymaker's Jig (2): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Hay Makers (2) (The)
|f_tune_title=Hay Makers (2) (The)
|f_aka=Foree (The), Haymaker's Dance in Fortunatas, Merry Hay Haymakers, New Hay Makers (The)
|f_aka=Foree (The), Haymaker's Dance in Fortunatas, Haymaking, Merry Hay Haymakers, New Hay Makers (The)
|f_country=Scotland
|f_country=England, Scotland
|f_genre=Scottish
|f_genre=English, Scottish, Stage
|f_rhythm=Jig/Quadrille
|f_rhythm=Jig/Quadrille
|f_time_signature=6/8
|f_time_signature=6/8
Line 9: Line 9:
|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=ENGLAND(London and South East)
|f_structure=AABBCC
|f_structure=AABBCC
|f_book_title=Collection of Scots Measures
|f_book_title=Rutherford's Compleat Collection of 200 Country Dances vol. 2
|f_collector=Alexander McGlashan
|f_collector=David Rutherford
|f_year=1781
|f_year=1760
|f_page=p. 15
|f_page=No. 102, p. 51
|f_theme_code_index=1232 1231
|f_theme_code_index=1232 1231
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
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<pre>
<section begin=abc />
X:1
T:Hay Makers Dance in Fortunatus, The
M:6/8
L:1/8
R:Jig and Country Dance Tune
B:David Rutherford – Rutherford’s Compleat Collection of 200 Favourite
B:Country Dances, vol. 2 (London, c. 1760, No. 102, p. 51)
Z:AK/Fiddler’s Companion
K:G
D|G2B (A/B/c)A |B2G AFD|G2B (AB/c)A|(B/c/d)B G2:|
|:G|B2d g2d|(e/f/g)e dBG|B2 d g2d|(e/f/g)e d2:|
|:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/c)A G2:|]
<section end=abc />
<section begin=X1 />
X:1
X:1
%
T:Hay Makers [2], The  
T:Hay Makers [2], The  
M:6/8
M:6/8
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|:c|B2d g2d|e/f/ge dBG|B2d g2d|e/f/ge d2:|
|:c|B2d g2d|e/f/ge dBG|B2d g2d|e/f/ge d2:|
|:B|c2e dBG|AcA B2G|c2e dBG|A/B/cA G2:|  
|:B|c2e dBG|AcA B2G|c2e dBG|A/B/cA G2:|  
</pre>
<section end=X1 />
<pre>
<section begin=X2 />
X:2
X:2
%
T:Hay makers [2], The
T:Hay makers [2], The
M:6/8
M:6/8
Line 46: Line 74:
|:G|B2d g2d|(e/f/g)e dBG|B2d g2d|(e/f/g)e d2:|
|:G|B2d g2d|(e/f/g)e dBG|B2d g2d|(e/f/g)e d2:|
|:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/cA) G2:|]
|:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/cA) G2:|]
</pre>
<section end=X2 />
<pre>
<section begin=X3 />
X:1
X:1
%
T:Haymakers (Old English)
T:Haymakers (Old English)
M:6/8
M:6/8
L:1/8
L:1/8
R:Country Dance
R:Country Dance
N:"Moderato"
Q:"Moderato"
B:Thomas Wilson - A Companion to the Ball Room (London, 1816, p. 111)
B:Thomas Wilson - A Companion to the Ball Room (London, 1816, p. 111)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:G
K:G
"Moderato"G2B A/B/cA |B2G AFD|G2B A/B/cA|B/c/dB G3:|
G2B A/B/cA |B2G AFD|G2B A/B/cA|B/c/dB G3:|
|:B2d g2d|ege dBG|B2d g2d|ege d3:|
|:B2d g2d|ege dBG|B2d g2d|ege d3:|
|:c2e dBG|A/B/cA B2G|c2e dBG|A/B/cA G3:|]
|:c2e dBG|A/B/cA B2G|c2e dBG|A/B/cA G3:|]
</pre>
<section end=X3 />
<pre>
<section begin=X5 />
X:2
X:2
%
T:Hay Makers [2], The  
T:Hay Makers [2], The  
M:6/8
M:6/8
Line 75: Line 101:
|: e2g c'2g | ac'a gec | e2g c'2g | ac'a g3 :|
|: e2g c'2g | ac'a gec | e2g c'2g | ac'a g3 :|
|: e2a gec | ded gec | e2a gec | ded c3 :||
|: e2a gec | ded gec | e2a gec | ded c3 :||
</pre>
<section end=X5 />
<pre>
<section begin=X8 />
X:15
T:Hay Makers [2]. Roose.0015, The
T:Haymakers. Roose.0015, The
B:J.Roose MS, Manchester, 1850
Z:Village Music Project 2019 Eric Conrad
M:6/8
Q:3/8=120
L:1/8
N:A variant of this jig is common in American contradance.
N:
N:Abc2midi ignores the spiccato (wedge) in playback and generated warnings to that effect.
N:(These five warnings can be ignored.)
K:G
|: D | G2B (A/B/c)!wedge!A | B2G AFD | G2B (A/B/c)!wedge!A | (B/c/d)!wedge!B G2 :|
|: G | B2d g2d | eae dBG | B2d g2d | ege d2 :|
|: B | c2e dBG | (A/B/c)!wedge!A B2G | c2e dBG | (A/B/c)!wedge!A G2 :|
<section end=X8 />
<section begin=X11 />
X:1
T:Hay Makers [2]
M:6/8
L:1/8
S:Anonymous 1862 American music manuscript collection (p. 7)
N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up
Z:AK/Fiddler’s Companion
K:G
D|GAB ABc|BAG AFD|GAB ABc|BdB G2:|
|:B2d g2d|ege dBG|B2d g2d|ege d2z:|
|:B2e dBG|ABA dBA|B2e dBG|ABA G2z:|]
<section end=X11 />
<section begin=X14/>
X:1
T:Haymakers' Jig [2]
M:6/8
L:1/8
R:Country Dance
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 41)
Z:AK/Fiddler’s Companion
K:G
D|G2B A/B/cA|G2E AFD|G2B A/B/cA|B/c/dB G2:|
|:c|B2d g2d|(e/f/)ge dBG|B2d g2d|(e/f/)ge d2:|
|:B|c2e dBG|cBA BAG|cde dBG|ABA G2:|]
<section end=X14 />
<section begin=X19 />
X:1
X:1
T:Haymakers’, The
T:Haymakers’, The
Line 94: Line 164:
|:B>dg>d|(3efg (3dBG|B>dg>d|e2d2:|
|:B>dg>d|(3efg (3dBG|B>dg>d|e2d2:|
|:c>e (3dBG|(3AGA B>G|c>e (3dBG|(3ABA G2:|]
|:c>e (3dBG|(3AGA B>G|c>e (3dBG|(3ABA G2:|]
</pre>
<section end=X19 />
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=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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__NOTITLE__

Latest revision as of 17:17, 27 June 2023


Haymaker's Jig (2)  Click on the tune title to see or modify Haymaker's Jig (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Haymaker's Jig (2)
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 Theme code Index    1232 1231
 Also known as    Foree (The), Haymaker's Dance in Fortunatas, Haymaking, Merry Hay Haymakers, New Hay Makers (The)
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Scottish, Stage
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    ENGLAND(London and South East)
 Structure    AABBCC
 Editor/Compiler    Biography:David Rutherford
 Book/Manuscript title    Book:Rutherford's Compleat Collection of 200 Country Dances vol. 2
 Tune and/or Page number    No. 102, p. 51
 Year of publication/Date of MS    1760
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



X:1 T:Hay Makers Dance in Fortunatus, The M:6/8 L:1/8 R:Jig and Country Dance Tune B:David Rutherford – Rutherford’s Compleat Collection of 200 Favourite B:Country Dances, vol. 2 (London, c. 1760, No. 102, p. 51) Z:AK/Fiddler’s Companion K:G D|G2B (A/B/c)A |B2G AFD|G2B (AB/c)A|(B/c/d)B G2:| |:G|B2d g2d|(e/f/g)e dBG|B2 d g2d|(e/f/g)e d2:| |:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/c)A G2:|]


X:1 T:Hay Makers [2], The M:6/8 L:1/8 R:Jig B:McGlashan - Collection of Scots Measures (1781) Z:AK/Fiddler's Companion K:G D|G2B A/B/cA|B2G AFD|G2B A/B/cA|B/c/dB G2:| |:c|B2d g2d|e/f/ge dBG|B2d g2d|e/f/ge d2:| |:B|c2e dBG|AcA B2G|c2e dBG|A/B/cA G2:|


X:2 T:Hay makers [2], The M:6/8 L:1/8 R:Jig B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 42, p. 15) Z:AK/Fiddler’s Companion K:G D|G2B (A/B/c)A|B2G AFD|G2B (A/B/c)A|(B/c/d)B G2:| |:G|B2d g2d|(e/f/g)e dBG|B2d g2d|(e/f/g)e d2:| |:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/cA) G2:|]


X:1 T:Haymakers (Old English) M:6/8 L:1/8 R:Country Dance Q:"Moderato" B:Thomas Wilson - A Companion to the Ball Room (London, 1816, p. 111) Z:AK/Fiddler's Companion K:G G2B A/B/cA |B2G AFD|G2B A/B/cA|B/c/dB G3:| |:B2d g2d|ege dBG|B2d g2d|ege d3:| |:c2e dBG|A/B/cA B2G|c2e dBG|A/B/cA G3:|]


X:2 T:Hay Makers [2], The M:6/8 L:1/8 R:Jig S:Howe - Complete Preceptor for the Accordeon (1843) Z:AK/Fiddler's Companion K:C G | cde def | edc dBG | cde def | ege c2 :| |: e2g c'2g | ac'a gec | e2g c'2g | ac'a g3 :| |: e2a gec | ded gec | e2a gec | ded c3 :||


X:15 T:Hay Makers [2]. Roose.0015, The T:Haymakers. Roose.0015, The B:J.Roose MS, Manchester, 1850 Z:Village Music Project 2019 Eric Conrad M:6/8 Q:3/8=120 L:1/8 N:A variant of this jig is common in American contradance. N: N:Abc2midi ignores the spiccato (wedge) in playback and generated warnings to that effect. N:(These five warnings can be ignored.) K:G |: D | G2B (A/B/c)!wedge!A | B2G AFD | G2B (A/B/c)!wedge!A | (B/c/d)!wedge!B G2 :| |: G | B2d g2d | eae dBG | B2d g2d | ege d2 :| |: B | c2e dBG | (A/B/c)!wedge!A B2G | c2e dBG | (A/B/c)!wedge!A G2 :|


X:1 T:Hay Makers [2] M:6/8 L:1/8 S:Anonymous 1862 American music manuscript collection (p. 7) N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up Z:AK/Fiddler’s Companion K:G D|GAB ABc|BAG AFD|GAB ABc|BdB G2:| |:B2d g2d|ege dBG|B2d g2d|ege d2z:| |:B2e dBG|ABA dBA|B2e dBG|ABA G2z:|]


X:1 T:Haymakers' Jig [2] M:6/8 L:1/8 R:Country Dance B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 41) Z:AK/Fiddler’s Companion K:G D|G2B A/B/cA|G2E AFD|G2B A/B/cA|B/c/dB G2:| |:c|B2d g2d|(e/f/)ge dBG|B2d g2d|(e/f/)ge d2:| |:B|c2e dBG|cBA BAG|cde dBG|ABA G2:|]


X:1 T:Haymakers’, The T:Haymaker's Jig (2) M:2/4 L:1/8 N:Frank Kidson notes that the tune occurs in a N:Pantomime called Fortunatus written in 1753 by N:James Oswald, a Scottish musician, who settled in N:London in 1741 and became “Chamber Composer to His N:Majesty George III.” R:Country Dance Tune B:Moffat - Dances of the Olden Time (1922, p. 17) Z:AK/Fiddler's Companion K:G G>BA>c|B>G (3AFD|G>BA>c|(3BdB G2:| |:B>dg>d|(3efg (3dBG|B>dg>d|e2d2:| |:c>e (3dBG|(3AGA B>G|c>e (3dBG|(3ABA G2:|]